℗ 2024 Teresa Dibble
Released | June 14, 2024 |
Duration | 1h 50m 52s |
Record Label | Divine Art |
Catalogue No. | DDX 21243 |
Genre | Classical (Piano) |
Matthew Dibble: 24 Preludes and Fugues
Freddy Kempf
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
1.1
|
Prelude on D3
Matt Dibble; Freddy Kempf |
1:03 | |||
1.2
|
Fugue on D3
Matt Dibble; Freddy Kempf |
1:30 | |||
1.3
|
Prelude on Am3
Matt Dibble; Freddy Kempf |
1:53 | |||
1.4
|
Fugue on Am3
Matt Dibble; Freddy Kempf |
1:23 | |||
1.5
|
Prelude on E3
Matt Dibble; Freddy Kempf |
2:43 | |||
1.6
|
Fugue on E3
Matt Dibble; Freddy Kempf |
2:10 | |||
1.7
|
Prelude on Bm3
Matt Dibble; Freddy Kempf |
2:29 | |||
1.8
|
Fugue on Bm3
Matt Dibble; Freddy Kempf |
1:56 | |||
1.9
|
Prelude on F#3
Matt Dibble; Freddy Kempf |
2:39 | |||
1.10
|
Fugue on F#3
Matt Dibble; Freddy Kempf |
1:39 | |||
1.11
|
Prelude on C#m3
Matt Dibble; Freddy Kempf |
2:21 | |||
1.12
|
Fugue on C#m3
Matt Dibble; Freddy Kempf |
2:17 | |||
1.13
|
Prelude on Ab3
Matt Dibble; Freddy Kempf |
2:22 | |||
1.14
|
Fugue on Ab3
Matt Dibble; Freddy Kempf |
2:00 | |||
1.15
|
Prelude on Ebm3
Matt Dibble; Freddy Kempf |
1:35 | |||
1.16
|
Fugue on Ebm3
Matt Dibble; Freddy Kempf |
1:58 | |||
1.17
|
Prelude on Bb3 ('Alone - 5AM')
Matt Dibble; Freddy Kempf |
1:34 | |||
1.18
|
Fugue on Bb3
Matt Dibble; Freddy Kempf |
1:56 | |||
1.19
|
Prelude on Fm3
Matt Dibble; Freddy Kempf |
2:16 | |||
1.20
|
Fugue on Fm3
Matt Dibble; Freddy Kempf |
1:43 | |||
1.21
|
Prelude on C3
Matt Dibble; Freddy Kempf |
2:56 | |||
1.22
|
Fugue on C3
Matt Dibble; Freddy Kempf |
2:09 | |||
1.23
|
Prelude on Gm3
Matt Dibble; Freddy Kempf |
3:46 | |||
1.24
|
Fugue on Gm3
Matt Dibble; Freddy Kempf |
2:30 | |||
2.1
|
Prelude on Dm3
Matt Dibble; Freddy Kempf |
2:12 | |||
2.2
|
Fugue on Dm3
Matt Dibble; Freddy Kempf |
2:08 | |||
2.3
|
Prelude on A3
Matt Dibble; Freddy Kempf |
2:07 | |||
2.4
|
Fugue on A3
Matt Dibble; Freddy Kempf |
2:57 | |||
2.5
|
Prelude on Em3
Matt Dibble; Freddy Kempf |
2:18 | |||
2.6
|
Fugue on Em3
Matt Dibble; Freddy Kempf |
2:43 | |||
2.7
|
Prelude on B3
Matt Dibble; Freddy Kempf |
2:38 | |||
2.8
|
Fugue on B3
Matt Dibble; Freddy Kempf |
1:43 | |||
2.9
|
Prelude on F#m3
Matt Dibble; Freddy Kempf |
3:19 | |||
2.10
|
Fugue on F#m3
Matt Dibble; Freddy Kempf |
2:03 | |||
2.11
|
Prelude on Db3
Matt Dibble; Freddy Kempf |
2:39 | |||
2.12
|
Fugue on Db3
Matt Dibble; Freddy Kempf |
2:36 | |||
2.13
|
Prelude on G#m3 ('Samarkand')
Matt Dibble; Freddy Kempf |
1:49 | |||
2.14
|
Fugue on G#m3
Matt Dibble; Freddy Kempf |
2:51 | |||
2.15
|
Prelude on Eb3
Matt Dibble; Freddy Kempf |
3:13 | |||
2.16
|
Fugue on Eb3
Matt Dibble; Freddy Kempf |
3:43 | |||
2.17
|
Prelude on Bbm3 (To J.S. Bach)
Matt Dibble; Freddy Kempf |
1:32 | |||
2.18
|
Fugue on Bbm3
Matt Dibble; Freddy Kempf |
3:22 | |||
2.19
|
Prelude on F3
Matt Dibble; Freddy Kempf |
2:24 | |||
2.20
|
Fugue on F3
Matt Dibble; Freddy Kempf |
2:32 | |||
2.21
|
Prelude on Cm3
Matt Dibble; Freddy Kempf |
2:07 | |||
2.22
|
Fugue on Cm3
Matt Dibble; Freddy Kempf |
2:25 | |||
2.23
|
Prelude on G3
Matt Dibble; Freddy Kempf |
2:58 | |||
2.24
|
Fugue on G3
Matt Dibble; Freddy Kempf |
1:45 | |||
Digital Booklet
|
London-based composer Matt Dibble completed his 24 Preludes and Fugues for solo piano in 2021, just weeks before his untimely and tragic death due to complications following the Astra Zeneca Covid-19 vaccination. A much loved and admired musician working in many genres, Matt continues to be sorely missed by many on the classical, jazz and pop scenes.
The Preludes and Fugues show his extraordinary flair for invention in many different styles, from neo-Baroque to jazz and pop, via modernism. The set represents a deeply personal undertaking, written over six years, and known only to his family and a handful of close friends and colleagues. Matt’s dream performer for such a wide-ranging work was the internationally renowned pianist Freddy Kempf, and he would have been thrilled to know that Kempf gladly took the project on.
With Paul Baily producing, Kempf recorded the project in the summer of 2022 at the Sir Jack Lyons Concert Hall, York. Although he never met the composer, Kempf said, “It really feels like some of the values that Matt paid most attention to match my own”. And his interpretation does indeed display a profound and moving understanding of the work.
48 kHz / 24-bit PCM – Divine Art Studio Masters
Disc 1, Tracks 1-24; Disc 2, Tracks 1-24 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit
Disc 1, Tracks 1-24; Disc 2, Tracks 1-24 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.93 -9.08 to -1.06 | -22.09 -31.38 to -15.76 | -18.75 -27.00 to -12.50 | 12 9 to 15 | |
1.1 | Prelude on D3 | -3.79 | -22.25 | -19.1 | 11 |
1.2 | Fugue on D3 | -5.49 | -24.18 | -21.2 | 12 |
1.3 | Prelude on Am3 | -1.21 | -22.00 | -18.6 | 13 |
1.4 | Fugue on Am3 | -1.10 | -19.51 | -16.6 | 12 |
1.5 | Prelude on E3 | -1.10 | -21.50 | -17.1 | 12 |
1.6 | Fugue on E3 | -1.10 | -21.48 | -18.5 | 13 |
1.7 | Prelude on Bm3 | -1.10 | -20.26 | -16.8 | 11 |
1.8 | Fugue on Bm3 | -1.10 | -22.61 | -19.2 | 14 |
1.9 | Prelude on F#3 | -1.10 | -24.11 | -20.2 | 14 |
1.10 | Fugue on F#3 | -1.10 | -22.51 | -19.6 | 11 |
1.11 | Prelude on C#m3 | -1.07 | -15.76 | -12.9 | 10 |
1.12 | Fugue on C#m3 | -1.10 | -21.13 | -17.9 | 12 |
1.13 | Prelude on Ab3 | -3.37 | -25.66 | -22.4 | 13 |
1.14 | Fugue on Ab3 | -1.52 | -22.08 | -19.2 | 11 |
1.15 | Prelude on Ebm3 | -2.83 | -24.12 | -21.0 | 13 |
1.16 | Fugue on Ebm3 | -2.70 | -24.66 | -21.0 | 13 |
1.17 | Prelude on Bb3 ('Alone - 5AM') | -1.69 | -22.51 | -19.2 | 12 |
1.18 | Fugue on Bb3 | -1.41 | -20.91 | -17.8 | 12 |
1.19 | Prelude on Fm3 | -1.29 | -21.53 | -18.3 | 13 |
1.20 | Fugue on Fm3 | -1.10 | -19.38 | -16.5 | 13 |
1.21 | Prelude on C3 | -1.06 | -18.59 | -15.0 | 11 |
1.22 | Fugue on C3 | -1.10 | -24.02 | -21.1 | 11 |
1.23 | Prelude on Gm3 | -9.08 | -29.40 | -26.7 | 14 |
1.24 | Fugue on Gm3 | -7.11 | -26.62 | -23.7 | 12 |
2.1 | Prelude on Dm3 | -1.10 | -24.70 | -20.5 | 15 |
2.2 | Fugue on Dm3 | -1.13 | -22.95 | -19.9 | 14 |
2.3 | Prelude on A3 | -1.10 | -22.33 | -19.5 | 14 |
2.4 | Fugue on A3 | -1.10 | -18.85 | -15.6 | 11 |
2.5 | Prelude on Em3 | -3.58 | -23.63 | -20.2 | 12 |
2.6 | Fugue on Em3 | -1.10 | -19.83 | -16.6 | 12 |
2.7 | Prelude on B3 | -3.93 | -25.50 | -22.2 | 12 |
2.8 | Fugue on B3 | -1.10 | -20.23 | -17.1 | 12 |
2.9 | Prelude on F#m3 | -1.08 | -20.76 | -16.1 | 11 |
2.10 | Fugue on F#m3 | -1.10 | -18.53 | -15.5 | 12 |
2.11 | Prelude on Db3 | -2.71 | -31.38 | -27.0 | 14 |
2.12 | Fugue on Db3 | -1.11 | -21.37 | -18.4 | 12 |
2.13 | Prelude on G#m3 ('Samarkand') | -1.07 | -15.91 | -12.5 | 9 |
2.14 | Fugue on G#m3 | -1.10 | -21.40 | -18.3 | 13 |
2.15 | Prelude on Eb3 | -1.10 | -25.91 | -21.6 | 14 |
2.16 | Fugue on Eb3 | -1.10 | -22.81 | -19.2 | 14 |
2.17 | Prelude on Bbm3 (To J.S. Bach) | -3.14 | -21.89 | -19.1 | 11 |
2.18 | Fugue on Bbm3 | -1.10 | -19.98 | -16.3 | 12 |
2.19 | Prelude on F3 | -1.10 | -19.73 | -16.1 | 12 |
2.20 | Fugue on F3 | -1.80 | -21.41 | -18.2 | 12 |
2.21 | Prelude on Cm3 | -1.10 | -22.35 | -18.4 | 12 |
2.22 | Fugue on Cm3 | -1.10 | -18.70 | -15.7 | 11 |
2.23 | Prelude on G3 | -3.00 | -24.04 | -20.3 | 13 |
2.24 | Fugue on G3 | -1.10 | -19.26 | -15.9 | 12 |