℗ 2024 BMG Rights Management (UK) Limited
| Released | March 21, 2024 |
| Duration | 52m 29s |
| Record Label | BMG Rights Management (UK) Limited |
| Genre | Rock |
|
1.1
|
Bus
Travis |
3:23 | |||
|
1.2
|
Raze the Bar
Travis |
3:05 | |||
|
1.3
|
Live It All Again
Travis |
3:23 | |||
|
1.4
|
Gaslight
Travis |
3:23 | |||
|
1.5
|
Alive EXPLICIT
Travis |
2:48 | |||
|
1.6
|
Home
Travis |
3:05 | |||
|
1.7
|
I Hope That You Spontaneously Combust
Travis |
2:18 | |||
|
1.8
|
Naked In New York City
Travis |
4:23 | |||
|
1.9
|
The River
Travis |
2:16 | |||
|
1.10
|
L.A. Times EXPLICIT
Travis |
4:08 | |||
|
1.11
|
Bus (Stripped)
Travis |
3:18 | |||
|
1.12
|
Raze the Bar (Stripped)
Travis |
3:06 | |||
|
1.13
|
Gaslight (Stripped)
Travis |
3:32 | |||
|
1.14
|
Naked In New York City (Stripped)
Travis |
4:21 | |||
|
1.15
|
The River (Stripped)
Travis |
1:42 | |||
|
1.16
|
L.A. Times (Stripped) EXPLICIT
Travis |
4:18 |
Glasgow’s multiple BRIT and Ivor Novello-winning songwriting giants Travis return with L.A. Times, their tenth studio album.
Produced by Tony Hoffer (Air, Beck, Phoenix), L.A. Times was written by Fran Healy in his studio on the edge of Skid Row, Los Angeles, the city he has called home for the last decade. He describes L.A. Times as Travis’ “most personal album since The Man Who". Its ten songs see their creator, inevitably, trying to make sense of the road travelled to this point-a sentiment reflected in the stunning album cover photograph. Echoing some of Travis’ most beloved records–The Man Who, The Invisible Band and The Boy With No Name-we’re greeted anew by four distant figures amongst vast surroundings, this time beneath the concrete and glitter of downtown Los Angeles at night. An unbroken line-up since their formation at the Glasgow School of Art in the 1990s, the coordinates of their extraordinary journey together are marked by this latest in a series of arresting images by world-renowned photographer and Travis collaborator for over 20 years, Stefan Ruiz.
48 kHz / 24-bit PCM – BMG Rights Management (UK) Limited Studio Masters
Track 11 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit
Track 11 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.25 -0.30 to -0.13 | -10.63 -18.82 to -8.55 | -8.19 -14.50 to -5.80 | 6 4 to 13 | |
| 1 | Bus | 0.00 | -9.81 | -7.7 | 5 |
| 2 | Raze the Bar | 0.00 | -9.50 | -7.7 | 5 |
| 3 | Live It All Again | -0.29 | -11.76 | -10.0 | 6 |
| 4 | Gaslight | -0.22 | -9.12 | -6.1 | 4 |
| 5 | Alive | -0.16 | -8.93 | -6.7 | 5 |
| 6 | Home | -0.18 | -8.85 | -6.3 | 5 |
| 7 | I Hope That You Spontaneously Combust | -0.13 | -8.55 | -6.9 | 4 |
| 8 | Naked In New York City | -0.29 | -14.08 | -11.8 | 8 |
| 9 | The River | 0.00 | -9.09 | -5.8 | 4 |
| 10 | L.A. Times | -0.21 | -9.16 | -7.0 | 5 |
| 11 | Bus (Stripped) | -0.30 | -10.74 | -8.5 | 7 |
| 12 | Raze the Bar (Stripped) | -0.30 | -9.34 | -7.9 | 6 |
| 13 | Gaslight (Stripped) | -0.30 | -10.90 | -7.9 | 7 |
| 14 | Naked In New York City (Stripped) | -0.30 | -10.39 | -7.4 | 5 |
| 15 | The River (Stripped) | -0.30 | -18.82 | -14.5 | 13 |
| 16 | L.A. Times (Stripped) | -0.30 | -11.07 | -8.8 | 7 |