℗ 2024 Genuin Classics
Released March 1, 2024
Duration 1h 06m 42s
Record Label Genuin
Catalogue No. GEN24862
Genre Classical (Organ)
 

The Kreutzbach Organs

Gregor Meyer

Available in 48 kHz / 24-bit AIFF, FLAC audio formats
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    • AIFF 48 kHz | 24-bit
    • FLAC 48 kHz | 24-bit
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Fantasia & Fugue in G Minor, BWV 542 "The Great"  
1.1
I. Fantasia
Johann Sebastian Bach; Gregor Meyer
5:01
1.2
II. Fugue
Johann Sebastian Bach; Gregor Meyer
5:43
O Gott, du frommer Gott, BWV 767  
1.3
Partita I
Johann Sebastian Bach; Gregor Meyer
0:47
1.4
Partita II
Johann Sebastian Bach; Gregor Meyer
2:26
1.5
Partita III
Johann Sebastian Bach; Gregor Meyer
1:09
1.6
Partita IV
Johann Sebastian Bach; Gregor Meyer
0:42
1.7
Partita V
Johann Sebastian Bach; Gregor Meyer
1:23
1.8
Partita VI
Johann Sebastian Bach; Gregor Meyer
0:51
1.9
Partita VII
Johann Sebastian Bach; Gregor Meyer
1:43
1.10
Partita VIII
Johann Sebastian Bach; Gregor Meyer
1:56
1.11
Partita IX
Johann Sebastian Bach; Gregor Meyer
3:09
Prelude & Fugue in C Minor, BWV 546  
1.12
I. Prelude
Johann Sebastian Bach; Gregor Meyer
6:07
1.13
II. Fugue
Johann Sebastian Bach; Gregor Meyer
5:36
Ach, wie nichtig, ach, wie flüchtig  
1.14
Partita I
Georg Böhm; Gregor Meyer
0:46
1.15
Partita II
Georg Böhm; Gregor Meyer
0:59
1.16
Partita III
Georg Böhm; Gregor Meyer
0:42
1.17
Partita IV
Georg Böhm; Gregor Meyer
0:49
1.18
Partita V
Georg Böhm; Gregor Meyer
0:59
1.19
Partita VI
Georg Böhm; Gregor Meyer
1:02
1.20
Partita VII
Georg Böhm; Gregor Meyer
1:17
1.21
Partita VIII
Georg Böhm; Gregor Meyer
2:09
3 Choralfantasien, Op. 52  
1.22
No. 2a, Wachet auf, ruft uns die Stimme. Fantasia
Max Reger; Gregor Meyer
14:49
1.23
No. 2b, Wachet auf, ruft uns die Stimme. Fugue
Max Reger; Gregor Meyer
6:37
Digital Booklet
Gregor Meyer, director of the GewandhausChor, fulfills a dream by returning to "his" instrument, the organ, and recording an album at Genuin that gathers sounds from Saxon organs of an organ-building dynasty: the Kreutzbach family from Borna. Meyer plays organs from three eras, taking us through Saxony from Johanngeorgenstadt to Wiederau and Zwickau-Marienthal. Meyer's organ playing utilizes the full range of the highly characteristic and historically valuable organs to faithfully and differentially portray music by Johann Sebastian Bach, Georg Böhm, and Max Reger. A must for lovers of historical, regionally anchored organ craftsmanship!
48 kHz / 24-bit PCM – Genuin Studio Masters

Tracks 22, 23 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-11.53
-23.16 to -2.11
-28.37
-39.45 to -17.75
-25.72
-36.90 to -15.30
10
9 to 14
1
I. Fantasia
-2.54-17.75-15.310
2
II. Fugue
-2.11-21.61-19.312
3
Partita I
-5.97-21.57-18.810
4
Partita II
-10.05-26.64-24.111
5
Partita III
-14.70-29.23-26.810
6
Partita IV
-12.98-28.94-26.310
7
Partita V
-5.02-22.17-19.511
8
Partita VI
-10.03-24.93-22.010
9
Partita VII
-16.13-31.56-28.79
10
Partita VIII
-15.44-32.48-29.810
11
Partita IX
-3.71-25.13-21.711
12
I. Prelude
-7.85-24.85-22.610
13
II. Fugue
-7.74-27.33-25.012
14
Partita I
-13.40-28.65-26.29
15
Partita II
-20.47-35.44-33.010
16
Partita III
-22.69-37.80-35.110
17
Partita IV
-12.58-28.57-25.411
18
Partita V
-23.16-39.45-36.910
19
Partita VI
-13.38-28.56-26.110
20
Partita VII
-18.29-34.57-31.810
21
Partita VIII
-19.54-35.11-32.310
22
No. 2a, Wachet auf, ruft uns die Stimme. Fantasia
-3.73-26.71-24.614
23
No. 2b, Wachet auf, ruft uns die Stimme. Fugue
-3.71-23.55-20.211

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