℗ 2024 Ravello Records
| Released | February 9, 2024 |
| Duration | 1h 00m 50s |
| Record Label | Ravello Records |
| Catalogue No. | RR8100 |
| Genre | Classical (Chamber) |
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1.1
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La dernière nuit
David Salleras; Cecily Terhune; Carly Hood |
8:08 | |||
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1.2
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Zippy!
Gregory Wanamaker; Carly Hood; Cecily Terhune |
4:02 | |||
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6 Riffs After Ovid
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1.3
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No. 1, Maceo Parker "Pan"
Michael Daugherty; Cecily Terhune |
1:42 | |||
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1.4
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No. 2, Buddy Holly "Phaeton"
Michael Daugherty; Cecily Terhune |
2:03 | |||
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1.5
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No. 3, Joni Mitchell "Niobe"
Michael Daugherty; Cecily Terhune |
2:47 | |||
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1.6
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No. 4, Jim Morrison "Bacchus"
Michael Daugherty; Cecily Terhune |
1:32 | |||
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1.7
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No. 5, Prince "Narcissus"
Michael Daugherty; Cecily Terhune |
1:50 | |||
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1.8
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No. 6, Aretha Franklin "Arethusa"
Michael Daugherty; Cecily Terhune |
2:43 | |||
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Peppercorn Suite
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1.9
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I. Black
Jim Rhinehart; Cecily Terhune; Carly Hood |
1:38 | |||
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1.10
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II. Pink
Jim Rhinehart; Cecily Terhune; Carly Hood |
2:30 | |||
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1.11
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III. Green
Jim Rhinehart; Cecily Terhune; Carly Hood |
1:58 | |||
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1.12
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IV. White
Jim Rhinehart; Cecily Terhune; Carly Hood |
2:04 | |||
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Frost
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1.13
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I. Erik Prelude
Marc Mellits; Cecily Terhune |
2:40 | |||
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1.14
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II. Annika
Marc Mellits; Cecily Terhune |
3:38 | |||
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1.15
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III. Karl
Marc Mellits; Cecily Terhune |
1:48 | |||
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1.16
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IV. Adrienne
Marc Mellits; Cecily Terhune |
2:46 | |||
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1.17
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V. Erik Postlude
Marc Mellits; Cecily Terhune |
1:50 | |||
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1.18
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Flight Mode
Rachel Stott; Cecily Terhune |
4:16 | |||
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Boon Bestowed
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1.19
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I. Sir Joan - Possibility
Katie Madonna Lee; Cecily Terhune |
3:38 | |||
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1.20
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II. Malala - Knowledge
Katie Madonna Lee; Cecily Terhune |
1:58 | |||
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1.21
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III. The Madonna - Life
Katie Madonna Lee; Cecily Terhune |
2:46 | |||
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1.22
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IV. Queen M.P. Johnson - Justice
Katie Madonna Lee; Cecily Terhune |
2:33 | |||
Indianapolis saxophonist Cecily Terhune dives headfirst into an exploration of heroism on her genre-defying debut album Boon Bestowed. Harnessing the principles laid out in Joseph Campbell’s seminal theory of mythology, Terhune creates a captivating, musical microcosm in which the listener is invited to take center stage as the audacious protagonist.
The theory goes as follows: Most myths in human history have an archetypal heroine/hero who answers a call to journey through a supernatural world. After undergoing a transformation of strength and character, the heroine returns equipped with material and/or incorporeal boons to bestow upon her community. Marveling at the highly diverse and exquisite mastery of the saxophone on Boon Bestowed, one is apt to wonder what supernatural landscapes Terhune might have traversed herself.
48 kHz / 24-bit PCM – Ravello Records Studio Masters
Tracks 9-12 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit
Tracks 9-12 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.48 -10.49 to -1.01 | -21.90 -26.62 to -17.34 | -18.25 -22.90 to -13.80 | 10 8 to 13 | |
| 1 | La dernière nuit | -1.02 | -21.18 | -18.1 | 12 |
| 2 | Zippy! | -1.34 | -21.24 | -17.9 | 12 |
| 3 | No. 1, Maceo Parker "Pan" | -7.93 | -23.72 | -19.8 | 10 |
| 4 | No. 2, Buddy Holly "Phaeton" | -6.24 | -23.60 | -19.4 | 10 |
| 5 | No. 3, Joni Mitchell "Niobe" | -9.12 | -26.62 | -22.0 | 9 |
| 6 | No. 4, Jim Morrison "Bacchus" | -7.15 | -21.22 | -17.1 | 8 |
| 7 | No. 5, Prince "Narcissus" | -3.91 | -23.04 | -17.8 | 11 |
| 8 | No. 6, Aretha Franklin "Arethusa" | -6.52 | -22.90 | -18.8 | 10 |
| 9 | I. Black | -1.02 | -19.55 | -16.6 | 11 |
| 10 | II. Pink | -2.08 | -20.64 | -17.2 | 10 |
| 11 | III. Green | -1.02 | -19.70 | -16.6 | 12 |
| 12 | IV. White | -1.02 | -18.56 | -15.8 | 11 |
| 13 | I. Erik Prelude | -6.56 | -23.68 | -20.0 | 11 |
| 14 | II. Annika | -10.49 | -26.55 | -22.9 | 9 |
| 15 | III. Karl | -7.99 | -24.39 | -20.7 | 11 |
| 16 | IV. Adrienne | -9.85 | -25.28 | -21.9 | 8 |
| 17 | V. Erik Postlude | -4.66 | -22.90 | -19.4 | 13 |
| 18 | Flight Mode | -6.69 | -25.37 | -20.6 | 11 |
| 19 | I. Sir Joan - Possibility | -1.01 | -17.34 | -13.8 | 10 |
| 20 | II. Malala - Knowledge | -1.02 | -18.57 | -15.8 | 10 |
| 21 | III. The Madonna - Life | -1.01 | -18.28 | -14.8 | 11 |
| 22 | IV. Queen M.P. Johnson - Justice | -1.02 | -17.54 | -14.4 | 10 |