℗ 2024 Toccata Classics, London
| Released | June 7, 2024 |
| Duration | 1h 19m 47s |
| Record Label | Toccata Classics |
| Catalogue No. | TOCC 0731 |
| Genre | Classical (Organ) |
Gerald Hendrie: Complete Organ Music, Vol. 2
Tom Winpenny
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Six Concert Studies
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1.1
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No. 1, Brillantemente
Gerald Hendrie; Tom Winpenny |
5:15 | |||
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1.2
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No. 2, Allegro deciso
Gerald Hendrie; Tom Winpenny |
5:43 | |||
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1.3
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No. 3, Allegro ritmico
Gerald Hendrie; Tom Winpenny |
6:27 | |||
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1.4
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No. 4, Allegro molto
Gerald Hendrie; Tom Winpenny |
6:05 | |||
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1.5
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No. 5, Allegramente
Gerald Hendrie; Tom Winpenny |
4:59 | |||
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1.6
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No. 6, Comodo
Gerald Hendrie; Tom Winpenny |
5:59 | |||
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Pastorale and Fughetta
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1.7
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Pastorale
Gerald Hendrie; Tom Winpenny |
5:08 | |||
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1.8
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Fughetta
Gerald Hendrie; Tom Winpenny |
4:39 | |||
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Sonate en Trio
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1.9
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I. Allegro comodo
Gerald Hendrie; Tom Winpenny |
3:35 | |||
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1.10
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II. Pastorale
Gerald Hendrie; Tom Winpenny |
3:09 | |||
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1.11
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III. Moderato
Gerald Hendrie; Tom Winpenny |
4:03 | |||
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Sonata, In Praise of Reconciliation
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1.12
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I. Introduction
Gerald Hendrie; Tom Winpenny |
2:46 | |||
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1.13
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II. Fugue
Gerald Hendrie; Tom Winpenny |
9:15 | |||
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1.14
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III. Commemoration
Gerald Hendrie; Tom Winpenny |
6:01 | |||
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1.15
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IV. Exsultate
Gerald Hendrie; Tom Winpenny |
6:43 | |||
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Digital Booklet
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The organ music of Gerald Hendrie – born in England in 1935 but resident in France since 1996 – encompasses a huge range of influences, among them the organist-composers who went before him (not least Franck, Dupré and Messiaen), dodecaphony, mediaeval plainchant and modality and jazz. The resulting works are as varied as the styles that fed into them, from grandiose to gentle, from severe to whimsical, from lyrical to lively. The mighty, 25-minute Sonata: In Praise of Reconciliation uses whimsical references to two cities bombed in the Second World War – the ‘Coventry Carol’ and the ‘Dresden Amen’ – to make a monumental plea for peace.
96 kHz / 24-bit PCM – Toccata Classics Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -11.92 -23.18 to -1.63 | -31.31 -37.79 to -22.12 | -28.90 -35.60 to -19.10 | 11 9 to 13 | |
| 1 | No. 1, Brillantemente | -12.57 | -31.44 | -28.8 | 11 |
| 2 | No. 2, Allegro deciso | -9.07 | -30.44 | -28.0 | 12 |
| 3 | No. 3, Allegro ritmico | -4.79 | -29.33 | -26.5 | 13 |
| 4 | No. 4, Allegro molto | -4.45 | -25.61 | -23.2 | 13 |
| 5 | No. 5, Allegramente | -13.67 | -30.62 | -28.2 | 11 |
| 6 | No. 6, Comodo | -8.79 | -32.00 | -30.3 | 13 |
| 7 | Pastorale | -11.76 | -32.21 | -30.4 | 10 |
| 8 | Fughetta | -17.55 | -35.00 | -32.6 | 10 |
| 9 | I. Allegro comodo | -17.81 | -35.33 | -32.2 | 12 |
| 10 | II. Pastorale | -23.18 | -37.79 | -35.6 | 9 |
| 11 | III. Moderato | -16.21 | -35.08 | -32.2 | 10 |
| 12 | I. Introduction | -10.60 | -28.83 | -26.7 | 11 |
| 13 | II. Fugue | -7.93 | -28.41 | -25.9 | 12 |
| 14 | III. Commemoration | -18.75 | -35.47 | -33.8 | 9 |
| 15 | IV. Exsultate | -1.63 | -22.12 | -19.1 | 11 |