℗ 2024 Navona
| Released | May 3, 2024 |
| Duration | 1h 02m 03s |
| Record Label | Navona |
| Catalogue No. | NV6631 |
| Genre | Classical (Chamber) |
|
La morte di Dussek Elegiac Sonata in F minor
|
|||||
|
1.1
|
I. Allegro agitato e con espressione
Philip Antony Corri; Frahm-Lewis Trio |
7:20 | |||
|
1.2
|
II. Andante moderato
Philip Antony Corri; Frahm-Lewis Trio |
5:46 | |||
|
1.3
|
III. Finale: Non troppo presto ma agitato
Philip Antony Corri; Frahm-Lewis Trio |
5:25 | |||
|
Sonata in A Major, Opus 3/3, K.12
|
|||||
|
1.4
|
I. Andante
Wolfgang Amadeus Mozart; Frahm-Lewis Trio |
3:12 | |||
|
1.5
|
II. Allegro
Wolfgang Amadeus Mozart; Frahm-Lewis Trio |
2:23 | |||
|
Sonata in E-flat Major, Opus 1/2, K.302
|
|||||
|
1.6
|
I. Allegro
Wolfgang Amadeus Mozart; Frahm-Lewis Trio |
5:58 | |||
|
1.7
|
II. Rondeau: Andante grazioso
Wolfgang Amadeus Mozart; Frahm-Lewis Trio |
6:53 | |||
|
Trio in B-flat Major, Opus 28
|
|||||
|
1.8
|
I. Allegro
Ferdinand Ries; Frahm-Lewis Trio |
9:21 | |||
|
1.9
|
II. Scherzo: Allegro vivace
Ferdinand Ries; Frahm-Lewis Trio |
5:04 | |||
|
1.10
|
III. Adagio
Ferdinand Ries; Frahm-Lewis Trio |
3:44 | |||
|
1.11
|
IV. Finale: Allegretto ma non troppo
Ferdinand Ries; Frahm-Lewis Trio |
6:57 | |||
The acclaimed The Frahm-Lewis Trio entices with La Morte di Dussek. Contrasting the works of Mozart with the lesser-known Ferdinand Ries and Philip Antony Corri, it is a veritable declaration of love to the Classical era. One would be forgiven to think that the only star of this album would be Mozart, with his befittingly performed sonatas. Or perhaps its Beethoven’s student, Ferdinand Ries? After all, he graces this collection with an imposing trio highly reminiscent of his teacher’s early chamber works. A veritable trifecta is achieved with the addition of the album’s title piece by Philip Antony Corri, whose legacy intertwines with his sister’s marriage to the once famous composer Jan Ladislav Dussek. A historical oversight, for this premiere recording of his trio, translated as “The Death of Dussek,” is a clear focal point of this album – lyrical, beautiful, melodically elaborate, and harmonically innovative, almost as much as the works by the composer it commemorates.
48 kHz / 24-bit PCM – Navona Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.12 -6.93 to -1.05 | -24.68 -28.43 to -22.71 | -21.77 -25.00 to -19.80 | 14 12 to 18 | |
| 1 | I. Allegro agitato e con espressione | -3.00 | -24.52 | -21.6 | 13 |
| 2 | II. Andante moderato | -6.18 | -25.41 | -22.6 | 13 |
| 3 | III. Finale: Non troppo presto ma agitato | -5.76 | -24.57 | -21.8 | 12 |
| 4 | I. Andante | -6.06 | -24.65 | -21.9 | 12 |
| 5 | II. Allegro | -5.67 | -23.89 | -21.0 | 13 |
| 6 | I. Allegro | -3.72 | -23.22 | -20.6 | 13 |
| 7 | II. Rondeau: Andante grazioso | -6.93 | -25.58 | -22.8 | 12 |
| 8 | I. Allegro | -3.08 | -23.94 | -21.1 | 14 |
| 9 | II. Scherzo: Allegro vivace | -1.05 | -22.71 | -19.8 | 14 |
| 10 | III. Adagio | -2.15 | -28.43 | -25.0 | 18 |
| 11 | IV. Finale: Allegretto ma non troppo | -1.68 | -24.51 | -21.3 | 15 |