℗ 1972 Deutsche Grammophon, Berlin
| Released | July 12, 2024 |
| Originated | September 1, 1972 |
| Duration | 1h 28m 46s |
| Record Label | Deutsche Grammophon (DG) |
| Genre | Classical |
Verdi: Requiem
Mirella Freni, Christa Ludwig, Carlo Cossutta, Nicolai Ghiaurov, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
Available in MQA and 192 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
Requiem
|
|||||
|
1.1
|
I. Introit – Kyrie
Giuseppe Verdi; Anonymous; Mirella Freni; Christa Ludwig; Carlo Cossutta; Nicolai Ghiaurov; Wiener Singverein; Berliner Philharmoniker; Herbert von Karajan |
8:51 | |||
|
1.2
|
IIa. Dies irae
Giuseppe Verdi; Anonymous; Wiener Singverein; Berliner Philharmoniker; Herbert von Karajan |
2:24 | |||
|
1.3
|
IIb-c. Tuba mirum – Mors stupebit
Giuseppe Verdi; Anonymous; Nicolai Ghiaurov; Wiener Singverein; Berliner Philharmoniker; Herbert von Karajan |
3:42 | |||
|
1.4
|
IId. Liber scriptus
Giuseppe Verdi; Anonymous; Christa Ludwig; Wiener Singverein; Berliner Philharmoniker; Herbert von Karajan |
5:30 | |||
|
1.5
|
IIe. Quid sum miser
Giuseppe Verdi; Anonymous; Mirella Freni; Christa Ludwig; Carlo Cossutta; Berliner Philharmoniker; Herbert von Karajan |
3:51 | |||
|
1.6
|
IIf. Rex tremendae
Giuseppe Verdi; Anonymous; Mirella Freni; Christa Ludwig; Carlo Cossutta; Nicolai Ghiaurov; Wiener Singverein; Berliner Philharmoniker; Herbert von Karajan |
3:55 | |||
|
1.7
|
IIg. Recordare
Giuseppe Verdi; Anonymous; Mirella Freni; Christa Ludwig; Berliner Philharmoniker; Herbert von Karajan |
4:23 | |||
|
1.8
|
IIh. Ingemisco
Giuseppe Verdi; Anonymous; Carlo Cossutta; Berliner Philharmoniker; Herbert von Karajan |
3:57 | |||
|
1.9
|
IIi. Confutatis
Giuseppe Verdi; Anonymous; Nicolai Ghiaurov; Wiener Singverein; Helmut Froschauer; Berliner Philharmoniker; Herbert von Karajan |
5:50 | |||
|
1.10
|
IIj. Lacrymosa
Giuseppe Verdi; Anonymous; Mirella Freni; Christa Ludwig; Carlo Cossutta; Nicolai Ghiaurov; Wiener Singverein; Berliner Philharmoniker; Herbert von Karajan |
6:05 | |||
|
1.11
|
IIIa-b. Domine Jesu Christe – Hostias
Giuseppe Verdi; Anonymous; Mirella Freni; Christa Ludwig; Carlo Cossutta; Nicolai Ghiaurov; Berliner Philharmoniker; Herbert von Karajan |
11:29 | |||
|
1.12
|
IV. Sanctus
Giuseppe Verdi; Anonymous; Wiener Singverein; Berliner Philharmoniker; Herbert von Karajan |
3:05 | |||
|
1.13
|
V. Agnus Dei
Giuseppe Verdi; Anonymous; Mirella Freni; Christa Ludwig; Wiener Singverein; Berliner Philharmoniker; Herbert von Karajan |
5:06 | |||
|
1.14
|
VI. Lux aeterna
Giuseppe Verdi; Anonymous; Christa Ludwig; Carlo Cossutta; Nicolai Ghiaurov; Berliner Philharmoniker; Herbert von Karajan |
6:48 | |||
|
1.15
|
VII. Libera me – Dies irae – Requiem aeternam – Libera me
Giuseppe Verdi; Anonymous; Mirella Freni; Wiener Singverein; Berliner Philharmoniker; Herbert von Karajan |
13:50 | |||
For its 125th birthday, Deutsche Grammophon is releasing legendary recordings with highest sound standards: The new series The Original Source presents outstanding recordings from the 1970s in a whole new sound quality. For this, the renowned Emil Berliner Studios have remastered and edited the original four-track tapes in 100% analog quality (AAA) using technologies developed specifically to produce the series. The sonic differences to the original releases are considerable: greater clarity, more subtleties and improvements in frequency response, while at the same time less background noise, distortion and compression allow for an audiophile listening experience like never before.
This accompanying digital transfer benefits greatly from the exciting new restoration process!
Of the many recordings of Giuseppe Verdi's Messa da Requiem, Herbert von Karajan's 1972 recording is among the most admired. Alongside the Berlin Philharmonic and the Wiener Singverein, he is joined by Mirella Freni, Christa Ludwig, Carlo Cossutta and Nicolai Ghiaurov, four of the finest Verdi interpreters of his time.
192 kHz / 24-bit PCM – Deutsche Grammophon (DG) Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.37 -6.26 to -0.42 | -23.01 -31.26 to -17.53 | -17.27 -27.20 to -12.00 | 12 10 to 14 | |
| 1 | I. Introit – Kyrie | -0.42 | -23.02 | -16.1 | 13 |
| 2 | IIa. Dies irae | -0.46 | -17.53 | -12.0 | 10 |
| 3 | IIb-c. Tuba mirum – Mors stupebit | -0.42 | -20.35 | -13.3 | 11 |
| 4 | IId. Liber scriptus | -0.42 | -22.39 | -15.4 | 12 |
| 5 | IIe. Quid sum miser | -4.66 | -28.01 | -23.0 | 14 |
| 6 | IIf. Rex tremendae | -0.42 | -17.99 | -12.4 | 10 |
| 7 | IIg. Recordare | -1.27 | -25.34 | -20.6 | 13 |
| 8 | IIh. Ingemisco | -1.31 | -25.82 | -19.8 | 14 |
| 9 | IIi. Confutatis | -0.42 | -20.57 | -15.6 | 12 |
| 10 | IIj. Lacrymosa | -0.43 | -23.57 | -17.9 | 14 |
| 11 | IIIa-b. Domine Jesu Christe – Hostias | -0.85 | -25.31 | -19.2 | 14 |
| 12 | IV. Sanctus | -0.42 | -18.04 | -12.0 | 10 |
| 13 | V. Agnus Dei | -6.26 | -31.26 | -27.2 | 14 |
| 14 | VI. Lux aeterna | -2.43 | -25.98 | -20.9 | 14 |
| 15 | VII. Libera me – Dies irae – Requiem aeternam – Libera me | -0.42 | -19.90 | -13.6 | 11 |