℗ 2022 Resonus Limited
| Released | February 4, 2022 |
| Duration | 1h 06m 19s |
| Record Label | Resonus Classics |
| Catalogue No. | RES10296 |
| Genre | Classical (Chamber) |
Ernest Moeran: Chamber Music
Fidelio Trio
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Sonata for Violin and Piano in E Minor
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1.1
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I. Allegro non troppo ma energico
Ernest Moeran; Darragh Morgan; Mary Dullea |
6:13 | |||
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1.2
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II. Lento
Ernest Moeran; Darragh Morgan; Mary Dullea |
8:17 | |||
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1.3
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III. Vivace e molto ritmico
Ernest Moeran; Darragh Morgan; Mary Dullea |
5:32 | |||
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Sonata for Two Violins
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1.4
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I. Allegro non troppo
Ernest Moeran; Darragh Morgan; Nicky Sweeney |
5:52 | |||
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1.5
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II. Presto
Ernest Moeran; Darragh Morgan; Nicky Sweeney |
3:56 | |||
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1.6
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III. Passacaglia
Ernest Moeran; Darragh Morgan; Nicky Sweeney |
5:05 | |||
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1.7
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Prelude for Cello and Piano
Ernest Moeran; Tim Gill; Mary Dullea |
5:10 | |||
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Piano Trio in D Major
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1.8
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I. Allegro
Ernest Moeran; Fidelio Trio |
7:06 | |||
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1.9
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II. Lento molto - Andante
Ernest Moeran; Fidelio Trio |
7:47 | |||
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1.10
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III. Allegro vivace
Ernest Moeran; Fidelio Trio |
5:18 | |||
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1.11
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IV. Allegro
Ernest Moeran; Fidelio Trio |
6:03 | |||
Ernest Moeran’s love for Ireland and absorption of its music and musicians led to the composer living on the island of Valentia for two years while later making Kenmare his second home from around 1934 until his death there in 1950. Moeran’s experiences in Ireland appear to have influenced him melodically in the traditional folk dance-like textures he embraces, particularly throughout his early Piano Trio and Violin Sonata featured on this album alongside his Prelude for Cello and Piano and Sonata for Two Violins.
With their own strong links to Ireland, the album is performed by the Fidelio Trio with violinist Nicky Sweeney. In the four chamber works on this album Moeran’s use of melodic and harmonic turns, his approach to instrumentation and command of the strings and piano writing, has gifted us a treasure trove of focus in repertoire, utterly connected, through him, with music of places and peoples.
96 kHz / 24-bit PCM – Resonus Classics Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.64 -7.26 to -0.60 | -26.57 -31.61 to -22.79 | -22.85 -27.20 to -19.80 | 15 14 to 21 | |
| 1 | I. Allegro non troppo ma energico | -2.63 | -24.98 | -21.6 | 14 |
| 2 | II. Lento | -2.89 | -28.47 | -24.1 | 14 |
| 3 | III. Vivace e molto ritmico | -1.52 | -23.80 | -20.2 | 15 |
| 4 | I. Allegro non troppo | -2.65 | -27.67 | -23.0 | 16 |
| 5 | II. Presto | -1.49 | -31.61 | -27.2 | 21 |
| 6 | III. Passacaglia | -4.53 | -27.98 | -23.8 | 15 |
| 7 | Prelude for Cello and Piano | -7.26 | -30.04 | -26.8 | 14 |
| 8 | I. Allegro | -0.60 | -22.79 | -19.8 | 15 |
| 9 | II. Lento molto - Andante | -0.88 | -27.60 | -24.2 | 15 |
| 10 | III. Allegro vivace | -2.57 | -23.56 | -20.2 | 14 |
| 11 | IV. Allegro | -2.00 | -23.81 | -20.4 | 14 |