℗ 2012 Hyperion Records Limited
| Released | March 29, 2024 |
| Originated | September 28, 2012 |
| Duration | 1h 04m 28s |
| Record Label | Hyperion |
| Genre | Classical |
Schumann: Liederkreis, Op. 24 & Op. 39
Gerald Finley
Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Liederkreis, Op. 39
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1.1
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No. 1, In der Fremde
Robert Schumann; Joseph von Eichendorff; Gerald Finley |
2:06 | |||
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1.2
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No. 2, Intermezzo
Robert Schumann; Joseph von Eichendorff; Julius Drake |
1:33 | |||
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1.3
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No. 3, Waldesgespräch
Robert Schumann; Joseph von Eichendorff; Gerald Finley |
2:27 | |||
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1.4
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No. 4, Die Stille
Robert Schumann; Joseph von Eichendorff; Julius Drake |
1:48 | |||
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1.5
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No. 5, Mondnacht
Robert Schumann; Joseph von Eichendorff; Julius Drake |
4:20 | |||
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1.6
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No. 6, Schöne Fremde
Robert Schumann; Joseph von Eichendorff; Julius Drake |
1:31 | |||
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1.7
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No. 7, Auf einer Burg
Robert Schumann; Joseph von Eichendorff; Gerald Finley |
3:05 | |||
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1.8
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No. 8, In der Fremde "Ich hör die Bachlein rauschen"
Robert Schumann; Joseph von Eichendorff; Julius Drake |
1:27 | |||
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1.9
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No. 9, Wehmut
Robert Schumann; Joseph von Eichendorff; Gerald Finley |
2:47 | |||
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1.10
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No. 10, Zwielicht
Robert Schumann; Joseph von Eichendorff; Gerald Finley |
3:01 | |||
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1.11
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No. 11, Im Walde
Robert Schumann; Joseph von Eichendorff; Gerald Finley |
1:32 | |||
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1.12
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No. 12, Frühlingsnacht
Robert Schumann; Joseph von Eichendorff; Gerald Finley |
1:22 | |||
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6 Gedichte aus dem Liederbuch eines Malers, Op. 36
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1.13
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No. 1, Sonntags am Rhein
Robert Schumann; Robert Reinick; Julius Drake |
2:29 | |||
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1.14
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No. 2, Ständchen
Robert Schumann; Robert Reinick; Gerald Finley |
1:54 | |||
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1.15
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No. 3, Nichts Schöneres
Robert Schumann; Robert Reinick; Gerald Finley |
1:45 | |||
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1.16
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No. 4, An den Sonnenschein
Robert Schumann; Robert Reinick; Gerald Finley |
1:39 | |||
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1.17
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No. 5, Dichters Genesung
Robert Schumann; Robert Reinick; Julius Drake |
2:39 | |||
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1.18
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No. 6, Liebesbotschaft
Robert Schumann; Robert Reinick; Julius Drake |
5:32 | |||
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Liederkreis, Op. 24
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1.19
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No. 1, Morgens steh' ich auf und frage
Robert Schumann; Heinrich Heine; Gerald Finley |
1:04 | |||
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1.20
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No. 2, Es treibt mich hin
Robert Schumann; Heinrich Heine; Gerald Finley |
1:13 | |||
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1.21
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No. 3, Ich wandelte unter den Bäumen
Robert Schumann; Heinrich Heine; Julius Drake |
3:46 | |||
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1.22
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No. 4, Lieb' Liebchen, leg's Händchen
Robert Schumann; Heinrich Heine; Gerald Finley |
0:56 | |||
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1.23
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No. 5, Schöne Wiege meiner Leiden
Robert Schumann; Heinrich Heine; Gerald Finley |
3:44 | |||
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1.24
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No. 6, Warte, warte, wilder Schiffsmann
Robert Schumann; Heinrich Heine; Gerald Finley |
2:06 | |||
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1.25
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No. 7, Berg' und Burgen schaun herunter
Robert Schumann; Heinrich Heine; Julius Drake |
3:41 | |||
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1.26
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No. 8, Anfangs wollt' ich fast verzagen
Robert Schumann; Heinrich Heine; Julius Drake |
1:00 | |||
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1.27
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No. 9, Mit Myrten und Rosen
Robert Schumann; Heinrich Heine; Gerald Finley |
4:01 | |||
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Digital Booklet
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"This new recording shows a greater richness in Finley's voice plus an evolving intimacy in his approach to recording Lieder … each song's overall conception—of which Julius Drake is a key part—reflects great thought as to its core emotion."
- Gramophone
Gerald Finley and Julius Drake return to Schumann, following a magisterially intense Dichterliebe which won them a third Gramophone award. Here they focus on the two contrasting Liederkreis (‘song-circle’) cycles using texts by Heine and Eichendorff. Heine is the poet of Dichterliebe, and Op 24 contains extremes of elation and despair that call all Finley’s considerable dramatic powers into play. Eichendorff’s seductive, crepuscular ‘night-songs’ of Op 39 require the velvety tone for which this singer is equally revered. Separating these two great works are the Sechs Gedichte aus dem Liederbuch eines Malers, Op 36, which find Schumann in more homespun, folksong-influenced vein.
96 kHz / 24-bit PCM – Hyperion Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.09 -10.99 to -0.20 | -27.80 -33.27 to -21.89 | -23.91 -29.20 to -17.30 | 14 10 to 17 | |
| 1 | No. 1, In der Fremde | -6.03 | -28.86 | -25.2 | 13 |
| 2 | No. 2, Intermezzo | -3.58 | -26.72 | -22.3 | 14 |
| 3 | No. 3, Waldesgespräch | -0.20 | -23.61 | -19.2 | 15 |
| 4 | No. 4, Die Stille | -6.10 | -32.49 | -27.4 | 17 |
| 5 | No. 5, Mondnacht | -8.92 | -32.63 | -29.2 | 14 |
| 6 | No. 6, Schöne Fremde | -3.63 | -23.66 | -19.6 | 11 |
| 7 | No. 7, Auf einer Burg | -6.46 | -33.27 | -29.2 | 16 |
| 8 | No. 8, In der Fremde "Ich hör die Bachlein rauschen" | -6.43 | -27.66 | -23.9 | 13 |
| 9 | No. 9, Wehmut | -7.56 | -30.81 | -26.8 | 13 |
| 10 | No. 10, Zwielicht | -7.96 | -30.31 | -26.6 | 13 |
| 11 | No. 11, Im Walde | -0.20 | -24.63 | -19.7 | 12 |
| 12 | No. 12, Frühlingsnacht | -0.88 | -21.89 | -17.3 | 10 |
| 13 | No. 1, Sonntags am Rhein | -2.49 | -26.34 | -22.9 | 14 |
| 14 | No. 2, Ständchen | -7.19 | -30.24 | -26.8 | 15 |
| 15 | No. 3, Nichts Schöneres | -5.87 | -27.73 | -24.6 | 13 |
| 16 | No. 4, An den Sonnenschein | -4.14 | -24.92 | -21.3 | 13 |
| 17 | No. 5, Dichters Genesung | -1.49 | -23.21 | -19.8 | 13 |
| 18 | No. 6, Liebesbotschaft | -6.32 | -30.36 | -26.9 | 15 |
| 19 | No. 1, Morgens steh' ich auf und frage | -10.99 | -31.18 | -27.8 | 13 |
| 20 | No. 2, Es treibt mich hin | -1.06 | -23.02 | -19.4 | 14 |
| 21 | No. 3, Ich wandelte unter den Bäumen | -9.36 | -32.52 | -28.5 | 15 |
| 22 | No. 4, Lieb' Liebchen, leg's Händchen | -10.51 | -31.73 | -28.1 | 13 |
| 23 | No. 5, Schöne Wiege meiner Leiden | -1.73 | -25.74 | -21.6 | 15 |
| 24 | No. 6, Warte, warte, wilder Schiffsmann | -0.20 | -22.69 | -19.2 | 14 |
| 25 | No. 7, Berg' und Burgen schaun herunter | -8.89 | -29.78 | -26.5 | 13 |
| 26 | No. 8, Anfangs wollt' ich fast verzagen | -7.54 | -28.39 | -24.2 | 12 |
| 27 | No. 9, Mit Myrten und Rosen | -1.58 | -26.29 | -21.6 | 14 |