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℗ 2024 Craft Recordings., Distributed by Concord.
Released | July 5, 2024 |
Duration | 47m 35s |
Record Label | Craft Recordings |
Catalogue No. | CR08344 |
Genre | Latin |
El Maestro (Remastered 2024)
Johnny Pacheco
Available in MQA and 192 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
Las Muchachas (Remastered 2024)
Johnny Pacheco |
4:56 | |||
1.2
|
Guaguancó Pa’l Que Sabe (Remastered 2024)
Johnny Pacheco; Pete "El Conde" Rodríguez |
4:58 | |||
1.3
|
Simani (Remastered 2024)
Johnny Pacheco |
5:39 | |||
1.4
|
El Chivo (Remastered 2024)
Johnny Pacheco |
3:41 | |||
1.5
|
Hoy Como Ayer (Remastered 2024)
Johnny Pacheco |
3:06 | |||
1.6
|
Prestame los Guantes (Remastered 2024)
Johnny Pacheco |
4:00 | |||
1.7
|
Yo Quiero una Mujer (Remastered 2024)
Johnny Pacheco |
4:19 | |||
1.8
|
El Faisán (Remastered 2024)
Johnny Pacheco |
8:21 | |||
1.9
|
Yo No Parlevu Francé (Remastered 2024)
Johnny Pacheco |
3:54 | |||
1.10
|
Mango Mangüe (Remastered 2024)
Johnny Pacheco |
4:41 |
Latin legend Johnny Pacheco brought in the smoky voice of Havana-born Héctor Casanova for the 1975’s El Maestro, at which time his group was reborn renamed as Tumbao Añejo (Aged Rhythm).
On the Grammy-nominated album, Johnny Pacheco covers three numbers from La Sonora’s extensive repertoire: “El Chivo”, “Las Muchachas”, written by the great Dominican-born, but Venezuelan-based bandleader Billo Frómeta, and “Mango Mangüee”, a classic penned by Cuban Francisco Fellove. The versatile Casanova does justice to the classic Beny Moré bolero “Hoy Como Ayer” written by Pedro Vega.
The jewel of the album is “Guaguancó Pa’lL Que Sabe”, written by composer and arranger Felipe Yánez, to whom the album is dedicated. This was also the biggest hit of the set, featuring an elegant piano solo from Papo Lucca, who takes another solo on Johnny’s Pacheco’s composition “Yo No Parlevu France”. A majestic solo from tres guitarist Charlie Rodríguez distinguishes another highlight, “El Faisán”.
192 kHz / 24-bit PCM – Craft Recordings Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.20 -0.21 to -0.20 | -15.75 -17.21 to -14.58 | -12.52 -13.80 to -11.40 | 11 10 to 12 | |
1 | Las Muchachas (Remastered 2024) | -0.20 | -14.58 | -11.4 | 10 |
2 | Guaguancó Pa’l Que Sabe (Remastered 2024) | -0.20 | -15.88 | -13.0 | 11 |
3 | Simani (Remastered 2024) | -0.20 | -16.99 | -13.6 | 11 |
4 | El Chivo (Remastered 2024) | -0.20 | -15.10 | -11.9 | 11 |
5 | Hoy Como Ayer (Remastered 2024) | -0.21 | -16.50 | -13.2 | 11 |
6 | Prestame los Guantes (Remastered 2024) | -0.20 | -15.40 | -12.1 | 10 |
7 | Yo Quiero una Mujer (Remastered 2024) | -0.20 | -15.50 | -12.1 | 10 |
8 | El Faisán (Remastered 2024) | -0.20 | -17.21 | -13.8 | 12 |
9 | Yo No Parlevu Francé (Remastered 2024) | -0.20 | -14.97 | -12.0 | 11 |
10 | Mango Mangüe (Remastered 2024) | -0.20 | -15.37 | -12.1 | 11 |