℗ 2024 Outhere
| Released | June 7, 2024 |
| Duration | 45m 13s |
| Record Label | Delos |
| Catalogue No. | DE3603 |
| Genre | Classical |
Forgotten Sounds
Graeme Steele Johnson
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Prélude à l’après-midi d’un faune, CD 87 (Arr. for Small Ensemble by Graeme Steele Johnson)
Claude Debussy; Graeme Steele Johnson; Graeme Steele Johnson; Ji Weon Ryu; Han Lash; Bora Kim; Rachel Loseke; Matthew Cohen; Yun Han; Kohei Yamaguchi |
10:01 | |||
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Octet for Two Clarinets, Harp, Two Violins, Viola,Cello and Double Bass
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1.2
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I. Allegro moderato
Charles Martin Loeffler; Graeme Steele Johnson; David Shifrin; Bridget Kibbey; Stella Chen; Siwoo Kim; Matthew Lipman; Samuel DeCaprio; Sam Suggs |
10:59 | |||
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1.3
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II. Adagio molto
Charles Martin Loeffler; Graeme Steele Johnson; David Shifrin; Bridget Kibbey; Stella Chen; Siwoo Kim; Matthew Lipman; Samuel DeCaprio; Sam Suggs |
9:57 | |||
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1.4
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III. Andante; Allegro alla Zingara
Charles Martin Loeffler; Graeme Steele Johnson; David Shifrin; Bridget Kibbey; Stella Chen; Siwoo Kim; Matthew Lipman; Samuel DeCaprio; Sam Suggs |
10:23 | |||
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1.5
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Timbres oubliés (Arr. for Clarinet and Harp by Graeme Steele Johnson)
Charles Martin Loeffler; Graeme Steele Johnson; Graeme Steele Johnson; Bridget Kibbey |
3:53 | |||
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Digital Booklet
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Unheard since two performances in 1897, Charles Martin Loeffler’s Octet is recorded here for the first time, owing to the persistence of Graeme Steele Johnson, a versatile clarinetist whose artistic endeavors range from a TEDx talk to chamber arrangements and performances with the award-winning WindSync. A gem that blends Brahmsian warmth with Impressionist harmony, very much reflecting the American composer’s German and French roots, the Octet showcases Loeffler’s intricate musicianship and unique soundworld. Distinguished musicians have joined in this compelling exploration of musical rediscovery which aims to enrich the present musical landscape by restoring Forgotten Sounds. The program starts with Graeme’s arrangement for chamber ensemble of Debussy’s famed "Prélude à l’après-midi d’un faune", a work suffused with the poetic Symbolism dear to Loeffler, and aptly concludes with another little-known Loeffler work, the titular Timbres oubliés.
96 kHz / 24-bit PCM – Delos Studio Masters
Track 1 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
Track 1 – 48 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.08 -1.40 to -1.00 | -19.92 -24.69 to -18.31 | -17.20 -21.50 to -15.30 | 11 10 to 12 | |
| 1 | Prélude à l’après-midi d’un faune, CD 87 (Arr. for Small Ensemble by Graeme Steele Johnson) | -1.40 | -24.69 | -21.5 | 12 |
| 2 | I. Allegro moderato | -1.00 | -18.67 | -16.1 | 10 |
| 3 | II. Adagio molto | -1.00 | -19.46 | -17.0 | 11 |
| 4 | III. Andante; Allegro alla Zingara | -1.00 | -18.48 | -16.1 | 11 |
| 5 | Timbres oubliés (Arr. for Clarinet and Harp by Graeme Steele Johnson) | -1.00 | -18.31 | -15.3 | 11 |