℗ 2022 Resonus Limited
| Released | April 1, 2022 |
| Duration | 1h 17m 05s |
| Record Label | Resonus Classics |
| Catalogue No. | RES10300 |
| Genre | Classical (Keyboard) |
Krebs: Keyboard Works, Vol. 2
Steven Devine
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Overture ‘nach dem Franzoischen Gout’, Krebs-WV 820
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1.1
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I. Ouverture
Johann Ludwig Krebs; Steven Devine |
9:23 | |||
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1.2
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II. Lentement
Johann Ludwig Krebs; Steven Devine |
5:12 | |||
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1.3
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III. Vivement
Johann Ludwig Krebs; Steven Devine |
2:47 | |||
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1.4
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IV. Paisan
Johann Ludwig Krebs; Steven Devine |
2:02 | |||
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1.5
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V. Menuett I & Menuett II en Trio
Johann Ludwig Krebs; Steven Devine |
5:12 | |||
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1.6
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VI. Gavotte
Johann Ludwig Krebs; Steven Devine |
1:33 | |||
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1.7
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VII. Air avec Doubles
Johann Ludwig Krebs; Steven Devine |
7:26 | |||
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1.8
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VIII. Passepied I & II
Johann Ludwig Krebs; Steven Devine |
2:07 | |||
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1.9
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IX. Rigaudon
Johann Ludwig Krebs; Steven Devine |
0:42 | |||
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Partita in B-Flat Major, Krebs-WV 823
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1.10
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I. Preludio
Johann Ludwig Krebs; Steven Devine |
3:15 | |||
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1.11
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II. Fuga
Johann Ludwig Krebs; Steven Devine |
3:16 | |||
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1.12
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III. Allemande
Johann Ludwig Krebs; Steven Devine |
3:58 | |||
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1.13
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IV. Corranta
Johann Ludwig Krebs; Steven Devine |
2:45 | |||
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1.14
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V. Sarabande
Johann Ludwig Krebs; Steven Devine |
5:08 | |||
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1.15
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VI. Bourlesca
Johann Ludwig Krebs; Steven Devine |
4:11 | |||
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1.16
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VII. Menuets I, II & III
Johann Ludwig Krebs; Steven Devine |
6:02 | |||
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1.17
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VIII. Gigue
Johann Ludwig Krebs; Steven Devine |
2:27 | |||
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Sonata in A Minor, Krebs-WV 838
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1.18
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I. Fantasia – Allegro
Johann Ludwig Krebs; Steven Devine |
3:43 | |||
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1.19
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II. Allegretto
Johann Ludwig Krebs; Steven Devine |
2:52 | |||
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1.20
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III. Allegro Assai
Johann Ludwig Krebs; Steven Devine |
3:04 | |||
Described by his teacher, J.S. Bach, as ‘a musician of distinction, a player of the keyboard, violin and lute and a proficient composer’, this second volume of Keyboard Works by Johann Ludwig Krebs demonstrates his diverse compositional style that represent a significant sea-change in musical taste of the time.
Despite Krebs not seeing any substantial success in his own lifetime, recent assessments have shown the composer in a new light with a fascinating synthesis of Baroque, Galant and Classical forms. Keyboardist Steven Devine continues this complete survey of Krebs’ significant contribution to the keyboard genre.
96 kHz / 24-bit PCM – Resonus Classics Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -10.83 -13.51 to -7.49 | -28.93 -31.41 to -26.85 | -25.80 -28.40 to -23.50 | 12 11 to 14 | |
| 1 | I. Ouverture | -9.03 | -27.63 | -24.6 | 13 |
| 2 | II. Lentement | -12.27 | -29.74 | -27.0 | 12 |
| 3 | III. Vivement | -11.45 | -28.22 | -25.2 | 12 |
| 4 | IV. Paisan | -9.81 | -28.17 | -25.1 | 12 |
| 5 | V. Menuett I & Menuett II en Trio | -12.73 | -31.28 | -28.4 | 12 |
| 6 | VI. Gavotte | -11.20 | -27.78 | -24.7 | 12 |
| 7 | VII. Air avec Doubles | -9.01 | -27.37 | -24.4 | 13 |
| 8 | VIII. Passepied I & II | -11.15 | -28.99 | -25.9 | 12 |
| 9 | IX. Rigaudon | -11.69 | -28.81 | -24.3 | 11 |
| 10 | I. Preludio | -13.51 | -31.41 | -28.4 | 12 |
| 11 | II. Fuga | -9.59 | -28.14 | -25.1 | 13 |
| 12 | III. Allemande | -12.10 | -31.23 | -28.3 | 11 |
| 13 | IV. Corranta | -11.22 | -27.87 | -24.9 | 12 |
| 14 | V. Sarabande | -13.25 | -30.87 | -27.9 | 12 |
| 15 | VI. Bourlesca | -8.67 | -26.85 | -23.5 | 13 |
| 16 | VII. Menuets I, II & III | -11.83 | -30.10 | -27.5 | 12 |
| 17 | VIII. Gigue | -10.50 | -27.40 | -24.4 | 12 |
| 18 | I. Fantasia – Allegro | -7.49 | -28.40 | -24.8 | 14 |
| 19 | II. Allegretto | -10.86 | -30.10 | -26.8 | 12 |
| 20 | III. Allegro Assai | -9.29 | -28.29 | -24.8 | 13 |