℗ 2023 Giovanni
| Released | April 10, 2023 |
| Duration | 1h 49m 47s |
| Record Label | Giovanni |
| Catalogue No. | GVCS32205 |
| Genre | Classical |
Miyoshi & Nobunaga: Choral Works
Coro Femminile Fiori, Hisakazu Ishibashi, Fumiya Amamori, Tomoko Hirabayashi, Sho Sato
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Gairotou (street light) for female chorus
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1.1
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No. 1 marmelo (quince)
Akira Miyoshi; Jyunko Kitaoka; Coro Femminile Fiori; Hisakazu Ishibashi; Tomoko Hirabayashi; Akira Miyoshi |
3:16 | |||
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1.2
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No. 2 Kumo (cloud)
Akira Miyoshi; Jyunko Kitaoka; Coro Femminile Fiori; Hisakazu Ishibashi; Tomoko Hirabayashi; Akira Miyoshi |
3:55 | |||
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1.3
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No. 3 onna (woman)
Akira Miyoshi; Jyunko Kitaoka; Coro Femminile Fiori; Hisakazu Ishibashi; Tomoko Hirabayashi; Akira Miyoshi |
4:09 | |||
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1.4
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No. 4 orgel (music box)
Akira Miyoshi; Jyunko Kitaoka; Coro Femminile Fiori; Hisakazu Ishibashi; Tomoko Hirabayashi; Akira Miyoshi |
3:47 | |||
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1.5
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No. 5 Gairotou (street light)
Akira Miyoshi; Jyunko Kitaoka; Coro Femminile Fiori; Hisakazu Ishibashi; Tomoko Hirabayashi; Akira Miyoshi |
3:10 | |||
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Itsutsu no Uta (five songs) for female chorus and piano
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1.6
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No. 1 Manjyusyage (cluster belladonna)
Akira Miyoshi; Hakusyu Kitahara; Coro Femminile Fiori; Hisakazu Ishibashi; Tomoko Hirabayashi; Akira Miyoshi |
4:47 | |||
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1.7
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No. 2 Aibiki (lover's date)
Akira Miyoshi; Hakusyu Kitahara; Coro Femminile Fiori; Hisakazu Ishibashi; Tomoko Hirabayashi; Akira Miyoshi |
1:46 | |||
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1.8
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No. 3 Nikushimi (hatred)
Akira Miyoshi; Hakusyu Kitahara; Coro Femminile Fiori; Hisakazu Ishibashi; Tomoko Hirabayashi; Akira Miyoshi |
5:52 | |||
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1.9
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No. 4 Akanbo (infants)
Akira Miyoshi; Hakusyu Kitahara; Coro Femminile Fiori; Hisakazu Ishibashi; Tomoko Hirabayashi; Akira Miyoshi |
1:39 | |||
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1.10
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No. 5 Kouya no Oroku (Oroku of Kouya)
Akira Miyoshi; Hakusyu Kitahara; Coro Femminile Fiori; Hisakazu Ishibashi; Tomoko Hirabayashi; Akira Miyoshi |
2:14 | |||
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1.11
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Tsumagure (balsam) for female chorus
Akira Miyoshi; Hakusyu Kitahara; Coro Femminile Fiori; Hisakazu Ishibashi; Tomoko Hirabayashi; Akira Miyoshi |
2:59 | |||
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Shoka no Shiki (Four Seasons of Shoka)2 for children's chorus and piano
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1.12
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No. 1 Haru (spring) (arr. A. Miyoshi)
Tatsuyuki Takano; Anonymous; Akira Miyoshi; Coro Femminile Fiori; Hisakazu Ishibashi; Tomoko Hirabayashi |
1:36 | |||
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1.13
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No. 2 Shoka (early summer) (arr. A. Miyoshi)
Anonymous; Akira Miyoshi; Coro Femminile Fiori; Hisakazu Ishibashi; Tomoko Hirabayashi |
1:00 | |||
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1.14
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No. 3 Natsu (Summer) (arr. A. Miyoshi)
Ryūha Hayashi; Anonymous; Akira Miyoshi; Coro Femminile Fiori; Hisakazu Ishibashi; Tomoko Hirabayashi |
2:50 | |||
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1.15
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No. 4 Aki (autumn) (arr. A. Miyoshi)
Rofū Miki; Tatsuyuki Takano; Anonymous; Kōsaku Yamada; Akira Miyoshi; Coro Femminile Fiori; Hisakazu Ishibashi; Tomoko Hirabayashi |
5:47 | |||
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1.16
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No. 5 Fuyu (winter) (arr. A. Miyoshi)
Seika Tatsumi; Hakusyu Kitahara; Shigeru Watanabe; Kōsaku Yamada; Anonymous; Akira Miyoshi; Coro Femminile Fiori; Hisakazu Ishibashi; Tomoko Hirabayashi |
5:29 | |||
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1.17
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No. 6 Sosite Haru (and spring) (arr. A. Miyoshi)
Tatsuyuki Takano; Anonymous; Akira Miyoshi; Coro Femminile Fiori; Hisakazu Ishibashi; Tomoko Hirabayashi |
5:14 | |||
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Mugi (wheat) for female chorus, violincello and piano
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2.1
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No. 1 Mugi (wheat)
Takatomi Nobunaga; Yoshiro Ishihara; Akira Miyoshi; Coro Femminile Fiori; Fumiya Amamori; Tomoko Hirabayashi; Sho Sato |
6:14 | |||
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2.2
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No. 2 Getsumei (moonlight)
Takatomi Nobunaga; Yoshiro Ishihara; Akira Miyoshi; Coro Femminile Fiori; Fumiya Amamori; Tomoko Hirabayashi; Sho Sato |
3:50 | |||
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2.3
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No. 3 Jitensya ni noru Clarimonde (Clarimonde riding a bicycle)
Takatomi Nobunaga; Yoshiro Ishihara; Akira Miyoshi; Coro Femminile Fiori; Fumiya Amamori; Tomoko Hirabayashi; Sho Sato |
3:33 | |||
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2.4
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No. 4 Akui: No. Ikyouto no inori kara (malice: No. from the prayers of pagans)
Takatomi Nobunaga; Yoshiro Ishihara; Akira Miyoshi; Coro Femminile Fiori; Fumiya Amamori; Tomoko Hirabayashi; Sho Sato |
6:04 | |||
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2.5
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No. 5 Mizu yo (water)
Takatomi Nobunaga; Yoshiro Ishihara; Akira Miyoshi; Coro Femminile Fiori; Fumiya Amamori; Tomoko Hirabayashi; Sho Sato |
5:54 | |||
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2.6
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Kokoroyo Utae (Sing, my heart) for female chorus (Premiere of female version)
Takatomi Nobunaga; Hiroshi Ichikura; Akira Miyoshi; Coro Femminile Fiori; Hisakazu Ishibashi |
3:19 | |||
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2.7
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Risumo,Kitto (Maybe, Aquirrel, too) 4 pop songs for female chorus - Towa ni odayakani (everlastingly and calmly)
Takatomi Nobunaga; Hiroshi Kurihara; Akira Miyoshi; Coro Femminile Fiori; Hisakazu Ishibashi; Tomoko Hirabayashi |
5:19 | |||
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2.8
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Sousou to Hana wa moeyo (Let the flowers burn) for female chorus and piano (World premiere)
Takatomi Nobunaga; Masuichi Kanemaru; Akira Miyoshi; Coro Femminile Fiori; Hisakazu Ishibashi; Tomoko Hirabayashi |
16:04 | |||
In addition to all the pieces performed at the subscription concert held to commemorate the 70th birthday of Hisakazu Ishibashi, the conductor of Coro Femminile Fiori, "Sousou to Hana wa moeyo(Let the flowers burn)" commissioned by Fiori at the 30th subscription concert is also included as a bonus track.
96 kHz / 24-bit PCM – Giovanni Studio Masters
Disc 2, Track 8 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit; contains material which has been processed by a perceptual audio coding algorithm
Disc 2, Track 8 – 44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit; contains material which has been processed by a perceptual audio coding algorithm
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.28 -10.72 to -0.01 | -26.42 -33.11 to -20.57 | -22.35 -29.80 to -17.00 | 14 11 to 16 | |
| 1.1 | No. 1 marmelo (quince) | -1.74 | -24.96 | -20.5 | 14 |
| 1.2 | No. 2 Kumo (cloud) | -0.28 | -25.24 | -20.0 | 13 |
| 1.3 | No. 3 onna (woman) | -6.92 | -32.11 | -28.5 | 15 |
| 1.4 | No. 4 orgel (music box) | -2.05 | -27.91 | -23.2 | 14 |
| 1.5 | No. 5 Gairotou (street light) | -0.66 | -27.98 | -23.9 | 14 |
| 1.6 | No. 1 Manjyusyage (cluster belladonna) | -3.89 | -30.28 | -25.7 | 16 |
| 1.7 | No. 2 Aibiki (lover's date) | -10.72 | -30.66 | -27.1 | 11 |
| 1.8 | No. 3 Nikushimi (hatred) | -0.05 | -25.57 | -19.9 | 15 |
| 1.9 | No. 4 Akanbo (infants) | -3.85 | -27.59 | -22.9 | 13 |
| 1.10 | No. 5 Kouya no Oroku (Oroku of Kouya) | -0.80 | -22.69 | -18.8 | 14 |
| 1.11 | Tsumagure (balsam) for female chorus | -8.19 | -33.11 | -29.8 | 14 |
| 1.12 | No. 1 Haru (spring) (arr. A. Miyoshi) | -6.13 | -25.43 | -22.4 | 12 |
| 1.13 | No. 2 Shoka (early summer) (arr. A. Miyoshi) | -8.14 | -28.77 | -25.6 | 12 |
| 1.14 | No. 3 Natsu (Summer) (arr. A. Miyoshi) | -0.96 | -24.45 | -21.0 | 13 |
| 1.15 | No. 4 Aki (autumn) (arr. A. Miyoshi) | -3.17 | -26.84 | -23.4 | 15 |
| 1.16 | No. 5 Fuyu (winter) (arr. A. Miyoshi) | -2.51 | -26.57 | -22.6 | 13 |
| 1.17 | No. 6 Sosite Haru (and spring) (arr. A. Miyoshi) | 0.00 | -23.34 | -18.8 | 14 |
| 2.1 | No. 1 Mugi (wheat) | -0.55 | -25.22 | -20.4 | 14 |
| 2.2 | No. 2 Getsumei (moonlight) | -3.90 | -29.19 | -25.2 | 15 |
| 2.3 | No. 3 Jitensya ni noru Clarimonde (Clarimonde riding a bicycle) | -4.42 | -28.18 | -24.0 | 14 |
| 2.4 | No. 4 Akui: No. Ikyouto no inori kara (malice: No. from the prayers of pagans) | -0.01 | -20.57 | -17.0 | 13 |
| 2.5 | No. 5 Mizu yo (water) | -5.30 | -27.37 | -22.8 | 12 |
| 2.6 | Kokoroyo Utae (Sing, my heart) for female chorus (Premiere of female version) | -0.55 | -22.30 | -18.5 | 13 |
| 2.7 | Risumo,Kitto (Maybe, Aquirrel, too) 4 pop songs for female chorus - Towa ni odayakani (everlastingly and calmly) | -1.45 | -22.35 | -18.9 | 13 |
| 2.8 | Sousou to Hana wa moeyo (Let the flowers burn) for female chorus and piano (World premiere) | -2.41 | -21.95 | -17.9 | 12 |