℗ 2024 Rhino Entertainment Company, a Warner Music Group Company.; Manufactured for & Marketed by Rhino Entertainment Company, a Warner Music Group Company.
| Released | May 31, 2024 |
| Duration | 50m 14s |
| Record Label | Rhino |
| Genre | Rock (Hard Rock) |
Cross Purposes (2024 Remaster)
Black Sabbath
Available in MQA and 44.1 kHz / 24-bit AIFF, FLAC audio formats
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1.1
|
I Witness (2024 Remaster)
Black Sabbath |
4:55 | |||
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1.2
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Cross of Thorns (2024 Remaster)
Black Sabbath |
4:33 | |||
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1.3
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Psychophobia (2024 Remaster)
Black Sabbath |
3:12 | |||
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1.4
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Virtual Death (2024 Remaster)
Black Sabbath |
5:48 | |||
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1.5
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Immaculate Deception (2024 Remaster)
Black Sabbath |
4:13 | |||
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1.6
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Dying for Love (2024 Remaster)
Black Sabbath |
5:50 | |||
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1.7
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Back to Eden (2024 Remaster)
Black Sabbath |
3:54 | |||
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1.8
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The Hand That Rocks the Cradle (2024 Remaster)
Black Sabbath |
4:28 | |||
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1.9
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Cardinal Sin (2024 Remaster)
Black Sabbath |
4:18 | |||
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1.10
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Evil Eye (2024 Remaster)
Black Sabbath |
5:59 | |||
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1.11
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What's the Use (2024 Remaster)
Black Sabbath |
3:04 |
After being unavailable physically or on streaming services for years, Black Sabbath is now making four of their albums with singer Tony Martin available with a new reissue and remaster. This individual release is also included in the band's boxset Anno Domini 1989-1995, which gathers together Headless Cross (1989), Tyr (1990), Cross Purposes (1994) and Forbidden (1995), featuring remasters of the first three, and an entirely remixed version of Forbidden overseen by guitarist Tony Iommi.
Cross Purposes is the seventeenth studio album by English rock band Black Sabbath, released through I.R.S. Records on 31 January 1994. The album marked the return of Tony Martin as the band's lead vocalist, after the second departure of Ronnie James Dio.
44.1 kHz / 24-bit PCM – Rhino Studio Masters
Tracks 1-11 – contains high-resolution digital transfers of material originating from an analogue master source
Tracks 1-11 – contains high-resolution digital transfers of material originating from an analogue master source
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.29 -0.40 to -0.20 | -11.64 -12.66 to -10.63 | -8.44 -9.60 to -7.60 | 7 6 to 7 | |
| 1 | I Witness (2024 Remaster) | -0.20 | -11.12 | -8.0 | 7 |
| 2 | Cross of Thorns (2024 Remaster) | -0.37 | -11.76 | -8.4 | 6 |
| 3 | Psychophobia (2024 Remaster) | -0.40 | -12.01 | -8.9 | 7 |
| 4 | Virtual Death (2024 Remaster) | -0.28 | -12.66 | -9.6 | 7 |
| 5 | Immaculate Deception (2024 Remaster) | -0.31 | -10.63 | -7.6 | 6 |
| 6 | Dying for Love (2024 Remaster) | -0.20 | -12.02 | -8.8 | 7 |
| 7 | Back to Eden (2024 Remaster) | -0.31 | -11.05 | -7.8 | 7 |
| 8 | The Hand That Rocks the Cradle (2024 Remaster) | -0.33 | -12.61 | -9.4 | 7 |
| 9 | Cardinal Sin (2024 Remaster) | -0.26 | -10.71 | -7.7 | 6 |
| 10 | Evil Eye (2024 Remaster) | -0.20 | -12.18 | -8.5 | 7 |
| 11 | What's the Use (2024 Remaster) | -0.26 | -11.32 | -8.1 | 7 |