℗ 2023 Note 1 Music
Released | January 19, 2024 |
Duration | 1h 07m 27s |
Record Label | Glossa |
Catalogue No. | GCD923537 |
Genre | Classical (Baroque Era) |
Porpora: Music for the Venetian Ospedaletto
Josè Maria Lo Monaco, Stefano Aresi, Stile Galante
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Placida surge aurora, S. 232
|
|||||
1.1
|
No. 1, Placida surge aurora
Anonymous; Nicola Porpora; Josè Maria Lo Monaco; Stile Galante; Stefano Aresi |
5:38 | |||
1.2
|
No. 2, In tanta horroris nocte
Anonymous; Nicola Porpora; Josè Maria Lo Monaco; Stile Galante; Stefano Aresi |
1:40 | |||
1.3
|
No. 3, Facis splendor consolator
Anonymous; Nicola Porpora; Josè Maria Lo Monaco; Stile Galante; Stefano Aresi |
7:53 | |||
1.4
|
No. 4, Alleluia
Anonymous; Nicola Porpora; Josè Maria Lo Monaco; Stile Galante; Stefano Aresi |
1:20 | |||
Salve Regina, S. 308
|
|||||
1.5
|
No. 1, Salve Regina
Anonymous; Nicola Porpora; Josè Maria Lo Monaco; Stile Galante; Stefano Aresi |
4:38 | |||
1.6
|
No. 2, Ad te clamamus
Anonymous; Nicola Porpora; Josè Maria Lo Monaco; Stile Galante; Stefano Aresi |
1:19 | |||
1.7
|
No. 3, Ad te suspiramus
Anonymous; Nicola Porpora; Josè Maria Lo Monaco; Stile Galante; Stefano Aresi |
2:41 | |||
1.8
|
No. 4, Eia ergo
Anonymous; Nicola Porpora; Josè Maria Lo Monaco; Stile Galante; Stefano Aresi |
1:27 | |||
1.9
|
No. 5, Illos tuos
Anonymous; Nicola Porpora; Josè Maria Lo Monaco; Stile Galante; Stefano Aresi |
2:45 | |||
1.10
|
No. 6, O clemens
Anonymous; Nicola Porpora; Josè Maria Lo Monaco; Stile Galante; Stefano Aresi |
2:48 | |||
Cello Concerto in G Major
|
|||||
1.11
|
I. Adagio
Nicola Porpora; Stile Galante; Stefano Aresi; Agnieszka Oszańca |
4:37 | |||
1.12
|
II. Allegro
Nicola Porpora; Stile Galante; Stefano Aresi; Agnieszka Oszańca |
5:31 | |||
1.13
|
III. Adagio
Nicola Porpora; Stile Galante; Stefano Aresi; Agnieszka Oszańca |
3:26 | |||
1.14
|
IV. Allegro - Presto
Nicola Porpora; Stile Galante; Stefano Aresi; Agnieszka Oszańca |
4:43 | |||
Qualis avis cui perempta, S. 234
|
|||||
1.15
|
No. 1, Qualis avis cui perempta
Anonymous; Nicola Porpora; Josè Maria Lo Monaco; Stile Galante; Stefano Aresi |
7:43 | |||
1.16
|
No. 2, Tu, animarum venator
Anonymous; Nicola Porpora; Josè Maria Lo Monaco; Stile Galante; Stefano Aresi |
1:29 | |||
1.17
|
No. 3, Da per te, Virgo Regina
Anonymous; Nicola Porpora; Josè Maria Lo Monaco; Stile Galante; Stefano Aresi |
6:03 | |||
1.18
|
No. 4, Alleluia
Anonymous; Nicola Porpora; Josè Maria Lo Monaco; Stile Galante; Stefano Aresi |
1:46 |
Venice's four famous"Ospedali" – houses for orphans with a fundamental musical education and outstanding music ensembles and soloists – were among the city's most important cultural institutions for a long time. Many prominent musicians worked at the Ospedali, including the famous singer, singing teacher and opera composer Nicola Porpora. He worked at three of the four Ospedali between 1729 and 1747. At the so-called"Ospedaletto", he taught singing to several female students and also met the highly talented singer Angiola Moro, known as"Anzoletta". Porpora created some of the most demanding solo roles for her during his time at the Ospedaletto. The mezzo-soprano José Maria Lo Monaco, who has performed as an opera soloist (not only in baroque operas) on the world's great stages, has taken on"Anzoletta's" parts and presents two cantatas and a Salve Regina on this recording. She is accompanied by the Ensemble Stile Galante under the direction of Stefano Aresi, which completes the program with Porpora's cello concerto, interpreted by Agnieszka Oszanca.
96 kHz / 24-bit PCM – Glossa Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.16 -10.10 to -1.05 | -25.33 -28.01 to -22.69 | -22.35 -25.20 to -19.90 | 13 11 to 15 | |
1 | No. 1, Placida surge aurora | -2.21 | -22.69 | -19.9 | 13 |
2 | No. 2, In tanta horroris nocte | -5.71 | -24.90 | -21.8 | 12 |
3 | No. 3, Facis splendor consolator | -2.14 | -24.73 | -21.8 | 15 |
4 | No. 4, Alleluia | -3.50 | -24.27 | -20.6 | 14 |
5 | No. 1, Salve Regina | -6.18 | -25.51 | -22.8 | 12 |
6 | No. 2, Ad te clamamus | -3.98 | -23.83 | -20.8 | 13 |
7 | No. 3, Ad te suspiramus | -6.07 | -25.08 | -22.3 | 11 |
8 | No. 4, Eia ergo | -6.94 | -26.75 | -23.6 | 13 |
9 | No. 5, Illos tuos | -6.51 | -24.99 | -22.0 | 11 |
10 | No. 6, O clemens | -6.06 | -25.37 | -22.4 | 13 |
11 | I. Adagio | -7.24 | -28.01 | -25.2 | 12 |
12 | II. Allegro | -5.94 | -26.41 | -23.7 | 13 |
13 | III. Adagio | -10.10 | -27.55 | -24.6 | 11 |
14 | IV. Allegro - Presto | -8.20 | -27.41 | -24.7 | 13 |
15 | No. 1, Qualis avis cui perempta | -2.05 | -24.22 | -21.4 | 14 |
16 | No. 2, Tu, animarum venator | -4.44 | -24.79 | -21.4 | 12 |
17 | No. 3, Da per te, Virgo Regina | -1.05 | -23.58 | -20.5 | 14 |
18 | No. 4, Alleluia | -4.64 | -25.81 | -22.8 | 14 |