℗ 2024 Tactus Records
Released | March 1, 2024 |
Duration | 46m 01s |
Record Label | Tactus |
Catalogue No. | TC701308 |
Genre | Classical (Classical Era) |
Martini: Musiche per il triduo in onore del beato Giuseppe da Copertino (Live)
Ecclesia Nova, Concerto Romano, Alessandro Quarta
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
1.1
|
Deus in adjutorium (Live)
Giovanni Battista Martini; Anonymous; Marco Saccardin; Concerto Romano |
0:20 | |||
1.2
|
Domine, ad adjuvandum me festina (Live)
Giovanni Battista Martini; Anonymous; Ecclesia Nova; Concerto Romano; Alessandro Quarta; Giulia Bolcato; Carlotta Colombo; Chiara Brunello; Luca Cervoni; Mauro Borgioni |
1:46 | |||
1.3
|
Gloria Patri (Live)
Giovanni Battista Martini; Anonymous; Concerto Romano; Giulia Bolcato; Alessandro Quarta |
2:27 | |||
1.4
|
Sicut erat in principio (Live)
Giovanni Battista Martini; Anonymous; Ecclesia Nova; Concerto Romano; Alessandro Quarta; Giulia Bolcato; Carlotta Colombo; Chiara Brunello; Luca Cervoni |
2:25 | |||
1.5
|
Serve bone (Live)
Giovanni Battista Martini; Anonymous; Carlotta Colombo; Concerto Romano |
1:02 | |||
1.6
|
Laudate Dominum omnes gentes (Live)
Giovanni Battista Martini; Anonymous; Ecclesia Nova; Concerto Romano; Alessandro Quarta |
3:24 | |||
1.7
|
Similabo eum (Live)
Giovanni Battista Martini; Anonymous; Luca Cervoni; Concerto Romano |
1:12 | |||
1.8
|
Magnificat in D Major (Live)
Giovanni Battista Martini; Anonymous; Ecclesia Nova; Concerto Romano; Alessandro Quarta; Giulia Bolcato; Carlotta Colombo; Chiara Brunello; Luca Cervoni; Emanuele Petracco; Mauro Borgioni; Marco Saccardin |
7:57 | |||
Trumpet Sonata in D Major, G. 1
|
|||||
1.9
|
I. Andante (Live)
Giuseppe Torelli; Concerto Romano; Alessandro Quarta |
2:15 | |||
1.10
|
II. Allegro (Live)
Giuseppe Torelli; Concerto Romano; Alessandro Quarta |
1:48 | |||
1.11
|
III. Grave (Live)
Giuseppe Torelli; Concerto Romano; Alessandro Quarta |
2:18 | |||
1.12
|
IV. Allegro (Live)
Giuseppe Torelli; Concerto Romano; Alessandro Quarta |
1:55 | |||
1.13
|
Te Deum laudamus (Live)
Giovanni Battista Martini; Anonymous; Mauro Borgioni; Concerto Romano |
0:35 | |||
Te Deum in D Major
|
|||||
1.14
|
Te Deum laudamus (Live)
Giovanni Battista Martini; Liturgical Texts; Ecclesia Nova; Concerto Romano; Alessandro Quarta; Giulia Bolcato; Carlotta Colombo; Chiara Brunello; Luca Cervoni; Emanuele Petracco; Mauro Borgioni; Marco Saccardin |
3:42 | |||
1.15
|
Te gloriosus Apostolorum chorus (Live)
Giovanni Battista Martini; Anonymous; Concerto Romano; Mauro Borgioni; Alessandro Quarta |
1:50 | |||
1.16
|
Te per orbem terrarum (Live)
Giovanni Battista Martini; Anonymous; Ecclesia Nova; Concerto Romano; Alessandro Quarta; Giulia Bolcato; Carlotta Colombo; Chiara Brunello; Luca Cervoni; Emanuele Petracco; Mauro Borgioni; Marco Saccardin |
3:08 | |||
1.17
|
Te ergo quaesumus - Aeterna fac (Live)
Giovanni Battista Martini; Anonymous; Chiara Brunello; Concerto Romano; Alessandro Quarta |
3:14 | |||
1.18
|
Et rege eos (Live)
Giovanni Battista Martini; Anonymous; Carlotta Colombo; Concerto Romano; Alessandro Quarta |
1:30 | |||
1.19
|
Dignare Domine (Live)
Giovanni Battista Martini; Anonymous; Ecclesia Nova; Concerto Romano; Alessandro Quarta; Giulia Bolcato; Carlotta Colombo; Chiara Brunello; Luca Cervoni |
3:13 | |||
Digital Booklet
|
The fame of Father Giambattista Martini is largely due to the activity as a historiographer, theoretician and teacher of music unceasingly carried out by him in the Bolognese convent of S. Francesco: his monumental Storia della musica, the first history of music ever written in Italian and published in Italy, was hailed by the most distinguished personalities of that period, who unanimously praised his deep erudition; and a great number of young composers and musicographers from all over Europe, wishing to learn the secrets of this art, stopped in Bologna to receive a training or perfect their knowledge under his guidance. A less celebrated activity of Martini’s was that as a composer, which he carried out continuously as maestro di cappella in the Basilica next to the Bolognese convent, from 1725 to the time of his death. The pieces presented in this cd relate a little-known episode in Martini’s life, an episode that shows how highly he was appreciated also as a composer. Alessandro Quarta, leading the Concerto Romano and the vocal ensemble Ecclesia Nova, is the protagonist of this precious world premiere recording, a live production by Tactus of the concert held in Bologna at the Basilica of San Francesco on 21st of April 2023.
44.1 kHz / 24-bit PCM – Tactus Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -7.64 -14.80 to -1.34 | -26.84 -32.26 to -20.59 | -23.12 -28.80 to -16.90 | 13 11 to 16 | |
1 | Deus in adjutorium (Live) | -11.96 | -30.04 | -25.9 | 11 |
2 | Domine, ad adjuvandum me festina (Live) | -3.04 | -23.01 | -19.2 | 12 |
3 | Gloria Patri (Live) | -6.36 | -26.71 | -22.7 | 13 |
4 | Sicut erat in principio (Live) | -2.71 | -20.97 | -17.2 | 11 |
5 | Serve bone (Live) | -14.80 | -32.07 | -28.8 | 11 |
6 | Laudate Dominum omnes gentes (Live) | -2.66 | -22.69 | -19.5 | 12 |
7 | Similabo eum (Live) | -13.30 | -31.75 | -28.3 | 13 |
8 | Magnificat in D Major (Live) | -2.67 | -25.13 | -21.6 | 14 |
9 | I. Andante (Live) | -9.22 | -27.99 | -24.3 | 12 |
10 | II. Allegro (Live) | -7.54 | -26.88 | -23.0 | 14 |
11 | III. Grave (Live) | -10.84 | -32.26 | -27.9 | 13 |
12 | IV. Allegro (Live) | -4.63 | -26.93 | -23.0 | 16 |
13 | Te Deum laudamus (Live) | -12.65 | -30.59 | -27.3 | 11 |
14 | Te Deum laudamus (Live) | -1.34 | -22.18 | -18.7 | 13 |
15 | Te gloriosus Apostolorum chorus (Live) | -5.66 | -26.45 | -22.2 | 13 |
16 | Te per orbem terrarum (Live) | 0.00 | -22.13 | -18.3 | 14 |
17 | Te ergo quaesumus - Aeterna fac (Live) | -9.72 | -30.89 | -27.5 | 12 |
18 | Et rege eos (Live) | -10.86 | -30.77 | -27.0 | 13 |
19 | Dignare Domine (Live) | 0.00 | -20.59 | -16.9 | 13 |