℗ 2024 Resonus Limited
Released | June 21, 2024 |
Duration | 1h 03m 29s |
Record Label | Resonus Classics |
Catalogue No. | RES10341 |
Genre | Classical (Baroque) |
The Madrigal Reimagined
Various Artists
Available in 192 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
Canzon decimaottava
Claudio Merulo; Monteverdi String Band |
2:02 | |||
Arie, Libro 1
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1.2
|
No. 3, Cruda Amarilli
Johann Nauwach; Hannah Ely; Toby Carr |
2:06 | |||
Madrigals, Book 5, SV 94–106
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1.3
|
No. 1, Cruda Amarilli, che col nome ancora
Claudio Monteverdi; Monteverdi String Band |
1:58 | |||
1.4
|
Anchor che col partire (Arr. for Lute by Emannuel Adriaenssen)
Cipriano de Rore; Toby Carr |
3:43 | |||
1.5
|
Anchor che col partire (Arr. for Voice and Lute by Giovanni Battista Bovicelli)
Cipriano de Rore; Hannah Ely; Toby Carr |
3:45 | |||
Madrigali a 5 voci, Libro 3
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1.6
|
No. 1, Vergine bella (Arr. for Violin and Lute by Orazio Bassani & Oliver Webber)
Cipriano de Rore; Oliver Webber; Toby Carr |
6:08 | |||
Il ballo delle ingrate, SV 167
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1.7
|
VI. Ballo I
Claudio Monteverdi; Monteverdi String Band |
2:55 | |||
1.8
|
Ah dolente partita, SV 75
Claudio Monteverdi; Hannah Ely; Monteverdi String Band |
3:22 | |||
1.9
|
IX. Ahi, troppo è duro
Claudio Monteverdi; Hannah Ely; Toby Carr; Monteverdi String Band; Oliver Webber |
3:16 | |||
Quarto Intermedio
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1.10
|
Sinfonia a 6
Cristofano Malvezzi; Monteverdi String Band |
1:48 | |||
1.11
|
lo che dal ciel cader
Giulio Caccini; Hannah Ely; Monteverdi String Band |
1:58 | |||
1.12
|
O che nuovo miracolo
Emilio de’ Cavaliere; Monteverdi String Band |
3:27 | |||
1.13
|
Canzon prima a 5, Ch. 195
Giovanni Gabrieli; Monteverdi String Band |
2:39 | |||
1.14
|
Vestiva i colli (Arr. for Voice and Strings by Oliver Webber)
Giovanni Perluigi da Palestrina; Hannah Ely; Monteverdi String Band |
3:32 | |||
1.15
|
Preludium
Lorenzo Tracetti; Toby Carr |
1:23 | |||
Madrigali a 5 voci, Libro 1
|
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1.16
|
No. 2, Or che'l ciel et la terra e'l vento tace (Arr. for Voice and Strings by Oliver Webber)
Cipriano de Rore; Hannah Ely; Monteverdi String Band |
2:56 | |||
1.17
|
Ben qui si mostra il ciel (Arr. for Violin and Lute by Oliver Webber)
Cipriano de Rore; Oliver Webber; Toby Carr |
3:25 | |||
L'Orfeo, SV 318
|
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1.18
|
Toccata
Claudio Monteverdi; Monteverdi String Band; Toby Carr |
0:33 | |||
1.19
|
Prologue
Monteverdi String Band; Claudio Monteverdi; Hannah Ely; Toby Carr; Monteverdi String Band |
5:14 | |||
L'Orfeo, SV 318, Act I
|
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1.20
|
Lasciate i monti
Claudio Monteverdi; Toby Carr; Monteverdi String Band |
1:00 | |||
L'Orfeo, SV 318, Act II
|
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1.21
|
Ahi caso acerbo
Claudio Monteverdi; Hannah Ely; Toby Carr; Monteverdi String Band |
1:06 | |||
1.22
|
Ma io ch’in questa lingua
Claudio Monteverdi; Hannah Ely; Toby Carr |
1:06 | |||
1.23
|
Sinfonia
Claudio Monteverdi; Monteverdi String Band |
0:58 | |||
L'Orfeo, SV 318, Act III
|
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1.24
|
Sinfonia
Claudio Monteverdi; Monteverdi String Band |
1:11 | |||
L'Orfeo, SV 318, Act V
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1.25
|
Vanne Orfeo
Claudio Monteverdi; Hannah Ely; Toby Carr; Monteverdi String Band |
1:08 | |||
1.26
|
Moresca
Claudio Monteverdi; Toby Carr; Monteverdi String Band |
0:50 |
The sixteenth-century madrigal, a deceptively simple, whimsical poetic form of no fixed structure, had an elusive quality that was to prove inspirational to generations of musicians; madrigal settings came to form the core of many composers’ outputs and quickly evolved a musical identity independent of their poetic origins.
The Madrigal Reimagined opens a window on how musicians exploited the madrigal’s charm, poignancy and flexibility, with settings ranging from intimate solos to grand operatic scenes; virtuoso diminutions, old and new, share the stage with touching, subtle dissonance in music by Rore, Bovicelli, Caccini, Monteverdi and others.
The Monteverdi String Band is joined by soprano Hannah Ely and lutenist Toby Carr under the direction of violinist Oliver Webber.
192 kHz / 24-bit PCM – Resonus Classics Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -9.55 -16.58 to -2.14 | -30.81 -41.25 to -26.30 | -27.42 -38.60 to -21.80 | 13 11 to 16 | |
1 | Canzon decimaottava | -12.38 | -30.01 | -27.2 | 12 |
2 | No. 3, Cruda Amarilli | -5.04 | -27.97 | -24.1 | 13 |
3 | No. 1, Cruda Amarilli, che col nome ancora | -11.47 | -31.65 | -28.4 | 11 |
4 | Anchor che col partire (Arr. for Lute by Emannuel Adriaenssen) | -16.58 | -41.12 | -38.3 | 16 |
5 | Anchor che col partire (Arr. for Voice and Lute by Giovanni Battista Bovicelli) | -9.95 | -33.72 | -30.1 | 13 |
6 | No. 1, Vergine bella (Arr. for Violin and Lute by Orazio Bassani & Oliver Webber) | -13.20 | -35.78 | -31.6 | 15 |
7 | VI. Ballo I | -10.41 | -29.87 | -27.1 | 12 |
8 | Ah dolente partita, SV 75 | -2.14 | -26.30 | -21.8 | 14 |
9 | IX. Ahi, troppo è duro | -8.67 | -30.79 | -26.8 | 14 |
10 | Sinfonia a 6 | -11.39 | -30.47 | -27.5 | 12 |
11 | lo che dal ciel cader | -5.49 | -29.77 | -26.2 | 12 |
12 | O che nuovo miracolo | -12.58 | -31.50 | -28.4 | 13 |
13 | Canzon prima a 5, Ch. 195 | -10.88 | -30.91 | -27.9 | 12 |
14 | Vestiva i colli (Arr. for Voice and Strings by Oliver Webber) | -6.72 | -27.02 | -24.0 | 12 |
15 | Preludium | -16.32 | -41.25 | -38.6 | 16 |
16 | No. 2, Or che'l ciel et la terra e'l vento tace (Arr. for Voice and Strings by Oliver Webber) | -5.53 | -26.93 | -23.4 | 13 |
17 | Ben qui si mostra il ciel (Arr. for Violin and Lute by Oliver Webber) | -12.74 | -35.68 | -31.2 | 15 |
18 | Toccata | -9.27 | -28.27 | -24.8 | 13 |
19 | Prologue | -7.87 | -29.26 | -25.9 | 13 |
20 | Lasciate i monti | -10.60 | -29.54 | -26.5 | 12 |
21 | Ahi caso acerbo | -6.16 | -27.64 | -24.2 | 13 |
22 | Ma io ch’in questa lingua | -5.17 | -28.02 | -23.7 | 11 |
23 | Sinfonia | -12.82 | -31.75 | -28.8 | 11 |
24 | Sinfonia | -11.32 | -30.52 | -27.7 | 11 |
25 | Vanne Orfeo | -2.65 | -27.20 | -23.8 | 16 |
26 | Moresca | -10.97 | -28.12 | -24.8 | 11 |