℗ 2024 Divine Art Ltd
Released | June 14, 2024 |
Duration | 1h 13m 29s |
Record Label | Métier |
Catalogue No. | MEX 77126 |
Genre | Classical (Piano) |
Iman Album 3: James W. Iman Plays Huber, Berg, Feldman & Jonas
James W. Iman
Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
Ein Hauch von Unzeit II
Klaus Huber; James W. Iman |
18:38 | |||
1.2
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Sonata, Op. 1
Alban Berg; James W. Iman |
15:20 | |||
Last Pieces
|
|||||
1.3
|
I.
Morton Feldman; James W. Iman |
2:52 | |||
1.4
|
II.
Morton Feldman; James W. Iman |
5:20 | |||
1.5
|
III.
Morton Feldman; James W. Iman |
2:50 | |||
1.6
|
IV.
Morton Feldman; James W. Iman |
7:14 | |||
1.7
|
B for Sonata
Betsy Jolas; James W. Iman |
21:15 | |||
Digital Booklet
|
Esteemed pianist James Iman releases his highly anticipated album, "Iman III," marking the third instalment in his groundbreaking series. Delving into a diverse repertoire, Iman's latest offering showcases a unique blend of piano works that resonate with the complexities of the human experience.
The genesis of "Iman III" amidst the backdrop of the COVID-19 pandemic underscores the resilience and creative introspection that defined its conception. Originally planned for recording prior to the pandemic-induced lockdowns, the project encountered delays, allowing Iman ample time to refine and redefine its thematic underpinnings. The resulting album is a testament to the profound evolution of artistic vision in the face of adversity.
Iman's eclectic program transcends traditional narrative structures, inviting listeners into a labyrinth of musical abstraction where each piece engages in a nuanced dialogue with its counterparts. From Klaus Huber's haunting exploration of silence in "Ein Hauch von Unzeit II" to Alban Berg's masterful interplay of chromaticism and counterpoint in his Piano Sonata Op. 1, "Iman III" offers a multifaceted journey through the annals of musical expression.
In Morton Feldman's "Last Pieces," Iman embraces the freedom afforded by the composer's experimental notation, weaving a tapestry of sound that defies conventional constraints. Emulating the randomness inherent in Feldman's ensemble works, Iman navigates the delicate balance between structure and spontaneity, inviting listeners to immerse themselves in a realm of deliberate and enjoyable ambiguity.
Betsy Jolas's enigmatic "B for Sonata" serves as a fitting conclusion to the album, epitomizing the composer's innovative approach to form and rhythm. Through meticulously crafted rhythmic freedoms and evolving tonal landscapes, Iman breathes life into Jolas's introspective exploration of musical minimalism and existential inquiry.
"Iman III" attests to James Iman's unwavering commitment to pushing the boundaries of artistic expression. With each track meticulously curated to resonate with the soulful intricacies of human experience.
James Iman is a critically acclaimed pianist known for his innovative approach to repertoire and profound musical insight. With a career spanning decades, Iman has established himself as a prominent figure in the contemporary classical music scene, captivating audiences worldwide with his dynamic performances and meticulous attention to detail. "Iman III" marks the latest chapter in his ongoing quest to redefine the boundaries of artistic expression through the transformative power of music.
88.2 kHz / 24-bit PCM – Métier Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -8.09 -15.00 to -0.40 | -32.54 -38.21 to -20.42 | -28.53 -35.10 to -15.50 | 15 12 to 18 | |
1 | Ein Hauch von Unzeit II | -6.69 | -34.53 | -28.9 | 18 |
2 | Sonata, Op. 1 | -0.40 | -20.42 | -15.5 | 12 |
3 | I. | -15.00 | -37.49 | -33.9 | 14 |
4 | II. | -10.61 | -35.35 | -31.7 | 17 |
5 | III. | -14.85 | -38.21 | -35.1 | 14 |
6 | IV. | -8.72 | -37.69 | -34.1 | 17 |
7 | B for Sonata | -0.40 | -24.12 | -20.5 | 16 |