℗ 2024 Wegawam Music Co., Under exclusive license to Loma Vista Recordings
Released May 24, 2024
Duration 42m 07s
Record Label Loma Vista Recordings
Catalogue No. LVR04139
Genre Jazz
 

Sunday Morning Put-On

Andrew Bird, Alan Hampton, Ted Poor

Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
  • Select Format
    • AIFF 96 kHz | 24-bit
    • FLAC 96 kHz | 24-bit
    • MQA 96 kHz | 24-bit (source)
Add to cart
discounted price

 
1.1
I Didn’t Know What Time It Was
Andrew Bird; Alan Hampton; Ted Poor
3:08
1.2
Caravan
Andrew Bird; Alan Hampton; Ted Poor
4:30
1.3
I Fall in Love Too Easily
Andrew Bird; Alan Hampton; Ted Poor
3:55
1.4
You’d Be So Nice to Come Home To
Andrew Bird; Alan Hampton; Ted Poor
2:43
1.5
My Ideal
Andrew Bird; Alan Hampton; Ted Poor
4:22
1.6
Django
Andrew Bird; Alan Hampton; Ted Poor
3:26
1.7
I Cover the Waterfront
Andrew Bird; Alan Hampton; Ted Poor
4:50
1.8
Softly, as in a Morning Sunrise
Andrew Bird; Alan Hampton; Ted Poor
4:10
1.9
I’ve Grown Accustomed to Her Face
Andrew Bird; Alan Hampton; Ted Poor
1:45
1.10
Ballon de peut-être
Andrew Bird; Alan Hampton; Ted Poor
9:18
The Andrew Bird Trio, a new project from multi-instrumentalist and singer Andrew Bird, have released Sunday Morning Put-On: an album featuring unique takes on mid-century jazz classics. The project puts a focus on small group jazz, featuring songs from Cole Porter, Duke Ellington, Lerner & Loewe, and Rodgers & Hart. Playing with Bird and rounding out the trio are Jeff Parker on guitar and Larry Goldings on piano. The record was produced by Bird and recorded completely live in southern California’s legendary Valentine Studios, where Bing Crosby, Burl Ives, and The Beach Boys have all recorded. For Bird, Sunday Morning Put-On has been a long time coming. He shares, “When I was in my 20s, I lived in an old apartment-hotel in the Edgewater neighborhood of Chicago… Most Saturday nights I’d stay up listening to a radio show called ‘Blues Before Sunrise’ on WBEZ from 12-4am. The DJ, Steve Cushing, played old rare 78rpm records of blues, jazz and gospel. “Then I’d sleep for a few hours and wake to Dick Buckley’s show, also on WBEZ, featuring what he called ‘Golden Era’ jazz from the 30s and 40s. My love for a certain era of jazz up through the mid-20th Century has been constant through many transmutations in my own work, the bulk of which is not jazz at all. Once I had some distance between myself and this time when I was under its spell, I wanted to immerse myself in it again.” - Andrew Bird
96 kHz / 24-bit PCM – Loma Vista Recordings Studio Masters
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-0.70
-1.89 to -0.50
-15.35
-17.00 to -13.49
-12.90
-14.50 to -11.20
9
6 to 10
1
I Didn’t Know What Time It Was
-0.50-13.49-11.58
2
Caravan
-0.50-14.11-11.26
3
I Fall in Love Too Easily
-0.52-15.36-12.39
4
You’d Be So Nice to Come Home To
-0.52-14.98-12.89
5
My Ideal
-0.52-17.00-14.510
6
Django
-0.50-15.86-13.310
7
I Cover the Waterfront
-0.98-15.60-13.19
8
Softly, as in a Morning Sunrise
-0.51-14.97-12.59
9
I’ve Grown Accustomed to Her Face
-1.89-16.14-13.78
10
Ballon de peut-être
-0.51-16.00-14.19

Offers & New Releases

exclusive benefits for mailing list members

Subscribe Now

What is High-Resolution Audio?

High-resolution audio offers the highest-fidelity available, far surpassing the sound quality of traditional CDs. When you listen to music on a CD or tracks purchased via consumer services such as iTunes, you are hearing a low-resolution version of what was actually recorded and mastered in the studio. ProStudioMasters offers the original studio masters — exactly as the artist, producers and sound engineers mastered them — for download, directly to you.

What do I need for playback?

You may need additional software / hardware to take full advantage of the higher 24-bit high-res audio formats, but any music lover that has heard 16-bit vs 24-bit will tell you it's worth it!

Software for Mac OS X

Software for Windows

Hardware Suggestions