![](http://d24jnm9llkb1ub.cloudfront.net/icpn/00602465930290/00602465930290-cover-zoom.jpg)
℗ 2005 UMG Recordings
Released | June 28, 2024 |
Originated | November 8, 2005 |
Duration | 49m 51s |
Record Label | Neil Diamond |
Genre | Pop |
1.1
|
Oh Mary
Neil Diamond |
5:12 | |||
1.2
|
Hell Yeah
Neil Diamond |
4:25 | |||
1.3
|
Captain Of A Shipwreck
Neil Diamond |
3:55 | |||
1.4
|
Evermore
Neil Diamond |
5:18 | |||
1.5
|
Save Me A Saturday Night
Neil Diamond |
3:31 | |||
1.6
|
Delirious Love
Neil Diamond |
3:12 | |||
1.7
|
I'm On To You
Neil Diamond |
4:27 | |||
1.8
|
What's It Gonna Be
Neil Diamond |
4:04 | |||
1.9
|
Man Of God
Neil Diamond |
4:21 | |||
1.10
|
Create Me
Neil Diamond |
4:10 | |||
1.11
|
Face Me
Neil Diamond |
3:27 | |||
1.12
|
We
Neil Diamond |
3:49 |
12 Songs is the twenty-sixth studio album by Neil Diamond, released in 2005. It was his first studio album since 2001's Three Chord Opera. It was produced by Rick Rubin.
Initial work on the album began after Diamond had concluded his tour behind Three Chord Opera in 2002. Retreating to his Colorado cabin, Diamond found himself temporarily snowed in, and started to pass the time away by working on new material. Not long afterward, Diamond met Rick Rubin. Rubin expressed interest in working with Diamond, and the two got together several times at each other's homes before ever going into the recording studio.
Rubin, using the artist's Bang and early Uni Records albums as a springboard, encouraged Diamond to keep writing material over the course of a year. Once the two collaborators had plenty of material at their disposal that they felt strongly about, Rubin put together some of the same musicians he had used for Johnny Cash's American Recordings releases, including Tom Petty sidemen Mike Campbell and Benmont Tench, and encouraged Diamond to play guitar himself in the studio. The sessions were also the last ever performance by organ player Billy Preston, who died in June 2006.
The end result, 12 Songs, ended up being one of Diamond's most successful and critically acclaimed studio albums in years, debuting at #4 on the Billboard 200 album chart. Rubin's influence would extend beyond the recording sessions, as the subsequent tour behind the album found Diamond using tougher-sounding arrangements of his classic songs with his longtime backing band, and playing more guitar onstage than he had done since the Hot August Night era.
44.1 kHz / 24-bit PCM – Neil Diamond Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.70 -0.71 to -0.70 | -14.26 -16.63 to -12.82 | -11.60 -14.20 to -10.10 | 8 7 to 11 | |
1 | Oh Mary | -0.71 | -16.63 | -14.2 | 11 |
2 | Hell Yeah | -0.70 | -15.16 | -12.2 | 8 |
3 | Captain Of A Shipwreck | -0.70 | -14.79 | -12.2 | 9 |
4 | Evermore | -0.71 | -15.34 | -12.4 | 7 |
5 | Save Me A Saturday Night | -0.71 | -14.62 | -12.5 | 8 |
6 | Delirious Love | -0.70 | -12.93 | -10.1 | 8 |
7 | I'm On To You | -0.70 | -12.82 | -10.1 | 7 |
8 | What's It Gonna Be | -0.70 | -14.34 | -11.8 | 8 |
9 | Man Of God | -0.70 | -13.21 | -10.5 | 7 |
10 | Create Me | -0.70 | -14.12 | -11.3 | 7 |
11 | Face Me | -0.70 | -13.54 | -11.2 | 8 |
12 | We | -0.70 | -13.65 | -10.7 | 8 |