℗ 2022 Resonus Limited
| Released | October 7, 2022 |
| Duration | 1h 01m 24s |
| Record Label | Resonus Classics |
| Catalogue No. | RES10307 |
| Genre | Classical (Keyboard) |
Beethoven: Piano Sonatas, Op. 10
Daniel Tong
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Sonata in C Minor, Op. 10, No. 1
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1.1
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I. Allegro molto e con brio
Ludwig van Beethoven; Daniel Tong |
6:07 | |||
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1.2
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II. Adagio molto
Ludwig van Beethoven; Daniel Tong |
7:38 | |||
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1.3
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III. Finale
Ludwig van Beethoven; Daniel Tong |
4:54 | |||
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Sonata in F Major, Op. 10, No. 2
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1.4
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I. Allegro
Ludwig van Beethoven; Daniel Tong |
9:50 | |||
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Sonata in F Major, Op. 10. No. 2
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1.5
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II. Allegretto
Ludwig van Beethoven; Daniel Tong |
4:42 | |||
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Sonata in F Major, Op. 10, No. 2
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1.6
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III. Presto
Ludwig van Beethoven; Daniel Tong |
3:52 | |||
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Sonata in D Major, Op. 10, No. 3
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1.7
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I. Presto
Ludwig van Beethoven; Daniel Tong |
7:13 | |||
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1.8
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II. Largo e mesto
Ludwig van Beethoven; Daniel Tong |
9:23 | |||
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1.9
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III. Menuetto & Trio
Ludwig van Beethoven; Daniel Tong |
3:27 | |||
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1.10
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IV. Rondo
Ludwig van Beethoven; Daniel Tong |
4:18 | |||
Beethoven’s three sonatas of Op. 10 were published in September 1798 and were written with Beethoven the pianist as much to the forefront as Beethoven the composer. During this time, the young virtuoso was certainly as renowned as a pianist and improviser as he was a composer, and these three early sonatas contain the whole kaleidoscopic range of his youthful musical, emotional and pianistic language.
Pianist Daniel Tong returns to Resonus with this period instrument recording, his first solo album for the label, performed on a fortepiano by Paul McNulty – a copy of an 1805 instrument by the celebrated ‘Viennese School’ maker, Anton Walter.
96 kHz / 24-bit PCM – Resonus Classics Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.04 -7.03 to -0.76 | -26.56 -31.19 to -21.80 | -23.11 -27.60 to -19.00 | 15 13 to 17 | |
| 1 | I. Allegro molto e con brio | -0.96 | -24.52 | -21.2 | 14 |
| 2 | II. Adagio molto | -5.52 | -31.19 | -27.6 | 17 |
| 3 | III. Finale | -0.92 | -24.32 | -20.9 | 15 |
| 4 | I. Allegro | -2.93 | -25.87 | -22.5 | 15 |
| 5 | II. Allegretto | -7.03 | -30.10 | -26.6 | 15 |
| 6 | III. Presto | -1.14 | -21.80 | -19.0 | 13 |
| 7 | I. Presto | -0.76 | -23.90 | -20.7 | 15 |
| 8 | II. Largo e mesto | -2.12 | -29.44 | -25.2 | 17 |
| 9 | III. Menuetto & Trio | -6.80 | -27.74 | -24.6 | 13 |
| 10 | IV. Rondo | -2.21 | -26.72 | -22.8 | 15 |