℗ 2022 Resonus Limited
| Released | October 7, 2022 |
| Duration | 1h 07m 53s |
| Record Label | Inventa Records |
| Catalogue No. | INV1008 |
| Genre | Classical (Medieval/ Renaissance) |
The Sword & the Lily: 15th-Century Polyphony for Judgement Day
Fount & Origin, James Tomlinson
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
1.1
|
Requiem: Domine Jesu Christe
Johannes Ockeghem; Fount & Origin; James Tomlinson |
7:26 | |||
|
1.2
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Exultet celum laudibus
Anonymous; Fount & Origin; James Tomlinson |
5:59 | |||
|
1.3
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Clare sanctorum senatus
Anonymous; Fount & Origin; James Tomlinson |
4:10 | |||
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1.4
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Missa L’homme armé / Dum sacrum mysterium: Kyrie
Johannes Regis; Fount & Origin; James Tomlinson |
6:30 | |||
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1.5
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Ut queant laxis
Anonymous; Fount & Origin; James Tomlinson |
8:19 | |||
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1.6
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Magnificat (Mode IV)
Johannes Martini; Fount & Origin; James Tomlinson |
10:45 | |||
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1.7
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Venite benedicti patris
Anonymous; Fount & Origin; James Tomlinson |
2:22 | |||
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1.8
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Urbs beata Jerusalem
Anonymous; Fount & Origin; James Tomlinson |
8:44 | |||
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1.9
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Requiem: Dies irae
Antoine Brumel; Fount & Origin; James Tomlinson |
13:38 |
In their debut album, early music ensemble Fount & Origin present a musical meditation on the Franco-Flemish painter Rogier van der Weyden’s altarpiece image of The Last Judgement at the End of Time. This multi-panelled work survives as a monument of fifteenth-century art, relating in vivid detail and colour van der Weyden’s dynamic and terrifying account of the world’s final moments.
The nine polyphonic settings recorded here were composed in Europe in the mid- to late-fifteenth century and include works by composers such as Johannes Ockeghem, Johannes Regis, Johannes Martini and Antoine Brumel, with each piece thematically tied to an element or figure in the painting.
96 kHz / 24-bit PCM – Inventa Records Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -7.13 -12.97 to -1.09 | -28.99 -33.77 to -24.69 | -25.71 -30.00 to -21.70 | 13 12 to 14 | |
| 1 | Requiem: Domine Jesu Christe | -9.75 | -29.85 | -27.0 | 13 |
| 2 | Exultet celum laudibus | -6.83 | -27.40 | -23.7 | 12 |
| 3 | Clare sanctorum senatus | -12.97 | -33.77 | -30.0 | 13 |
| 4 | Missa L’homme armé / Dum sacrum mysterium: Kyrie | -5.48 | -27.70 | -24.5 | 13 |
| 5 | Ut queant laxis | -1.09 | -24.69 | -21.7 | 13 |
| 6 | Magnificat (Mode IV) | -2.89 | -27.97 | -24.7 | 14 |
| 7 | Venite benedicti patris | -11.54 | -30.45 | -27.4 | 12 |
| 8 | Urbs beata Jerusalem | -7.34 | -29.03 | -25.9 | 13 |
| 9 | Requiem: Dies irae | -6.31 | -30.04 | -26.5 | 14 |