℗ 2017 Brilliant Classics
Released | May 5, 2017 |
Duration | 9h 46m 17s |
Record Label | Brilliant Classics |
Catalogue No. | BC95543 |
Genre | Classical (Solo Instrumental) |
Minimal Piano Collection: Volume XXI-XXVIII
Jeroen van Veen
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
November
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1.1
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Pt. I
Dennis Johnson; Jeroen van Veen |
10:00 | |||
1.2
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Pt. II
Dennis Johnson; Jeroen van Veen |
9:59 | |||
1.3
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Pt. III
Dennis Johnson; Jeroen van Veen |
9:59 | |||
1.4
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Pt. IV
Dennis Johnson; Jeroen van Veen |
9:59 | |||
1.5
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Pt. V
Dennis Johnson; Jeroen van Veen |
10:00 | |||
1.6
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Pt. VI
Dennis Johnson; Jeroen van Veen |
29:54 | |||
1.7
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Pt. VII
Dennis Johnson; Jeroen van Veen |
10:12 | |||
1.8
|
Pt. VIII
Dennis Johnson; Jeroen van Veen |
10:28 | |||
1.9
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Pt. IX
Dennis Johnson; Jeroen van Veen |
9:18 | |||
1.10
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Pt. X
Dennis Johnson; Jeroen van Veen |
10:05 | |||
1.11
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Pt. XI
Dennis Johnson; Jeroen van Veen |
19:56 | |||
1.12
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Pt. XII
Dennis Johnson; Jeroen van Veen |
19:52 | |||
1.13
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Pt. XIII
Dennis Johnson; Jeroen van Veen |
10:03 | |||
1.14
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Pt. XIV
Dennis Johnson; Jeroen van Veen |
10:19 | |||
1.15
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Pt. XV
Dennis Johnson; Jeroen van Veen |
9:28 | |||
1.16
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Pt. XVI
Dennis Johnson; Jeroen van Veen |
10:05 | |||
1.17
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Pt. XVII
Dennis Johnson; Jeroen van Veen |
20:06 | |||
1.18
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Pt. XVIII
Dennis Johnson; Jeroen van Veen |
19:48 | |||
1.19
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Pt. XIX
Dennis Johnson; Jeroen van Veen |
10:00 | |||
1.20
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Pt. XX
Dennis Johnson; Jeroen van Veen |
10:31 | |||
1.21
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Pt. XXI
Dennis Johnson; Jeroen van Veen |
9:38 | |||
1.22
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Pt. XXII
Dennis Johnson; Jeroen van Veen |
9:39 | |||
1.23
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Pt. XXIII
Dennis Johnson; Jeroen van Veen |
20:10 | |||
1.24
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Pt. XXIV
Dennis Johnson; Jeroen van Veen |
17:06 | |||
1.25
|
Two Pages
Philip Glass; Jeroen van Veen |
23:10 | |||
1.26
|
Music in Fifths
Philip Glass; Jeroen van Veen |
29:19 | |||
1.27
|
Music in Contrary Motion
Philip Glass; Jeroen van Veen |
22:36 | |||
1.28
|
Before the Silence
Tom Johnson; Jeroen van Veen |
3:38 | |||
1.29
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Around the Silence
Tom Johnson; Jeroen van Veen |
2:15 | |||
1.30
|
Within the Silence
Tom Johnson; Jeroen van Veen |
4:08 | |||
1.31
|
Through the Silence
Tom Johnson; Jeroen van Veen |
2:41 | |||
1.32
|
Against the Silence
Tom Johnson; Jeroen van Veen |
1:05 | |||
1.33
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For the Silence
Tom Johnson; Jeroen van Veen |
3:55 | |||
1.34
|
Toward the Silence
Tom Johnson; Jeroen van Veen |
4:04 | |||
1.35
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Into the Silence
Tom Johnson; Jeroen van Veen |
3:30 | |||
1.36
|
Block Design
Tom Johnson; Jeroen van Veen |
19:53 | |||
1.37
|
Tilework
Tom Johnson; Jeroen van Veen |
5:42 | |||
1.38
|
Tango
Tom Johnson; Jeroen van Veen |
4:27 | |||
1.39
|
A Song
Peter Garland; Jeroen van Veen |
24:07 | |||
1.40
|
Nostalgia for the Southern Cross
Peter Garland; Jeroen van Veen |
5:17 | |||
1.41
|
The Days Run Away
Peter Garland; Jeroen van Veen |
29:09 | |||
1.42
|
Two Persian Miniatures
Peter Garland; Jeroen van Veen |
8:15 | |||
1.43
|
The Fall of Quang Tri
Peter Garland; Jeroen van Veen |
3:11 | |||
Keyboard Studies
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1.44
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No. 1, —
Teodoro Cottrau; Jeroen van Veen |
25:44 | |||
1.45
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No. 2, —
Teodoro Cottrau; Jeroen van Veen |
33:20 | |||
1.46
|
Children on the Hill
Harold Budd; Jeroen van Veen |
5:43 | |||
1.47
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Composition No. 7
La Monte Young; Jeroen van Veen |
4:33 | |||
Digital Booklet
|
Who is the true father of Minimalism? When the movement originated in the early 1960s, it sprang up organically – some composers played by the rules (even if they were rules of their own invention), while others experimented freely, unaware or unconcerned about how music 'should' be composed. One of those young mavericks was Dennis Johnson, who has now faded into almost complete obscurity after he gave up his musical ambitions for a career in mathematics. But his 1959 composition November can be considered one of the first, if not the first, properly minimalist work. It later went on to inspire La Monte Young (Johnson's class mate at UCLA) to write his prolific Well-Tuned Piano. Complete recordings are few and far between, and this new recording by Jeroen van Veen is the perfect introduction for anyone looking to get back to the roots of Minimalism.
Jeroen van Veen is one of the Netherlands' most prominent recording artists. This collection of Minimal Piano Music follows two previous successful albums, available on Brilliant Classics (BC8551 and BC9171). The last album provided a snapshot into the extensive scene of minimalist music today; this one takes us back to how it all began. Featuring several famous pieces from the original minimalist canon – including Philip Glass's Music in Contrary Motion and Terry Riley's Keyboard Studies – there are hours of beautifully relaxing and inspiring music here to enjoy.
This 8 album set bring the listener back to the roots of Minimalism, all works were written in the seventies of the 20th century, a time when the new aesthetics and perception of music, sound, repetition and time experience were creating a new chapter in music history. The longest piece is the 5 hour “November” by Dennis Johnson, a work in which the player is free to build the intervals and chords according to his own timing and spacing. The other composers in this set are Philip Glass, Tom Johnson, Peter Garland, Terry Riley, Harold Budd and La Monte Young. Recorded in his own studio by the most important protagonist of Minimalism today, Dutch pianist Jeroen van Veen. Van Veen has a myriad of recordings to his name, notably the multi album boxes Minimal Piano Collection 1 and 2, complete Satie, Einaudi, Tiersen, Jacob ter Veldhuis, Simeon ten Holt and many more.
96 kHz / 24-bit PCM – Brilliant Classics Studio Masters
Tracks 1-18 – 44.1 kHz / 24-bit PCM Tracks 19-27, 45 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Tracks 1-18 – 44.1 kHz / 24-bit PCM Tracks 19-27, 45 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.80 -18.56 to -0.02 | -28.68 -43.96 to -17.04 | -24.06 -35.10 to -13.70 | 15 8 to 20 | |
1 | Pt. I | -5.05 | -29.44 | -25.4 | 14 |
2 | Pt. II | -5.02 | -27.79 | -24.4 | 14 |
3 | Pt. III | -3.17 | -27.30 | -24.4 | 16 |
4 | Pt. IV | -0.98 | -26.77 | -23.9 | 17 |
5 | Pt. V | -4.05 | -34.64 | -31.4 | 19 |
6 | Pt. VI | -7.44 | -32.91 | -29.4 | 16 |
7 | Pt. VII | -4.30 | -33.87 | -29.6 | 18 |
8 | Pt. VIII | -5.00 | -30.71 | -26.8 | 16 |
9 | Pt. IX | -7.58 | -34.29 | -29.6 | 16 |
10 | Pt. X | -11.44 | -35.82 | -31.8 | 16 |
11 | Pt. XI | -2.82 | -31.98 | -27.4 | 19 |
12 | Pt. XII | -3.32 | -32.38 | -27.4 | 18 |
13 | Pt. XIII | -6.76 | -34.02 | -29.4 | 15 |
14 | Pt. XIV | -7.19 | -33.09 | -28.0 | 16 |
15 | Pt. XV | -6.59 | -31.14 | -26.5 | 15 |
16 | Pt. XVI | -10.41 | -33.49 | -28.9 | 13 |
17 | Pt. XVII | -7.38 | -32.82 | -29.1 | 16 |
18 | Pt. XVIII | -6.03 | -32.47 | -28.6 | 16 |
19 | Pt. XIX | -3.17 | -27.02 | -22.8 | 15 |
20 | Pt. XX | -3.29 | -26.13 | -22.6 | 14 |
21 | Pt. XXI | -0.84 | -26.00 | -22.0 | 14 |
22 | Pt. XXII | -0.10 | -26.00 | -22.0 | 14 |
23 | Pt. XXIII | -3.23 | -29.08 | -24.1 | 17 |
24 | Pt. XXIV | -3.68 | -32.17 | -27.1 | 19 |
25 | Two Pages | -2.13 | -17.84 | -15.4 | 11 |
26 | Music in Fifths | -2.13 | -17.04 | -14.5 | 11 |
27 | Music in Contrary Motion | -2.13 | -18.58 | -16.2 | 12 |
28 | Before the Silence | -8.37 | -38.74 | -26.8 | 20 |
29 | Around the Silence | -3.60 | -25.27 | -17.9 | 14 |
30 | Within the Silence | -8.58 | -32.97 | -23.8 | 15 |
31 | Through the Silence | -3.35 | -27.36 | -19.8 | 14 |
32 | Against the Silence | -4.31 | -23.62 | -18.7 | 13 |
33 | For the Silence | -18.56 | -43.96 | -35.1 | 16 |
34 | Toward the Silence | -2.10 | -24.73 | -16.0 | 14 |
35 | Into the Silence | -14.06 | -39.44 | -30.4 | 13 |
36 | Block Design | -5.75 | -27.42 | -24.6 | 15 |
37 | Tilework | -3.94 | -23.05 | -19.3 | 12 |
38 | Tango | -4.73 | -22.94 | -20.8 | 12 |
39 | A Song | -3.64 | -25.35 | -22.2 | 14 |
40 | Nostalgia for the Southern Cross | -3.31 | -26.40 | -22.8 | 13 |
41 | The Days Run Away | -3.85 | -26.17 | -23.2 | 15 |
42 | Two Persian Miniatures | -2.56 | -31.28 | -25.4 | 18 |
43 | The Fall of Quang Tri | -2.28 | -18.62 | -13.7 | 8 |
44 | No. 1, — | -0.02 | -21.54 | -19.3 | 15 |
45 | No. 2, — | -0.10 | -17.26 | -14.9 | 11 |
46 | Children on the Hill | -6.43 | -25.09 | -22.2 | 11 |
47 | Composition No. 7 | -0.60 | -32.09 | -25.2 | 11 |