℗ 2024 Quality Control Music, under exclusive license to UMG Recordings
Released | June 28, 2024 |
Duration | 43m 42s |
Record Label | Quality Control Music/Motown Records |
Genre | Alternative |
Bad Cameo [Edited / Clean]
James Blake, Lil Yachty
Available in MQA and 44.1 kHz / 24-bit AIFF, FLAC audio formats
1.1
|
Save The Savior EXPLICIT
James Blake; Lil Yachty |
4:05 | |||
1.2
|
In Grey
James Blake; Lil Yachty |
6:10 | |||
1.3
|
Midnight
James Blake; Lil Yachty |
4:59 | |||
1.4
|
Woo
James Blake; Lil Yachty |
2:50 | |||
1.5
|
Bad Cameo
James Blake; Lil Yachty |
3:52 | |||
1.6
|
Missing Man
James Blake; Lil Yachty |
3:57 | |||
1.7
|
Twice EXPLICIT
James Blake; Lil Yachty |
4:57 | |||
1.8
|
Transport Me EXPLICIT
James Blake; Lil Yachty |
4:56 | |||
1.9
|
Run Away From The Rabbit
James Blake; Lil Yachty |
3:47 | |||
1.10
|
Red Carpet
James Blake; Lil Yachty |
4:09 |
"The duo’s joint project is wistful and occasionally danceable, juxtaposing steely electronica with a stadium-ready take on Yachty’s sing-rap sensibilities."
- Pitchfork
UK singer/producer James Blake and American rapper Lil Yachty release their collaborative studio album Bad Cameo, through Quality Control Music.
Blake and Yachty were first connected by their mutual friend Cam Hicks. Yachty had previously messaged Blake via Instagram in 2020 to praise his album Assume Form; Blake said he never saw the message, though he did say he'd "been a fan of Yachty for years. And when I heard his last record [Let's Start Here], I was like, this is really a turn. Not many artists are brave enough to do something that’s kind of opposite of the last thing they did."
When deciding on what kind of music the duo wanted to make, Yachty told Blake that he'd worked on enough hip hop music in his career and that Yachty wanted them to work on something completely different. Blake responded by showing Yachty some ambient music he'd been working on around the same time as his 2023 album Playing Robots into Heaven, and Yachty played his own music which matched the mood of Blake's.
44.1 kHz / 24-bit PCM – Quality Control Music/Motown Records Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.20 -0.20 to -0.20 | -11.71 -13.74 to -9.83 | -9.92 -11.30 to -8.70 | 6 4 to 8 | |
1 | Save The Savior | -0.20 | -10.74 | -9.0 | 4 |
2 | In Grey | -0.20 | -11.89 | -10.3 | 5 |
3 | Midnight | -0.20 | -11.54 | -9.5 | 6 |
4 | Woo | -0.20 | -10.71 | -9.2 | 6 |
5 | Bad Cameo | -0.20 | -11.13 | -10.2 | 5 |
6 | Missing Man | -0.20 | -13.57 | -10.8 | 7 |
7 | Twice | -0.20 | -11.09 | -9.1 | 6 |
8 | Transport Me | -0.20 | -9.83 | -8.7 | 4 |
9 | Run Away From The Rabbit | -0.20 | -13.74 | -11.3 | 8 |
10 | Red Carpet | -0.20 | -12.84 | -11.1 | 6 |