℗ 2024 San Francisco Classical Recording
| Released | February 2, 2024 |
| Duration | 1h 27m 54s |
| Record Label | EuroArts Music International |
| Genre | Classical (Orchestral) |
Tchaikovsky: Swan Lake Suite & Bizet/Shchedrin: Carmen Suite
Rachmaninoff International Orchestra, Mikhail Pletnev
Available in MQA and 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Swan Lake Suite, Op. 20a
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1.1
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I. Moderato assai (arr. Mikhail Pletnev)
Pyotr Ilych Tchaikovsky; Rachmaninoff International Orchestra; Mikhail Pletnev |
6:10 | |||
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1.2
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II. Allegro (arr. Mikhail Pletnev)
Pyotr Ilych Tchaikovsky; Rachmaninoff International Orchestra; Mikhail Pletnev |
6:35 | |||
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1.3
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III. Moderato assai (arr. Mikhail Pletnev)
Pyotr Ilych Tchaikovsky; Rachmaninoff International Orchestra; Mikhail Pletnev |
8:18 | |||
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1.4
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IV. Allegro moderato (arr. Mikhail Pletnev)
Pyotr Ilych Tchaikovsky; Rachmaninoff International Orchestra; Mikhail Pletnev |
10:13 | |||
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1.5
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V. Andante con moto (arr. Mikhail Pletnev)
Pyotr Ilych Tchaikovsky; Rachmaninoff International Orchestra; Mikhail Pletnev |
3:41 | |||
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1.6
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VI. Allegro agitato (arr. Mikhail Pletnev)
Pyotr Ilych Tchaikovsky; Rachmaninoff International Orchestra; Mikhail Pletnev |
7:41 | |||
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Carmen Suite
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1.7
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I. Introduction (after Bizet's opera)
Rodion Shchedrin; Rachmaninoff International Orchestra; Mikhail Pletnev |
1:32 | |||
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1.8
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II. Dance (after Bizet's opera)
Rodion Shchedrin; Rachmaninoff International Orchestra; Mikhail Pletnev |
2:32 | |||
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1.9
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III. First Intermezzo (after Bizet's opera)
Rodion Shchedrin; Rachmaninoff International Orchestra; Mikhail Pletnev |
1:07 | |||
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1.10
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IV. Changing of the Guard (after Bizet's opera)
Rodion Shchedrin; Rachmaninoff International Orchestra; Mikhail Pletnev |
1:59 | |||
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1.11
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V. Carmen’s Entrance and Habanera (after Bizet's opera)
Rodion Shchedrin; Rachmaninoff International Orchestra; Mikhail Pletnev |
3:19 | |||
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1.12
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VI. Scene (after Bizet's opera)
Rodion Shchedrin; Rachmaninoff International Orchestra; Mikhail Pletnev |
6:48 | |||
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1.13
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VII. Second Intermezzo (after Bizet's opera)
Rodion Shchedrin; Rachmaninoff International Orchestra; Mikhail Pletnev |
2:22 | |||
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1.14
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VIII. Bolero (after Bizet's opera)
Rodion Shchedrin; Rachmaninoff International Orchestra; Mikhail Pletnev |
1:14 | |||
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1.15
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IX. Torero (after Bizet's opera)
Rodion Shchedrin; Rachmaninoff International Orchestra; Mikhail Pletnev |
2:58 | |||
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1.16
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X. Torero and Carmen (after Bizet's opera)
Rodion Shchedrin; Rachmaninoff International Orchestra; Mikhail Pletnev |
4:28 | |||
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1.17
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XI. Adagio (after Bizet's opera)
Rodion Shchedrin; Rachmaninoff International Orchestra; Mikhail Pletnev |
5:42 | |||
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1.18
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XII. Fortune-Telling (after Bizet's opera)
Rodion Shchedrin; Rachmaninoff International Orchestra; Mikhail Pletnev |
4:47 | |||
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1.19
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XIII. Finale (after Bizet's opera)
Rodion Shchedrin; Rachmaninoff International Orchestra; Mikhail Pletnev |
6:28 | |||
In August 2022, the musicians of the world-class Rachmaninoff International Orchestra (RIO) gathered in Bratislava to perform their first recording under the direction of founder and artistic director Mikhail Pletnev. Experience the beloved tunes from "Swan Lake" and "Carmen" on digital formats.
Pletnev's reimagining of Swan Lake goes beyond convention, offering an elaborate arrangement of Tchaikovsky's ballet music. The result is a captivating cocktail of color and atmosphere, blending theatrical drama with aristocratic elegance in perfect harmony. Meanwhile, the Carmen Suite, artfully arranged by Rodion Shchedrin, introduces a playful twist to Bizet's timeless melodies.
For audiophiles seeking the pinnacle of sonic excellence, this high-resolution digital format will transport you to a world of unparalleled musical brilliance.
192 kHz / 24-bit, 96 kHz / 24-bit PCM – EuroArts Music International Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.35 -13.58 to -0.01 | -25.65 -35.86 to -18.28 | -21.65 -31.80 to -14.10 | 14 11 to 17 | |
| 1 | I. Moderato assai (arr. Mikhail Pletnev) | -0.02 | -20.40 | -15.7 | 13 |
| 2 | II. Allegro (arr. Mikhail Pletnev) | -2.47 | -30.34 | -27.0 | 17 |
| 3 | III. Moderato assai (arr. Mikhail Pletnev) | -0.01 | -20.97 | -16.5 | 13 |
| 4 | IV. Allegro moderato (arr. Mikhail Pletnev) | -0.65 | -26.84 | -22.2 | 16 |
| 5 | V. Andante con moto (arr. Mikhail Pletnev) | -0.02 | -23.45 | -16.3 | 14 |
| 6 | VI. Allegro agitato (arr. Mikhail Pletnev) | -0.01 | -18.28 | -14.1 | 11 |
| 7 | I. Introduction (after Bizet's opera) | -4.68 | -34.68 | -29.8 | 12 |
| 8 | II. Dance (after Bizet's opera) | -0.04 | -23.79 | -20.7 | 16 |
| 9 | III. First Intermezzo (after Bizet's opera) | -4.85 | -27.27 | -23.8 | 14 |
| 10 | IV. Changing of the Guard (after Bizet's opera) | -4.82 | -30.03 | -27.1 | 15 |
| 11 | V. Carmen’s Entrance and Habanera (after Bizet's opera) | -0.06 | -27.38 | -23.7 | 17 |
| 12 | VI. Scene (after Bizet's opera) | -0.14 | -24.53 | -20.2 | 15 |
| 13 | VII. Second Intermezzo (after Bizet's opera) | -13.58 | -31.67 | -28.3 | 11 |
| 14 | VIII. Bolero (after Bizet's opera) | -0.51 | -20.35 | -18.0 | 13 |
| 15 | IX. Torero (after Bizet's opera) | -0.01 | -21.54 | -17.7 | 15 |
| 16 | X. Torero and Carmen (after Bizet's opera) | -8.98 | -35.86 | -31.8 | 17 |
| 17 | XI. Adagio (after Bizet's opera) | -1.46 | -23.79 | -20.0 | 14 |
| 18 | XII. Fortune-Telling (after Bizet's opera) | -0.02 | -23.55 | -19.9 | 15 |
| 19 | XIII. Finale (after Bizet's opera) | 0.00 | -22.53 | -18.6 | 14 |