℗ 2024 Hurray for the Riff Raff, under exclusive license to Nonesuch Records Inc.
Released April 2, 2024
Duration 35m 37s
Record Label Nonesuch
Genre Alternative
 

The Past Is Still Alive

Hurray for the Riff Raff

Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
  • Select Format
    • AIFF 96 kHz | 24-bit
    • FLAC 96 kHz | 24-bit
    • MQA 96 kHz | 24-bit (source)
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1.1
Alibi
Hurray for the Riff Raff
2:48
1.2
Buffalo
Hurray for the Riff Raff
3:42
1.3
Hawkmoon
Hurray for the Riff Raff
3:42
1.4
Colossus of Roads
Hurray for the Riff Raff
2:45
1.5
Snake Plant (The Past Is Still Alive)  EXPLICIT
Hurray for the Riff Raff
4:07
1.6
Vetiver
Hurray for the Riff Raff
3:52
1.7
Hourglass
Hurray for the Riff Raff
2:50
1.8
Dynamo
Hurray for the Riff Raff
3:07
1.9
The World Is Dangerous
Hurray for the Riff Raff
3:45
1.10
Ogallala
Hurray for the Riff Raff
4:59
The Past Is Still Alive sees Hurray for the Riff Raff reunite with Brad Cook, while further expanding their creative cast of collaborators. Anjimile, Conor Oberst, and S.G. Goodman all join Alynda Segarra on vocals at various points throughout the LP, with a band of musicians including Cook, Libby Rodenbough, Matt Douglas, Meg Duffy of Hand Habits, Mike Mogis, Phil Cook, and Yan Westerlund. Mike Mogis also mixed the album, and it was mastered by Heba Kadry. The “nature punk” of Life on Earth marked a departure for Hurray for the Riff Raff, as they contemplated surviving and thriving amidst a world in crisis. The Past Is Still Alive brings the focus back inwards, with arrangements that are raw, melodies direct and indelible, and lyrics that are personal yet largely rooted in family and community. There are love songs to real characters, locations and mythic figures like Sky Red Hawk (“Buffalo”); the first trans woman Segarra ever met (“Hawkmoon”); queerness and sacred spaces for outsiders and the vulnerable, in the aftermath of the Club Q shooting (“Colossus of Roads”); leaving home behind and discovering oneself on the edge of the world (“Snake Plant”); and short-lived romances and the wisdom gained through chaos (“Vetiver”). Elsewhere, in the self-portraits painted on “Alibi,” “Ogallala,” and other album highlights, Segarra reflects on the land they have traveled, the hardships witnessed, and bravery gained while running away from everything and everyone they knew at age seventeen, hopping freight trains and hitchhiking across the country with a band of street urchins.
96 kHz / 24-bit PCM – Nonesuch Studio Masters

Tracks 1-10 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-0.30
-0.30 to -0.30
-11.86
-14.32 to -10.41
-9.66
-11.90 to -8.10
7
6 to 9
1
Alibi
-0.30-10.89-8.67
2
Buffalo
-0.30-11.80-9.67
3
Hawkmoon
-0.30-10.41-8.16
4
Colossus of Roads
-0.30-10.85-9.27
5
Snake Plant (The Past Is Still Alive)
-0.30-11.44-9.37
6
Vetiver
-0.30-11.74-9.77
7
Hourglass
-0.30-14.32-11.99
8
Dynamo
-0.30-12.37-10.18
9
The World Is Dangerous
-0.30-13.51-11.29
10
Ogallala
-0.30-11.22-8.96

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