℗ 2024 Genuin Classics
Released | March 1, 2024 |
Duration | 1h 06m 42s |
Record Label | Genuin |
Catalogue No. | GEN24862 |
Genre | Classical (Organ) |
Fantasia & Fugue in G Minor, BWV 542 "The Great"
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1.1
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I. Fantasia
Johann Sebastian Bach; Gregor Meyer |
5:01 | |||
1.2
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II. Fugue
Johann Sebastian Bach; Gregor Meyer |
5:43 | |||
O Gott, du frommer Gott, BWV 767
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1.3
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Partita I
Johann Sebastian Bach; Gregor Meyer |
0:47 | |||
1.4
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Partita II
Johann Sebastian Bach; Gregor Meyer |
2:26 | |||
1.5
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Partita III
Johann Sebastian Bach; Gregor Meyer |
1:09 | |||
1.6
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Partita IV
Johann Sebastian Bach; Gregor Meyer |
0:42 | |||
1.7
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Partita V
Johann Sebastian Bach; Gregor Meyer |
1:23 | |||
1.8
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Partita VI
Johann Sebastian Bach; Gregor Meyer |
0:51 | |||
1.9
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Partita VII
Johann Sebastian Bach; Gregor Meyer |
1:43 | |||
1.10
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Partita VIII
Johann Sebastian Bach; Gregor Meyer |
1:56 | |||
1.11
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Partita IX
Johann Sebastian Bach; Gregor Meyer |
3:09 | |||
Prelude & Fugue in C Minor, BWV 546
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1.12
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I. Prelude
Johann Sebastian Bach; Gregor Meyer |
6:07 | |||
1.13
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II. Fugue
Johann Sebastian Bach; Gregor Meyer |
5:36 | |||
Ach, wie nichtig, ach, wie flüchtig
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1.14
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Partita I
Georg Böhm; Gregor Meyer |
0:46 | |||
1.15
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Partita II
Georg Böhm; Gregor Meyer |
0:59 | |||
1.16
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Partita III
Georg Böhm; Gregor Meyer |
0:42 | |||
1.17
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Partita IV
Georg Böhm; Gregor Meyer |
0:49 | |||
1.18
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Partita V
Georg Böhm; Gregor Meyer |
0:59 | |||
1.19
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Partita VI
Georg Böhm; Gregor Meyer |
1:02 | |||
1.20
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Partita VII
Georg Böhm; Gregor Meyer |
1:17 | |||
1.21
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Partita VIII
Georg Böhm; Gregor Meyer |
2:09 | |||
3 Choralfantasien, Op. 52
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1.22
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No. 2a, Wachet auf, ruft uns die Stimme. Fantasia
Max Reger; Gregor Meyer |
14:49 | |||
1.23
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No. 2b, Wachet auf, ruft uns die Stimme. Fugue
Max Reger; Gregor Meyer |
6:37 | |||
Digital Booklet
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Gregor Meyer, director of the GewandhausChor, fulfills a dream by returning to "his" instrument, the organ, and recording an album at Genuin that gathers sounds from Saxon organs of an organ-building dynasty: the Kreutzbach family from Borna. Meyer plays organs from three eras, taking us through Saxony from Johanngeorgenstadt to Wiederau and Zwickau-Marienthal. Meyer's organ playing utilizes the full range of the highly characteristic and historically valuable organs to faithfully and differentially portray music by Johann Sebastian Bach, Georg Böhm, and Max Reger. A must for lovers of historical, regionally anchored organ craftsmanship!
48 kHz / 24-bit PCM – Genuin Studio Masters
Tracks 22, 23 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit
Tracks 22, 23 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -11.53 -23.16 to -2.11 | -28.37 -39.45 to -17.75 | -25.72 -36.90 to -15.30 | 10 9 to 14 | |
1 | I. Fantasia | -2.54 | -17.75 | -15.3 | 10 |
2 | II. Fugue | -2.11 | -21.61 | -19.3 | 12 |
3 | Partita I | -5.97 | -21.57 | -18.8 | 10 |
4 | Partita II | -10.05 | -26.64 | -24.1 | 11 |
5 | Partita III | -14.70 | -29.23 | -26.8 | 10 |
6 | Partita IV | -12.98 | -28.94 | -26.3 | 10 |
7 | Partita V | -5.02 | -22.17 | -19.5 | 11 |
8 | Partita VI | -10.03 | -24.93 | -22.0 | 10 |
9 | Partita VII | -16.13 | -31.56 | -28.7 | 9 |
10 | Partita VIII | -15.44 | -32.48 | -29.8 | 10 |
11 | Partita IX | -3.71 | -25.13 | -21.7 | 11 |
12 | I. Prelude | -7.85 | -24.85 | -22.6 | 10 |
13 | II. Fugue | -7.74 | -27.33 | -25.0 | 12 |
14 | Partita I | -13.40 | -28.65 | -26.2 | 9 |
15 | Partita II | -20.47 | -35.44 | -33.0 | 10 |
16 | Partita III | -22.69 | -37.80 | -35.1 | 10 |
17 | Partita IV | -12.58 | -28.57 | -25.4 | 11 |
18 | Partita V | -23.16 | -39.45 | -36.9 | 10 |
19 | Partita VI | -13.38 | -28.56 | -26.1 | 10 |
20 | Partita VII | -18.29 | -34.57 | -31.8 | 10 |
21 | Partita VIII | -19.54 | -35.11 | -32.3 | 10 |
22 | No. 2a, Wachet auf, ruft uns die Stimme. Fantasia | -3.73 | -26.71 | -24.6 | 14 |
23 | No. 2b, Wachet auf, ruft uns die Stimme. Fugue | -3.71 | -23.55 | -20.2 | 11 |