℗ 2023 Note 1 Music
Released January 19, 2024
Duration 1h 07m 27s
Record Label Glossa
Catalogue No. GCD923537
Genre Classical (Baroque Era)
 

Porpora: Music for the Venetian Ospedaletto

Josè Maria Lo Monaco, Stefano Aresi, Stile Galante

Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
  • Select Format
    • AIFF 96 kHz | 24-bit
    • FLAC 96 kHz | 24-bit
Add to cart
discounted price

 
Placida surge aurora, S. 232  
1.1
No. 1, Placida surge aurora
Anonymous; Nicola Porpora; Josè Maria Lo Monaco; Stile Galante; Stefano Aresi
5:38
1.2
No. 2, In tanta horroris nocte
Anonymous; Nicola Porpora; Josè Maria Lo Monaco; Stile Galante; Stefano Aresi
1:40
1.3
No. 3, Facis splendor consolator
Anonymous; Nicola Porpora; Josè Maria Lo Monaco; Stile Galante; Stefano Aresi
7:53
1.4
No. 4, Alleluia
Anonymous; Nicola Porpora; Josè Maria Lo Monaco; Stile Galante; Stefano Aresi
1:20
Salve Regina, S. 308  
1.5
No. 1, Salve Regina
Anonymous; Nicola Porpora; Josè Maria Lo Monaco; Stile Galante; Stefano Aresi
4:38
1.6
No. 2, Ad te clamamus
Anonymous; Nicola Porpora; Josè Maria Lo Monaco; Stile Galante; Stefano Aresi
1:19
1.7
No. 3, Ad te suspiramus
Anonymous; Nicola Porpora; Josè Maria Lo Monaco; Stile Galante; Stefano Aresi
2:41
1.8
No. 4, Eia ergo
Anonymous; Nicola Porpora; Josè Maria Lo Monaco; Stile Galante; Stefano Aresi
1:27
1.9
No. 5, Illos tuos
Anonymous; Nicola Porpora; Josè Maria Lo Monaco; Stile Galante; Stefano Aresi
2:45
1.10
No. 6, O clemens
Anonymous; Nicola Porpora; Josè Maria Lo Monaco; Stile Galante; Stefano Aresi
2:48
Cello Concerto in G Major  
1.11
I. Adagio
Nicola Porpora; Stile Galante; Stefano Aresi; Agnieszka Oszańca
4:37
1.12
II. Allegro
Nicola Porpora; Stile Galante; Stefano Aresi; Agnieszka Oszańca
5:31
1.13
III. Adagio
Nicola Porpora; Stile Galante; Stefano Aresi; Agnieszka Oszańca
3:26
1.14
IV. Allegro - Presto
Nicola Porpora; Stile Galante; Stefano Aresi; Agnieszka Oszańca
4:43
Qualis avis cui perempta, S. 234  
1.15
No. 1, Qualis avis cui perempta
Anonymous; Nicola Porpora; Josè Maria Lo Monaco; Stile Galante; Stefano Aresi
7:43
1.16
No. 2, Tu, animarum venator
Anonymous; Nicola Porpora; Josè Maria Lo Monaco; Stile Galante; Stefano Aresi
1:29
1.17
No. 3, Da per te, Virgo Regina
Anonymous; Nicola Porpora; Josè Maria Lo Monaco; Stile Galante; Stefano Aresi
6:03
1.18
No. 4, Alleluia
Anonymous; Nicola Porpora; Josè Maria Lo Monaco; Stile Galante; Stefano Aresi
1:46
Venice's four famous"Ospedali" – houses for orphans with a fundamental musical education and outstanding music ensembles and soloists – were among the city's most important cultural institutions for a long time. Many prominent musicians worked at the Ospedali, including the famous singer, singing teacher and opera composer Nicola Porpora. He worked at three of the four Ospedali between 1729 and 1747. At the so-called"Ospedaletto", he taught singing to several female students and also met the highly talented singer Angiola Moro, known as"Anzoletta". Porpora created some of the most demanding solo roles for her during his time at the Ospedaletto. The mezzo-soprano José Maria Lo Monaco, who has performed as an opera soloist (not only in baroque operas) on the world's great stages, has taken on"Anzoletta's" parts and presents two cantatas and a Salve Regina on this recording. She is accompanied by the Ensemble Stile Galante under the direction of Stefano Aresi, which completes the program with Porpora's cello concerto, interpreted by Agnieszka Oszanca.
96 kHz / 24-bit PCM – Glossa Studio Masters
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-5.16
-10.10 to -1.05
-25.33
-28.01 to -22.69
-22.35
-25.20 to -19.90
13
11 to 15
1
No. 1, Placida surge aurora
-2.21-22.69-19.913
2
No. 2, In tanta horroris nocte
-5.71-24.90-21.812
3
No. 3, Facis splendor consolator
-2.14-24.73-21.815
4
No. 4, Alleluia
-3.50-24.27-20.614
5
No. 1, Salve Regina
-6.18-25.51-22.812
6
No. 2, Ad te clamamus
-3.98-23.83-20.813
7
No. 3, Ad te suspiramus
-6.07-25.08-22.311
8
No. 4, Eia ergo
-6.94-26.75-23.613
9
No. 5, Illos tuos
-6.51-24.99-22.011
10
No. 6, O clemens
-6.06-25.37-22.413
11
I. Adagio
-7.24-28.01-25.212
12
II. Allegro
-5.94-26.41-23.713
13
III. Adagio
-10.10-27.55-24.611
14
IV. Allegro - Presto
-8.20-27.41-24.713
15
No. 1, Qualis avis cui perempta
-2.05-24.22-21.414
16
No. 2, Tu, animarum venator
-4.44-24.79-21.412
17
No. 3, Da per te, Virgo Regina
-1.05-23.58-20.514
18
No. 4, Alleluia
-4.64-25.81-22.814

Offers & New Releases

exclusive benefits for mailing list members

Subscribe Now

What is High-Resolution Audio?

High-resolution audio offers the highest-fidelity available, far surpassing the sound quality of traditional CDs. When you listen to music on a CD or tracks purchased via consumer services such as iTunes, you are hearing a low-resolution version of what was actually recorded and mastered in the studio. ProStudioMasters offers the original studio masters — exactly as the artist, producers and sound engineers mastered them — for download, directly to you.

What do I need for playback?

You may need additional software / hardware to take full advantage of the higher 24-bit high-res audio formats, but any music lover that has heard 16-bit vs 24-bit will tell you it's worth it!

Software for Mac OS X

Software for Windows

Hardware Suggestions