℗ 2019 Fuzz Club
Released | May 17, 2019 |
Duration | 44m 28s |
Record Label | Fuzz Club |
Catalogue No. | FC114D |
Genre | Rock (Psychedelic Rock) |
1.1
|
Electroconclusive
Diagram |
3:12 | |||
1.2
|
In My Heart, In My Soul
Diagram |
5:04 | |||
1.3
|
Dark Omen
Diagram |
3:40 | |||
1.4
|
Al Night
Diagram |
3:39 | |||
1.5
|
Radione
Diagram |
2:42 | |||
1.6
|
Remove the Veil
Diagram |
4:09 | |||
1.7
|
Our Fate
Diagram |
4:05 | |||
1.8
|
Gateway
Diagram |
3:37 | |||
1.9
|
Go to Pub (Mes Tribute)
Diagram |
3:30 | |||
1.10
|
Panic Evoked
Diagram |
1:59 | |||
1.11
|
Eisern Union
Diagram |
4:38 | |||
1.12
|
Sleepwalking
Diagram |
4:13 |
The Berlin-based musician Hákon Aðalsteinsson, originally hailing from Iceland, can be found fronting neo-psych outfit The Third Sound and gloomy alt-country troupe Gunman & The Holy Ghost, as well as being the live guitarist for The Brian Jonestown Massacre and Anton Newcombe’s ongoing collaborations with Tess Parks. Now, Hákon is also turning his attention to another project: an electronics-inflected solo endeavour going by the name of Diagram. His debut album under the new moniker, titled Transmission Response, is released via Fuzz Club and the 12 tracks that finds a home somewhere between a pared-back, synthy post-punk sound and atmospheric dream-pop hues.
Detailing the self-recorded album, a marked departure from his usual rock-oriented work, Hákon explains: “The sound is inspired by the minimalism of Suicide, Chrome and 70s German electronica, as well as the film music of Angelo Badalamenti and John Carpenter,” he continues: “In the beginning I had this one beat-up keyboard and limited knowledge of making electronic music so I was just learning as I went. As this was a process of exploration I ended up with around 40 song ideas before I even thought about making an album. After deciding I wanted to take things further I set upon the task of reworking all those ideas and cutting a lot of them to put together a record that worked as a whole, and this is the result.”
Always one to immerse himself in new projects, Hákon Aðalsteinsson’s new material as Diagram witnesses him enter a whole new world, and a sublimely cinematic one at that.
44.1 kHz / 24-bit PCM – Fuzz Club Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.87 -2.01 to 0.00 | -12.70 -15.55 to -10.70 | -10.20 -13.70 to -8.00 | 8 6 to 11 | |
1 | Electroconclusive | -2.01 | -12.69 | -10.0 | 6 |
2 | In My Heart, In My Soul | -0.28 | -11.20 | -8.5 | 7 |
3 | Dark Omen | 0.00 | -12.45 | -10.1 | 7 |
4 | Al Night | -0.39 | -10.85 | -8.3 | 6 |
5 | Radione | 0.00 | -11.06 | -9.0 | 7 |
6 | Remove the Veil | 0.00 | -10.70 | -8.0 | 7 |
7 | Our Fate | 0.00 | -12.76 | -10.1 | 8 |
8 | Gateway | -1.61 | -12.69 | -10.4 | 7 |
9 | Go to Pub (Mes Tribute) | 0.00 | -14.60 | -11.6 | 10 |
10 | Panic Evoked | 0.00 | -15.55 | -12.9 | 11 |
11 | Eisern Union | 0.00 | -12.64 | -9.8 | 8 |
12 | Sleepwalking | -0.94 | -15.21 | -13.7 | 10 |