℗ 2024 Regulus
Released | May 11, 2022 |
Duration | 55m 44s |
Record Label | Regulus |
Catalogue No. | RGCD-1052 |
Genre | Classical |
French Recorder Music
Yoriko Kakihara, Hiroshi Fukuzawa, Mizuho Doi
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Pieces de viole, Book 2 in G Major, Suite No. 2
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1.1
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I. Prelude: Tendrement
Louis de Caix d'Hervelois; Yoriko Kakihara; Hiroshi Fukuzawa; Mizuho Doi; Louis de Caix d'Hervelois |
1:29 | |||
1.2
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II. Allemande
Louis de Caix d'Hervelois; Yoriko Kakihara; Hiroshi Fukuzawa; Mizuho Doi; Louis de Caix d'Hervelois |
2:19 | |||
1.3
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III. Musette
Louis de Caix d'Hervelois; Yoriko Kakihara; Hiroshi Fukuzawa; Mizuho Doi; Louis de Caix d'Hervelois |
2:01 | |||
1.4
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IV. Papillon: Vite
Louis de Caix d'Hervelois; Yoriko Kakihara; Hiroshi Fukuzawa; Mizuho Doi; Louis de Caix d'Hervelois |
1:59 | |||
1.5
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V. La Lionnoise: Gravement
Louis de Caix d'Hervelois; Yoriko Kakihara; Hiroshi Fukuzawa; Mizuho Doi; Louis de Caix d'Hervelois |
2:25 | |||
1.6
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VI. La Fanatique: Vivement
Louis de Caix d'Hervelois; Yoriko Kakihara; Hiroshi Fukuzawa; Mizuho Doi; Louis de Caix d'Hervelois |
1:04 | |||
1.7
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VII. Air: Tendre
Louis de Caix d'Hervelois; Yoriko Kakihara; Hiroshi Fukuzawa; Mizuho Doi; Louis de Caix d'Hervelois |
2:17 | |||
Suite in G Minor, No. 5
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1.8
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I. Très lentment
Pierre Danican Philidor; Yoriko Kakihara; Hiroshi Fukuzawa; Mizuho Doi; Pierre Danican Philidor |
2:20 | |||
1.9
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II. Allemande
Pierre Danican Philidor; Yoriko Kakihara; Hiroshi Fukuzawa; Mizuho Doi; Pierre Danican Philidor |
3:03 | |||
1.10
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III. Sarabande, Très tendrement
Pierre Danican Philidor; Yoriko Kakihara; Hiroshi Fukuzawa; Mizuho Doi; Pierre Danican Philidor |
3:24 | |||
1.11
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IV. Gigue, Gaiement
Pierre Danican Philidor; Yoriko Kakihara; Hiroshi Fukuzawa; Mizuho Doi; Pierre Danican Philidor |
1:46 | |||
Pieces de viole, Book 1 in G Major, Suite No. 2
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1.12
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I. Prelude
Louis de Caix d'Hervelois; Yoriko Kakihara; Hiroshi Fukuzawa; Mizuho Doi; Louis de Caix d'Hervelois |
1:36 | |||
1.13
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II. Allemande
Louis de Caix d'Hervelois; Yoriko Kakihara; Hiroshi Fukuzawa; Mizuho Doi; Louis de Caix d'Hervelois |
2:06 | |||
1.14
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III. L'Angélique
Louis de Caix d'Hervelois; Yoriko Kakihara; Hiroshi Fukuzawa; Mizuho Doi; Louis de Caix d'Hervelois |
2:19 | |||
1.15
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IV. Rossignol, Gravement
Louis de Caix d'Hervelois; Yoriko Kakihara; Hiroshi Fukuzawa; Mizuho Doi; Louis de Caix d'Hervelois |
3:57 | |||
1.16
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V. Les petits doigts
Louis de Caix d'Hervelois; Yoriko Kakihara; Hiroshi Fukuzawa; Mizuho Doi; Louis de Caix d'Hervelois |
2:59 | |||
1.17
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VI. L'Henriette, Gaiement
Louis de Caix d'Hervelois; Yoriko Kakihara; Hiroshi Fukuzawa; Mizuho Doi; Louis de Caix d'Hervelois |
1:48 | |||
1.18
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VII. Musette
Louis de Caix d'Hervelois; Yoriko Kakihara; Hiroshi Fukuzawa; Mizuho Doi; Louis de Caix d'Hervelois |
2:57 | |||
Suite in F Minor, No. 6
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1.19
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I. Ouverture
Charles Dieupart; Yoriko Kakihara; Hiroshi Fukuzawa; Mizuho Doi; Charles Dieupart |
3:51 | |||
1.20
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II. Allemande
Charles Dieupart; Yoriko Kakihara; Hiroshi Fukuzawa; Mizuho Doi; Charles Dieupart |
2:41 | |||
1.21
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III. Courante
Charles Dieupart; Yoriko Kakihara; Hiroshi Fukuzawa; Mizuho Doi; Charles Dieupart |
1:35 | |||
1.22
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IV. Sarabande
Charles Dieupart; Yoriko Kakihara; Hiroshi Fukuzawa; Mizuho Doi; Charles Dieupart |
2:18 | |||
1.23
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V. Gavotte
Charles Dieupart; Yoriko Kakihara; Hiroshi Fukuzawa; Mizuho Doi; Charles Dieupart |
0:55 | |||
1.24
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VI. Menuet
Charles Dieupart; Yoriko Kakihara; Hiroshi Fukuzawa; Mizuho Doi; Charles Dieupart |
1:14 | |||
1.25
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VII. Menuet
Charles Dieupart; Yoriko Kakihara; Hiroshi Fukuzawa; Mizuho Doi; Charles Dieupart |
1:21 |
This album is a collection of famous pieces that were played in the salons of kings and aristocrats during the heyday of the French absolute monarchy.
17th century French music developed mainly in the royal court. Court musicians created dances in a sophisticated style, and this art form captivated even Louis XIV, known as the Sun King. Instruments to play these pieces also developed, and France in particular produced many virtuoso wind instrument makers. This album contains masterpieces by such virtuoso musicians. Although the names are not necessarily well known even today, the beauty and enjoyment of the pieces are worth listening to.
96 kHz / 24-bit PCM – Regulus Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.91 -16.73 to -0.78 | -22.31 -33.29 to -18.98 | -18.82 -29.90 to -15.10 | 10 8 to 12 | |
1 | I. Prelude: Tendrement | -5.73 | -21.62 | -18.0 | 8 |
2 | II. Allemande | -1.11 | -19.90 | -16.1 | 11 |
3 | III. Musette | -1.79 | -20.01 | -16.4 | 11 |
4 | IV. Papillon: Vite | -0.78 | -18.98 | -15.1 | 11 |
5 | V. La Lionnoise: Gravement | -3.44 | -20.52 | -16.8 | 9 |
6 | VI. La Fanatique: Vivement | -3.68 | -19.99 | -16.1 | 11 |
7 | VII. Air: Tendre | -2.52 | -20.64 | -16.8 | 12 |
8 | I. Très lentment | -3.28 | -21.97 | -18.8 | 10 |
9 | II. Allemande | -3.75 | -21.69 | -18.7 | 10 |
10 | III. Sarabande, Très tendrement | -4.13 | -22.46 | -19.5 | 10 |
11 | IV. Gigue, Gaiement | -4.41 | -23.43 | -20.3 | 11 |
12 | I. Prelude | -6.69 | -23.54 | -20.4 | 9 |
13 | II. Allemande | -6.98 | -24.18 | -21.0 | 11 |
14 | III. L'Angélique | -5.93 | -23.82 | -20.9 | 11 |
15 | IV. Rossignol, Gravement | -5.41 | -23.12 | -20.1 | 11 |
16 | V. Les petits doigts | -5.65 | -22.72 | -19.7 | 10 |
17 | VI. L'Henriette, Gaiement | -5.64 | -23.83 | -20.7 | 11 |
18 | VII. Musette | -5.54 | -24.51 | -21.5 | 11 |
19 | I. Ouverture | -4.28 | -19.02 | -15.1 | 9 |
20 | II. Allemande | -2.63 | -20.06 | -16.2 | 10 |
21 | III. Courante | -16.73 | -33.29 | -29.9 | 11 |
22 | IV. Sarabande | -4.57 | -20.84 | -17.0 | 9 |
23 | V. Gavotte | -7.06 | -22.78 | -18.2 | 8 |
24 | VI. Menuet | -6.27 | -22.45 | -18.6 | 9 |
25 | VII. Menuet | -4.64 | -22.39 | -18.5 | 11 |