℗ 2018 Hyperion Records Limited
| Released | May 10, 2024 |
| Originated | July 27, 2018 |
| Duration | 1h 16m 07s |
| Record Label | Hyperion |
| Genre | Classical |
R. Strauss: Duet-Concertino – Beethoven: Trio – Glinka: Trio pathétique
Laurence Perkins
Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Duet-Concertino for Clarinet and Bassoon, TrV 293
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1.1
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I. Allegro moderato –
Richard Strauss; Royal Scottish National Orchestra; Laurence Perkins; Sarah Watts; Sian Edwards |
6:52 | |||
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1.2
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II. Andante –
Richard Strauss; Laurence Perkins; Royal Scottish National Orchestra; Sarah Watts; Sian Edwards |
3:52 | |||
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1.3
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III. Rondo. Allegro ma non troppo
Richard Strauss; Laurence Perkins; Sian Edwards; Sarah Watts; Royal Scottish National Orchestra |
11:03 | |||
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Piano Trio in E-Flat Major, Op. 38 (After Septet, Op. 20)
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1.4
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I. Adagio – Allegro con brio
Ludwig van Beethoven; Laurence Perkins; Martin Roscoe; Sarah Watts |
10:12 | |||
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1.5
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II. Adagio cantabile
Ludwig van Beethoven; Martin Roscoe; Laurence Perkins; Sarah Watts |
7:26 | |||
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1.6
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III. Tempo di menuetto
Ludwig van Beethoven; Martin Roscoe; Laurence Perkins; Sarah Watts |
3:26 | |||
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1.7
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IV. Tema con variazioni. Andante
Ludwig van Beethoven; Laurence Perkins; Martin Roscoe; Sarah Watts |
7:20 | |||
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1.8
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V. Scherzo. Allegro molto e vivace
Ludwig van Beethoven; Laurence Perkins; Martin Roscoe; Sarah Watts |
3:06 | |||
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1.9
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VI. Andante con moto alla marcia – Presto
Ludwig van Beethoven; Laurence Perkins; Martin Roscoe; Sarah Watts |
7:42 | |||
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Trio pathétique in D Minor
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1.10
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I. Allegro moderato
Mikhail Glinka; Laurence Perkins; Martin Roscoe; Sarah Watts |
4:56 | |||
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1.11
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II. Scherzo. Vivacissimo
Mikhail Glinka; Laurence Perkins; Martin Roscoe; Sarah Watts |
3:15 | |||
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1.12
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III. Largo
Mikhail Glinka; Laurence Perkins; Martin Roscoe; Sarah Watts |
4:47 | |||
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1.13
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IV. Allegro con spirito
Mikhail Glinka; Laurence Perkins; Martin Roscoe; Sarah Watts |
2:10 | |||
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Digital Booklet
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"Watts does ravishing things with the great clarinet melody with which the work opens, to which Perkins responds with a gruffness that gradually broadens into deeply felt lyricism. There’s plenty of wit and bravura from them both in the finale, where Edwards’s refusal to rush also allows us to appreciate the complexity of Strauss’s musical argument … it’s an engaging disc, and very enjoyable."
- Gramophone
The Duet-Concertino is one of those lyrical, bittersweet scores from Strauss’s Indian summer. Laurence Perkins argues that behind the notes lies a hitherto little-known programme—whence the album’s title—and that this misunderstood work has good claims to be regarded as Strauss’s final tone poem.
96 kHz / 24-bit PCM – Hyperion Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.99 -6.85 to -1.15 | -25.26 -28.29 to -22.05 | -21.92 -25.10 to -18.80 | 13 11 to 15 | |
| 1 | I. Allegro moderato – | -1.86 | -22.58 | -19.0 | 13 |
| 2 | II. Andante – | -6.85 | -27.63 | -24.0 | 11 |
| 3 | III. Rondo. Allegro ma non troppo | -1.15 | -22.05 | -18.8 | 13 |
| 4 | I. Adagio – Allegro con brio | -2.58 | -24.21 | -20.9 | 14 |
| 5 | II. Adagio cantabile | -5.99 | -28.29 | -25.1 | 14 |
| 6 | III. Tempo di menuetto | -4.49 | -26.51 | -23.2 | 13 |
| 7 | IV. Tema con variazioni. Andante | -4.99 | -27.43 | -23.9 | 15 |
| 8 | V. Scherzo. Allegro molto e vivace | -4.31 | -25.04 | -21.6 | 13 |
| 9 | VI. Andante con moto alla marcia – Presto | -3.82 | -25.98 | -22.6 | 14 |
| 10 | I. Allegro moderato | -4.13 | -24.67 | -21.4 | 14 |
| 11 | II. Scherzo. Vivacissimo | -5.72 | -25.60 | -22.5 | 13 |
| 12 | III. Largo | -4.55 | -26.08 | -23.0 | 13 |
| 13 | IV. Allegro con spirito | -1.45 | -22.30 | -18.9 | 13 |