℗ 2024 Craft Recordings., Distributed by Concord.
Released May 10, 2024
Duration 33m 02s
Record Label Craft Recordings
Catalogue No. CR07997
Genre Latin
 

Vagabundeando! Hangin' Out (Remastered 2024)

Joe Cuba Sextet

Available in MQA and 192 kHz / 24-bit AIFF, FLAC high resolution audio formats
  • Select Format
    • AIFF 192 kHz | 24-bit
    • FLAC 192 kHz | 24-bit
    • MQA 192 kHz | 24-bit (source)
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1.1
Quinto Sabroso (Remastered 2024)
Joe Cuba Sextet
3:18
1.2
I Need You (Remastered 2024)
Joe Cuba Sextet
2:56
1.3
Oriza Oco (Remastered 2024)
Joe Cuba Sextet
2:57
1.4
Flacos Cha Cha (Remastered 2024)
Joe Cuba Sextet
2:35
1.5
No Coman Cuento (Remastered 2024)
Joe Cuba Sextet
2:23
1.6
Oye Bien (Remastered 2024)
Joe Cuba Sextet
2:05
1.7
Yo y Borinquen (Remastered 2024)
Joe Cuba Sextet
2:48
1.8
Quieres Volver (Remastered 2024)
Joe Cuba Sextet
2:32
1.9
Nina Nina (Remastered 2024)
Joe Cuba Sextet
2:49
1.10
El Ratón (Remastered 2024)
Joe Cuba Sextet
3:46
1.11
Trip To Mamboland (Remastered 2024)
Joe Cuba Sextet
2:30
1.12
Ya Se Acabó (Remastered 2024)
Joe Cuba Sextet
2:23
Celebrating the 60th anniversary of the Joe Cuba Sextet’s debut album on Tico Records, Vagabundeando! (Hangin’ Out!), freshly remastered from all-analog sources. Vagabundeando! features an all-star line-up of talent, including legendary Puerto Rican vocalists Cheo Feliciano and Jimmy Sabater, plus such fan favorite tracks as “El Ratón,” “Nina Nina,” “I Need You,” and “Oye Bien.” Celebrated conguero, bandleader, and “Father of Latin Boogaloo,” Joe Cuba (1931—2009) was a foundational figure in New York’s Latin soul scene. A native of Harlem, the Puerto Rican artist (born Gilberto Miguel Calderón) learned to play the congas as a teenager while recovering from a broken leg. Before long, the young percussionist was booking gigs across the city and, in 1954, founded The Joe Cuba Sextet. Playing alongside such stars as Tito Puente, Machito, and Tito Rodríguez, Cuba and his bandmates quickly gained a following with their swaggering showmanship and stood out from their peers with their unique instrumentation choices—including adding a vibraphonist and doing away with horns (which was unheard of at the time). The group also found a broad appeal with their blend of Spanish and English lyrics—performed, respectively, by timbalero/singer José “Cheo” Feliciano (who replaced Willie Torres in 1958) and crooner Jimmy Sabater, with backing by vibraphonist Tommy Berrios, bassist Jules Cordero, and pianist Nick Jiménez. The sextet’s enticing style served as the foundation for salsa music, as well as for boogaloo—a hugely popular movement that would take hold in the mid-late 60s, reflecting the melting pot of New York City with its blend of R&B, soul, and Afro-Cuban rhythms. While Cuba would widely be credited for the creation of boogaloo with his 1966 crossover hit, “Bang Bang,” he was laying the groundwork with Vagabundeando! (Hangin’ Out!), two years earlier.
192 kHz / 24-bit PCM – Craft Recordings Studio Masters
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-0.55
-2.84 to -0.20
-17.39
-19.47 to -14.45
-14.14
-16.30 to -11.80
11
9 to 13
1
Quinto Sabroso (Remastered 2024)
-0.21-14.45-11.89
2
I Need You (Remastered 2024)
-0.30-15.81-13.49
3
Oriza Oco (Remastered 2024)
-0.22-17.05-13.811
4
Flacos Cha Cha (Remastered 2024)
-0.20-17.45-13.912
5
No Coman Cuento (Remastered 2024)
-0.21-19.14-15.413
6
Oye Bien (Remastered 2024)
-0.46-17.19-13.512
7
Yo y Borinquen (Remastered 2024)
-0.35-18.23-14.412
8
Quieres Volver (Remastered 2024)
-0.90-19.47-16.312
9
Nina Nina (Remastered 2024)
-2.84-18.43-15.611
10
El Ratón (Remastered 2024)
-0.50-18.74-15.713
11
Trip To Mamboland (Remastered 2024)
-0.21-14.93-12.09
12
Ya Se Acabó (Remastered 2024)
-0.20-17.75-13.911

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