℗ 2024 Odradek Records
| Released | April 26, 2024 |
| Duration | 59m 04s |
| Record Label | Odradek Records |
| Catalogue No. | ODRCD455 |
| Genre | Classical (Keyboard) |
Liszt: Unrivalled, Vol. 2
Michael Kaykov
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
1.1
|
Csárdás macabre, S.224
Franz Liszt; Michael Kaykov |
6:24 | |||
|
1.2
|
Impromptu, S.191
Franz Liszt; Michael Kaykov |
2:49 | |||
|
1.3
|
Hungarian Rhapsody No. 19 in D Minor, S.244
Franz Liszt; Michael Kaykov |
9:34 | |||
|
1.4
|
Trauervorspiel und Trauermarsch, S.206
Franz Liszt; Michael Kaykov |
4:43 | |||
|
1.5
|
Mephisto Polka, S.217
Franz Liszt; Michael Kaykov |
4:06 | |||
|
1.6
|
In festo transfigurationis Domini nostri Jesu Christi, S.188
Franz Liszt; Michael Kaykov |
2:21 | |||
|
1.7
|
Toccata, S.197a
Franz Liszt; Michael Kaykov |
1:10 | |||
|
1.8
|
Mephisto Waltz No. 3, S.216
Franz Liszt; Michael Kaykov |
7:46 | |||
|
1.9
|
Sarabande und Chaconne aus dem Singspiel Almira, S.181
Franz Liszt; Michael Kaykov |
11:00 | |||
|
1.10
|
Pyotr Ilyich Tchaikovsky's Polonaise from Eugene Onegin, S.429
Franz Liszt; Michael Kaykov |
6:13 | |||
|
1.11
|
Bagatelle sans tonalité, S.216a
Franz Liszt; Michael Kaykov |
2:58 |
96 kHz / 24-bit PCM – Odradek Records Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.00 -11.24 to -0.04 | -23.45 -32.75 to -17.60 | -19.87 -29.00 to -14.60 | 13 11 to 13 | |
| 1 | Csárdás macabre, S.224 | -0.04 | -17.60 | -14.6 | 11 |
| 2 | Impromptu, S.191 | -5.83 | -27.00 | -22.7 | 12 |
| 3 | Hungarian Rhapsody No. 19 in D Minor, S.244 | -0.04 | -20.63 | -17.3 | 13 |
| 4 | Trauervorspiel und Trauermarsch, S.206 | -0.85 | -23.08 | -18.6 | 13 |
| 5 | Mephisto Polka, S.217 | -4.37 | -25.57 | -22.3 | 13 |
| 6 | In festo transfigurationis Domini nostri Jesu Christi, S.188 | -11.24 | -32.75 | -29.0 | 13 |
| 7 | Toccata, S.197a | -4.94 | -23.36 | -19.7 | 11 |
| 8 | Mephisto Waltz No. 3, S.216 | -0.04 | -20.02 | -16.8 | 13 |
| 9 | Sarabande und Chaconne aus dem Singspiel Almira, S.181 | -0.04 | -21.70 | -18.0 | 13 |
| 10 | Pyotr Ilyich Tchaikovsky's Polonaise from Eugene Onegin, S.429 | -1.06 | -21.26 | -18.3 | 13 |
| 11 | Bagatelle sans tonalité, S.216a | -4.58 | -25.03 | -21.3 | 13 |