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℗ 2024 LAWO Classics
Released | March 29, 2024 |
Duration | 51m 38s |
Record Label | Lawo Classics |
Catalogue No. | LWC1280 |
Genre | Classical |
She Composes Like A Man
tenThing, Tine Thing Helseth
Available in 192 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
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Oberek No. 1 (arr. for brass ensemble by Jarle Storløkken)
Grazyna Bacewicz; tenThing; Tine Thing Helseth |
1:43 | |||
Deux Morceaux (arr. for brass ensemble by Jarle Storløkken)
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1.2
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I. Nocturne
Lili Boulanger; tenThing; Tine Thing Helseth |
2:55 | |||
1.3
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II. Cortège
Lili Boulanger; tenThing; Tine Thing Helseth |
1:26 | |||
1.4
|
Adoration (arr. for brass ensemble by Jarle Storløkken)
Florence Beatrice Price; tenThing; Tine Thing Helseth |
2:54 | |||
6 Lieder, Op. 1
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1.5
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No. 1, Schwanenlied (arr. for brass ensemble by Jarle Storløkken)
Fanny Mendelssohn; tenThing; Tine Thing Helseth |
2:37 | |||
1.6
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Rondeau, Op. 97 (arr. for brass ensemble by Jarle Storløkken)
Cécile Chaminade; tenThing; Tine Thing Helseth |
3:13 | |||
1.7
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Mazovian Dance (arr. for brass ensemble by Jarle Storløkken)
Grazyna Bacewicz; tenThing; Tine Thing Helseth |
3:04 | |||
1.8
|
In the Stillness (arr. for brass ensemble by Jarle Storløkken)
Sally Beamish; tenThing; Tine Thing Helseth |
2:09 | |||
3 Morceaux, Op. 15 (arr. for brass ensemble by Jarle Storløkken)
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1.9
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I. Serenade
Agathe Backer Grøndahl; tenThing; Tine Thing Helseth |
2:47 | |||
1.10
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II. Au Bal
Agathe Backer Grøndahl; tenThing; Tine Thing Helseth |
4:48 | |||
1.11
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III. Humoresque
Agathe Backer Grøndahl; tenThing; Tine Thing Helseth |
3:48 | |||
1.12
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Sicilienne (arr. for brass ensemble by Roger Harvey)
Maria Theresia von Paradis; tenThing; Tine Thing Helseth |
2:30 | |||
1.13
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Rissolty Rossolty (arr. for brass ensemble by Jarle Storløkken)
Ruth Crawford Seeger; tenThing; Tine Thing Helseth |
2:57 | |||
1.14
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Share My Yoke (arr. for brass ensemble by Sebastian Haukås)
Joy Webb; tenThing; Tine Thing Helseth |
3:56 | |||
1.15
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Voices Sing of Immortality (arr. for brass ensemble by Jarle Storløkken)
Ethel Smyth; tenThing; Tine Thing Helseth |
4:36 | |||
Drei gemischte Chöre (arr. for brass ensemble by Jarle Storløkken)
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1.16
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No. 1, Abendfeier in Venedig
Clara Schumann; tenThing; Tine Thing Helseth |
2:49 | |||
1.17
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No. 2, Vorwärts
Clara Schumann; tenThing; Tine Thing Helseth |
1:31 | |||
1.18
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La toute petite s'endort (arr. for brass ensemble by Jarle Storløkken)
Mel Bonis; tenThing; Tine Thing Helseth |
1:55 |
Good music is good music no matter what, but a little extra girl power never hurts. In observance of the story of Ethel Smyth and the critic who praised Smyth for 'composing like a man', tenThing knew that this had to be the title of their new album, released on the LAWO Classics label. It's both wonderfully provocative and something to bring a wry smile to the face. From Clara Schumann and Fanny Mendelssohn to Florence Price and Ethel Smyth, this programme celebrates the work of female composers from around the world in world premiere transcriptions for the brass ensemble.
Tine says "When I was growing up, it was entirely normal for girls to play both trombone and tuba, and for me playing trumpet felt like the most natural thing in the world. However, in the professional music world this was not necessarily the case. In many countries, there is still a long way to go in terms of gender equality in the brass world. It feels incredibly good to play with the other musicians in tenThing. We trust each other. Without a doubt, trust and security are some of the things I value most when making music with others, and this applies to life in general. She composes like a man is a project that means a lot to me. It means a lot to us."
Formed in 2007 by critically acclaimed Norwegian trumpeter Tine Thing Helseth as a fun and exciting collaboration between musical friends, the ten-piece, all-female brass ensemble tenThing have firmly established themselves on the international scene to great acclaim. tenThing are celebrated for their commitment to outreach and access to music through diverse repertoire. The group work closely with Norwegian guitarist and arranger Jarle Storlokken in the arrangement of scores for the ensemble.
192 kHz / 24-bit PCM – Lawo Classics Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.97 -14.15 to -1.04 | -26.20 -33.83 to -21.69 | -22.63 -30.30 to -18.00 | 13 11 to 17 | |
1 | Oberek No. 1 (arr. for brass ensemble by Jarle Storløkken) | -3.55 | -26.14 | -22.5 | 16 |
2 | I. Nocturne | -8.57 | -29.95 | -26.3 | 12 |
3 | II. Cortège | -1.04 | -23.37 | -19.7 | 14 |
4 | Adoration (arr. for brass ensemble by Jarle Storløkken) | -4.06 | -26.10 | -22.8 | 14 |
5 | No. 1, Schwanenlied (arr. for brass ensemble by Jarle Storløkken) | -9.76 | -27.39 | -24.3 | 11 |
6 | Rondeau, Op. 97 (arr. for brass ensemble by Jarle Storløkken) | -3.87 | -24.61 | -21.0 | 13 |
7 | Mazovian Dance (arr. for brass ensemble by Jarle Storløkken) | -2.20 | -26.94 | -23.3 | 17 |
8 | In the Stillness (arr. for brass ensemble by Jarle Storløkken) | -2.89 | -25.31 | -21.4 | 13 |
9 | I. Serenade | -6.61 | -27.99 | -24.6 | 14 |
10 | II. Au Bal | -7.44 | -27.32 | -24.0 | 13 |
11 | III. Humoresque | -2.33 | -25.73 | -22.3 | 15 |
12 | Sicilienne (arr. for brass ensemble by Roger Harvey) | -9.75 | -28.70 | -25.9 | 11 |
13 | Rissolty Rossolty (arr. for brass ensemble by Jarle Storløkken) | -2.49 | -23.66 | -19.1 | 13 |
14 | Share My Yoke (arr. for brass ensemble by Sebastian Haukås) | -2.96 | -24.25 | -21.0 | 13 |
15 | Voices Sing of Immortality (arr. for brass ensemble by Jarle Storløkken) | -1.04 | -22.38 | -18.1 | 13 |
16 | No. 1, Abendfeier in Venedig | -5.65 | -26.22 | -22.8 | 12 |
17 | No. 2, Vorwärts | -1.10 | -21.69 | -18.0 | 13 |
18 | La toute petite s'endort (arr. for brass ensemble by Jarle Storløkken) | -14.15 | -33.83 | -30.3 | 12 |