℗ 2024 Ravello Records
Released | August 16, 2024 |
Duration | 1h 00m 16s |
Record Label | Ravello Records |
Catalogue No. | RR8106 |
Genre | Classical |
1.1
|
Piece for a Northern Sky (2013)
Matthew Burtner; Matthew Burtner |
5:03 | |||
1.2
|
Auroras (2022)
Matthew Burtner; Matthew Burtner |
7:31 | |||
Arbor (2023)
|
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1.3
|
Mother Tree
Matthew Burtner; Bruno Eicher; Mary Hammann; Sarah Crocker Vonsattel; Kari Jane Docter |
4:27 | |||
1.4
|
Roots
Matthew Burtner; Bruno Eicher; Mary Hammann; Sarah Crocker Vonsattel; Kari Jane Docter |
1:59 | |||
1.5
|
Trunk
Matthew Burtner; Bruno Eicher; Mary Hammann; Sarah Crocker Vonsattel; Kari Jane Docter |
4:34 | |||
1.6
|
Canopy
Matthew Burtner; Bruno Eicher; Mary Hammann; Sarah Crocker Vonsattel; Kari Jane Docter |
3:03 | |||
1.7
|
Stand
Matthew Burtner; Bruno Eicher; Mary Hammann; Sarah Crocker Vonsattel; Kari Jane Docter |
5:56 | |||
1.8
|
Wind Rose (2016)
Matthew Burtner; Matthew Burtner; Jody Sperling; Time Lapse Dance Ensemble |
7:15 | |||
1.9
|
Nocturne (Moth Music / 2012)
Matthew Burtner; Matthew Burtner; Glen Whitehead |
8:10 | |||
Profiled from Atmospheres (2017)
|
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1.10
|
1959
Matthew Burtner; Weiss/Soflin Duo |
2:57 | |||
1.11
|
1987
Matthew Burtner; Weiss/Soflin Duo |
3:29 | |||
1.12
|
2015
Matthew Burtner; Weiss/Soflin Duo |
2:24 | |||
1.13
|
2050
Matthew Burtner; Weiss/Soflin Duo |
3:28 |
If someone told you there was music that could lull pillowy-winged moths into a fluttery state of happiness, that the Aurora Borealis can sing even better than you and I, or that the roots of the American elm trees in Central Park are a bustling ensemble waiting for their cue, would you believe them? Matthew Burtner would, and he’d have no trouble proving it on PROFILED FROM ATMOSPHERES, the veteran ecoacoustic composer’s sixth release with Ravello Records. Burtner lifts the veil between humanity and its planet, translating its messages into an intimate medium invariably understood amongst its inhabitants. These messages make an urgent case in the titular work Profiled From Atmospheres, a collaborative work between atmospheric sound profiles derived from humanity’s top three greenhouse gas emissions and saxophone/percussion duo Michael Weiss and Elizabeth Soflin. The result is an eerie, haunting sonification that serves as a poignant reminder; if we want to continue hearing the songs of the atmosphere and the planet it blankets, it’s our responsibility to preserve it.
48 kHz / 24-bit PCM – Ravello Records Studio Masters
Tracks 1, 8, 10-13 – 44.1 kHz / 24-bit PCM Tracks 7, 9 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit
Tracks 1, 8, 10-13 – 44.1 kHz / 24-bit PCM Tracks 7, 9 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.22 -3.74 to -0.92 | -16.14 -30.58 to -7.70 | -14.05 -26.60 to -7.30 | 9 2 to 17 | |
1 | Piece for a Northern Sky (2013) | -0.92 | -11.11 | -9.6 | 5 |
2 | Auroras (2022) | -1.01 | -15.55 | -13.7 | 6 |
3 | Mother Tree | -1.02 | -17.69 | -16.8 | 9 |
4 | Roots | -1.02 | -18.97 | -17.3 | 12 |
5 | Trunk | -1.01 | -7.70 | -7.3 | 2 |
6 | Canopy | -3.74 | -30.58 | -26.6 | 17 |
7 | Stand | -1.01 | -10.93 | -9.7 | 4 |
8 | Wind Rose (2016) | -1.01 | -19.54 | -17.0 | 10 |
9 | Nocturne (Moth Music / 2012) | -1.01 | -14.89 | -12.3 | 9 |
10 | 1959 | -1.02 | -13.57 | -11.0 | 7 |
11 | 1987 | -1.02 | -16.74 | -14.0 | 10 |
12 | 2015 | -1.02 | -16.11 | -13.3 | 10 |
13 | 2050 | -1.02 | -16.50 | -14.0 | 10 |