℗ 2024 Divine Art Ltd
Released | September 20, 2024 |
Duration | 1h 16m 03s |
Record Label | Métier |
Catalogue No. | MEX 77128 |
Genre | Classical (Piano) |
1.1
|
Quarry Waltz
Meredith Monk; Carolyn Enger |
1:58 | |||
1.2
|
I.v.
Marcos Balter; Carolyn Enger |
2:42 | |||
1.3
|
LILT
Nico Muhly; Carolyn Enger |
3:43 | |||
1.4
|
Auf einem anderen Blatt
Wolfgang Rihm; Carolyn Enger |
4:34 | |||
1.5
|
Orrizzonte
Missy Mazzoli; Carolyn Enger |
5:24 | |||
1.6
|
In a Landscape
John Cage; Carolyn Enger |
8:43 | |||
1.7
|
Nunataks
John Luther Adams; Carolyn Enger |
7:34 | |||
1.8
|
Étude No. 2
Philip Glass; Carolyn Enger |
7:50 | |||
1.9
|
in the brittle quietude
Iman Habibi; Carolyn Enger |
3:10 | |||
1.10
|
Gustav le Gray
Caroline Shaw; Carolyn Enger |
12:33 | |||
1.11
|
The Birds of Barclay Street
Sean Hickey; Carolyn Enger |
3:00 | |||
1.12
|
Dream
John Cage; Carolyn Enger |
8:34 | |||
1.13
|
Reckoning
Sean Hickey; Carolyn Enger |
2:57 | |||
1.14
|
Ellis Island
Meredith Monk; Carolyn Enger |
3:21 | |||
Digital Booklet
|
Métier Records proudly presents Resonating Earth, the latest album by acclaimed pianist Carolyn Enger. Resulting from a multimedia project, developed in collaboration with producer and video artist Elliott Forrest, visual artist Myles Aronowitz, and photographer/activist J. Henry Fair, the work addresses the urgent climate crisis through the transformative power of music and art.
Resonating Earth emerged from Enger’s profound connection to nature and her dedication to environmental activism. Living in a wooden house outside Manhattan, Enger draws inspiration from the natural vibrations of her seven-foot Steinway piano, her personal yoga and meditation practices, and her profound love for the planet. This album, born from those inspirations, offers a sonic environment conducive to contemplation and openness, featuring a diverse collection of compositions that span multiple generations and schools of thought.
The album opens and closes with works by Meredith Monk, whose pieces Quarry Waltz and Ellis Island frame the program with themes of totalitarianism and the promise of freedom. Interwoven throughout are compositions by Marcos Balter, Nico Muhly, Wolfgang Rihm, Missy Mazzoli, John Cage, John Luther Adams, Philip Glass, Iman Habibi, Caroline Shaw, and Sean Hickey – each bringing unique perspectives and emotional depth to the project.
48 kHz / 24-bit PCM – Métier Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -8.67 -16.03 to -3.07 | -32.37 -42.01 to -24.09 | -28.06 -36.90 to -21.10 | 14 10 to 20 | |
1 | Quarry Waltz | -6.26 | -24.09 | -21.1 | 10 |
2 | I.v. | -12.13 | -42.01 | -35.0 | 15 |
3 | LILT | -16.03 | -40.31 | -36.9 | 15 |
4 | Auf einem anderen Blatt | -10.63 | -39.53 | -34.5 | 20 |
5 | Orrizzonte | -4.04 | -26.79 | -23.3 | 12 |
6 | In a Landscape | -14.49 | -35.34 | -32.6 | 13 |
7 | Nunataks | -3.16 | -29.23 | -22.9 | 16 |
8 | Étude No. 2 | -5.63 | -24.36 | -21.9 | 11 |
9 | in the brittle quietude | -10.06 | -35.47 | -31.4 | 13 |
10 | Gustav le Gray | -3.07 | -25.24 | -21.9 | 13 |
11 | The Birds of Barclay Street | -4.90 | -33.55 | -27.3 | 16 |
12 | Dream | -15.27 | -34.90 | -31.7 | 12 |
13 | Reckoning | -4.08 | -32.80 | -25.6 | 17 |
14 | Ellis Island | -11.62 | -29.50 | -26.7 | 11 |