℗ 2024 Chandos Records Ltd
Released August 16, 2024
Duration 1h 09m 05s
Record Label Chandos Records
Catalogue No. CHAN20290W
Genre Classical (Chamber)
 

Piper of Dreams – Ruth Gipps Chamber Music

Juliana Koch, Michael McHale, Julian Bliss

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Sonata No. 2, Op. 66  
1.1
I. Andante doloroso
Ruth Gipps; Juliana Koch; Michael McHale
3:56
1.2
II. Adagio
Ruth Gipps; Juliana Koch; Michael McHale
3:13
1.3
III. Allegro moderato (feat. Michael McHale)
Ruth Gipps; Juliana Koch; Michael McHale
5:33
Kensington Gardens Suite, Op. 2  
1.4
I. Elfin Oak
Ruth Gipps; Juliana Koch; Michael McHale
1:57
1.5
II. Fat Pigeon
Ruth Gipps; Juliana Koch; Michael McHale
1:41
1.6
III. Chestnut Trees
Ruth Gipps; Juliana Koch; Michael McHale
2:00
1.7
Sea-weed Song, Op. 12c
Ruth Gipps; Juliana Koch; Michael McHale
3:05
Sea-shore Suite, Op. 3b  
1.8
I. Gulls
Ruth Gipps; Juliana Koch; Michael McHale
1:45
1.9
II. Sea Anemone
Ruth Gipps; Juliana Koch; Michael McHale
1:35
1.10
III. Stormy Beach
Ruth Gipps; Juliana Koch; Michael McHale
1:11
Sonata No. 1, Op. 5a  
1.11
I. Allegro moderato
Ruth Gipps; Juliana Koch; Michael McHale
6:06
1.12
II. Adagio
Ruth Gipps; Juliana Koch; Michael McHale
2:19
1.13
III. Finale
Ruth Gipps; Juliana Koch; Michael McHale
3:47
1.14
The Piper of Dreams, Op. 12b
Ruth Gipps; Juliana Koch
4:05
Trio, Op. 10  
1.15
I. Moderato
Ruth Gipps; Juliana Koch; Julian Bliss; Michael McHale
8:47
1.16
II. Adagio
Ruth Gipps; Juliana Koch; Julian Bliss; Michael McHale
4:49
1.17
III. Allegro ritmico
Ruth Gipps; Juliana Koch; Julian Bliss; Michael McHale
6:06
1.18
Threnody, Op. 74
Ruth Gipps; Juliana Koch; Michael McHale
7:10
Ruth Gipps made her musical talents apparent from an early age, and they were encouraged by her very supportive mother. She entered the Royal College of Music in 1937, aged 16, studying oboe and piano, in addition to composition (with Ralph Vaughan Williams and Gordon Jacob). Whilst at college, she performed Brahms’s Second Piano Concerto, and her tone poem Knight in Armour (CHAN 20078) was presented by Sir Henry Wood at the Last Night of the Proms in 1942. As the war continued, Gipps left London to become principal oboe with the City of Birmingham Orchestra, where she also performed as pianist and had several of her works programmed. Returning to London after the war, Gipps found fewer opportunities as a performer, and less interest in her orchestral scores. She concentrated on composing more chamber music, alongside a successful teaching career. This album of her chamber music for oboe (and cor anglais) features works composed from 1938 to 1990, representing Gipps’s entire compositional life. In demand as a soloist all over Europe, Juliana Koch was appointed Professor of Oboe at the Royal College of Music, London, in 2018 and is Principal Oboe of the London Symphony Orchestra.
96 kHz / 24-bit PCM – Chandos Records Studio Masters
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-3.72
-8.32 to -1.01
-25.97
-29.03 to -23.05
-21.51
-24.50 to -18.80
13
11 to 16
1
I. Andante doloroso
-5.37-25.21-20.812
2
II. Adagio
-1.01-23.35-18.812
3
III. Allegro moderato (feat. Michael McHale)
-1.16-26.29-21.816
4
I. Elfin Oak
-4.49-26.42-22.115
5
II. Fat Pigeon
-1.08-27.08-21.915
6
III. Chestnut Trees
-6.65-28.49-23.313
7
Sea-weed Song, Op. 12c
-3.47-25.23-22.012
8
I. Gulls
-5.85-26.01-22.212
9
II. Sea Anemone
-8.32-29.03-24.512
10
III. Stormy Beach
-2.80-23.67-19.612
11
I. Allegro moderato
-4.17-26.60-22.314
12
II. Adagio
-7.12-28.28-23.511
13
III. Finale
-1.80-25.35-20.413
14
The Piper of Dreams, Op. 12b
-2.76-27.49-21.613
15
I. Moderato
-1.05-23.05-19.113
16
II. Adagio
-2.66-24.91-20.214
17
III. Allegro ritmico
-2.40-24.28-20.114
18
Threnody, Op. 74
-4.88-26.72-22.913

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