℗ 2024 Avanticlassic
Released September 6, 2024
Duration 7h 37m 44s
Record Label 2024 Avanticlassic
Catalogue No. 54147061702
Genre Classical
 

Rendez-vous With Martha Argerich, Vol. 3 [Edited / Clean]

Various Artists

Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
  • Select Format
    • AIFF 96 kHz | 24-bit
    • FLAC 96 kHz | 24-bit
Add to cart
↵ discounted price

 
Seven Variations on 'Bei Männern, welche Liebe fühlen', WoO 46  
1.1
I. Thema. Andante
Ludwig van Beethoven; Martha Argerich; Mischa Maisky
0:50
1.2
II. Variation I
Ludwig van Beethoven; Martha Argerich; Mischa Maisky
0:37
1.3
III. Variation II
Ludwig van Beethoven; Martha Argerich; Mischa Maisky
0:40
1.4
IV. Variation III
Ludwig van Beethoven; Martha Argerich; Mischa Maisky
1:02
1.5
V. Variation IV
Ludwig van Beethoven; Martha Argerich; Mischa Maisky
1:34
1.6
VI. Variation V. Si prenda il tempo un poco più vivace
Ludwig van Beethoven; Martha Argerich; Mischa Maisky
0:33
1.7
VII. Variation VI. Adagio
Ludwig van Beethoven; Martha Argerich; Mischa Maisky
2:21
1.8
VIII. Variation VII. Allegro ma non troppo
Ludwig van Beethoven; Martha Argerich; Mischa Maisky
1:50
Sonata for Piano and Violin in G Major No. 3, Op. 30  
1.9
I. Allegro assai
Ludwig van Beethoven; Martha Argerich; Renaud Capuçon
6:02
1.10
II. Tempo di Minuetto, ma molto moderato e grazioso
Ludwig van Beethoven; Martha Argerich; Renaud Capuçon
8:52
1.11
III. Allegro vivace
Ludwig van Beethoven; Martha Argerich; Renaud Capuçon
3:16
Trio for Piano, Violin and Violoncello in D Major No. 5, Op. 70 No. 1 - 'Ghost Trio'  
1.12
I. Allegro vivace e con brio
Ludwig van Beethoven; Alissa Margulis; Natalia Margulis; Jura Margulis
10:36
1.13
II. Largo assai ed espressivo
Ludwig van Beethoven; Alissa Margulis; Jura Margulis; Natalia Margulis
9:56
1.14
III. Presto
Ludwig van Beethoven; Alissa Margulis; Jura Margulis; Natalia Margulis
8:26
Piano Concerto in B-Flat Major No. 2, Op. 19  
2.1
I. Allegro con brio
Ludwig van Beethoven; Martha Argerich; Sylvain Cambreling; Symphoniker Hamburg
14:18
2.2
II. Adagio
Ludwig van Beethoven; Martha Argerich; Sylvain Cambreling; Symphoniker Hamburg
8:46
2.3
III. Rondo. Molto allegro
Ludwig van Beethoven; Martha Argerich; Sylvain Cambreling; Symphoniker Hamburg
6:06
Piano Trio in D Minor No. 1, Op. 49  
2.4
I. Molto allegro agitato
Felix Mendelssohn Bartholdy; Martha Argerich; Anne-Sophie Mutter; Mischa Maisky
9:39
2.5
II. Andante con moto tranquillo
Felix Mendelssohn Bartholdy; Martha Argerich; Anne-Sophie Mutter; Mischa Maisky
7:08
2.6
III. Scherzo
Felix Mendelssohn Bartholdy; Martha Argerich; Anne-Sophie Mutter; Mischa Maisky
3:22
2.7
IV. Finale
Felix Mendelssohn Bartholdy; Martha Argerich; Anne-Sophie Mutter; Mischa Maisky
8:09
Sonata for Piano and Viola in E-Flat Major No. 2, Op. 120  
2.8
I. Allegro amabile
Johannes Brahms; Gérard Caussé; Nicholas Angelich
9:31
2.9
II. Allegro appassionato
Johannes Brahms; Gérard Caussé; Nicholas Angelich
5:39
2.10
III. Andante con moto – Allegro – Più tranquillo
Johannes Brahms; Gérard Caussé; Nicholas Angelich
8:02
3.1
Impromptu in A-Flat Major No. 2, D. 935
Franz Schubert; Maria João Pires
6:45
3.2
Impromptu in B-Flat Major No. 3, D. 935 - ‘Rosamunde’
Franz Schubert; Maria João Pires
12:30
Sonata for Piano in A Major, D. 664  
3.3
I. Allegro moderato
Franz Schubert; Maria João Pires
7:25
3.4
II. Andante
Franz Schubert; Maria João Pires
5:02
3.5
III. Allegro
Franz Schubert; Maria João Pires
7:43
Sonata for Piano Four Hands in C Major, K. 521  
3.6
I. Allegro
Wolfgang Amadeus Mozart; Martha Argerich; Maria João Pires
9:23
3.7
II. Andante
Wolfgang Amadeus Mozart; Martha Argerich; Maria João Pires
5:35
3.8
III. Allegretto
Wolfgang Amadeus Mozart; Martha Argerich; Maria João Pires
8:04
4.1
El Cant Dels Ocells
Pablo Casals; Alissa Margulis; Natalia Margulis; Jura Margulis
4:24
Spanish Popular Suite  
4.2
I. El Paño Moruno
Manuel de Falla; Tedi Papavrami; Maki Okada
2:00
4.3
II. Nana
Manuel de Falla; Tedi Papavrami; Maki Okada
1:50
4.4
III. Canción
Manuel de Falla; Tedi Papavrami; Maki Okada
1:30
4.5
IV: Polo
Manuel de Falla; Tedi Papavrami; Maki Okada
1:11
4.6
V. Asturiana
Manuel de Falla; Tedi Papavrami; Maki Okada
2:12
4.7
VI. Jota
Manuel de Falla; Tedi Papavrami; Maki Okada
2:34
Quintet for Piano, two Violins, Viola and Violoncello in F Minor  
4.8
I. Molto moderato quasi lento – Allegro
César Franck; Akiko Suwanai; Tedi Papavrami; Lyda Chen; Alexander Kniazev; Evgeni Bozhanov
15:22
4.9
II. Lento, con molto sentimento
César Franck; Akiko Suwanai; Tedi Papavrami; Lyda Chen; Alexander Kniazev; Evgeni Bozhanov
10:22
Quintet for Piano, two Violins, Viola and Violoncello in F Minor FWV 7  
4.10
III. Allegro non troppo ma con fuoco
César Franck; Akiko Suwanai; Tedi Papavrami; Lyda Chen; Alexander Kniazev; Evgeni Bozhanov
8:27
5.1
Le Grand Tango (Arranged for violin and piano by Sofia Gubaidulina)
Astor Piazzolla; Gidon Kremer; Georgijs Osokins
11:45
Symphonic Dances from 'West Side Story'  
5.2
I. Prologue (version for two pianos)
Leonard Bernstein; Anton Gerzenberg; Daniel Gerzenberg
4:06
5.3
II. Somewhere (version for two pianos)
Leonard Bernstein; Anton Gerzenberg; Daniel Gerzenberg
3:59
5.4
III. Scherzo (version for two pianos)
Leonard Bernstein; Anton Gerzenberg; Daniel Gerzenberg
0:55
5.5
IV. Mambo (version for two pianos)
Leonard Bernstein; Anton Gerzenberg; Daniel Gerzenberg
2:23
5.6
V. Cha-cha (version for two pianos)
Leonard Bernstein; Anton Gerzenberg; Daniel Gerzenberg
1:04
5.7
VI. Meeting Scene (version for two pianos)
Leonard Bernstein; Anton Gerzenberg; Daniel Gerzenberg
0:49
5.8
VII. Cool Fugue (version for two pianos)
Leonard Bernstein; Anton Gerzenberg; Daniel Gerzenberg
3:44
5.9
VIII. Rumble (version for two pianos)
Leonard Bernstein; Anton Gerzenberg; Daniel Gerzenberg
1:58
5.10
IX. Finale (version for two pianos)
Leonard Bernstein; Anton Gerzenberg; Daniel Gerzenberg
2:44
The Four Seasons of Buenos Aires  
5.11
I. Buenos Aires Winter (version for violin, cello and piano)
Astor Piazzolla; Tedi Papavrami; Eugene Lifschitz; Alexander Gurning
7:09
5.12
II. Buenos Aires Summer (version for violin, cello and piano)
Astor Piazzolla; Tedi Papavrami; Eugene Lifschitz; Alexander Gurning
7:18
5.13
III. Buenos Aires Autumn (version for violin, cello and piano)
Astor Piazzolla; Tedi Papavrami; Eugene Lifschitz; Alexander Gurning
5:40
5.14
IV. Buenos Aires Spring (version for violin, cello and piano)
Astor Piazzolla; Tedi Papavrami; Eugene Lifschitz; Alexander Gurning
4:13
Songs And Dances Of Death  
6.1
I. Lullaby
Modest Mussorgsky; Michael Volle; Daniel Gerzenberg
5:56
6.2
II. Serenade
Modest Mussorgsky; Michael Volle; Daniel Gerzenberg
5:17
6.3
III. Trepak
Modest Mussorgsky; Michael Volle; Daniel Gerzenberg
5:08
6.4
IV. The Field Marshal
Modest Mussorgsky; Michael Volle; Daniel Gerzenberg
6:14
Sonata for two Pianos and Percussion, Sz 110  
6.5
I. Assai lento
Béla Bartók; Martha Argerich; Nelson Goerner; Alexej Gerassimez; Lukas Böhm
13:42
6.6
II. Lento, ma non troppo
Béla Bartók; Martha Argerich; Nelson Goerner; Alexej Gerassimez; Lukas Böhm
6:40
6.7
III. Allegro non troppo
Béla Bartók; Martha Argerich; Nelson Goerner; Alexej Gerassimez; Lukas Böhm
6:34
Trio for Violin, Violoncello and Piano in F-Sharp Minor  
6.8
I. Largo – Allegro espressivo – Maestoso
Arno Babadjanian; Michael Guttman; Jing Zhao; Elena Lisitsian
9:42
6.9
II. Andante
Arno Babadjanian; Michael Guttman; Jing Zhao; Elena Lisitsian
8:01
6.10
III. Allegro vivace
Arno Babadjanian; Michael Guttman; Jing Zhao; Elena Lisitsian
6:40
Sonata for Violoncello and Piano in D Minor, Op. 40  
7.1
I. Allegro non troppo
Dmitri Schostakovich; Martha Argerich; Mischa Maisky
11:05
7.2
II. Allegro
Dmitri Schostakovich; Martha Argerich; Mischa Maisky
3:02
7.3
III. Largo
Dmitri Schostakovich; Martha Argerich; Mischa Maisky
7:50
7.4
IV. Allegro
Dmitri Schostakovich; Martha Argerich; Mischa Maisky
4:20
Sonata for Flute and Piano in D Major, Op. 94  
7.5
I. Moderato
Sergei Prokofiev; Martha Argerich; Susanne Barner
7:56
7.6
II. Presto – poco meno mosso
Sergei Prokofiev; Martha Argerich; Susanne Barner
5:03
7.7
III. Andante
Sergei Prokofiev; Martha Argerich; Susanne Barner
3:44
7.8
IV. Allegro con brio – poco meno mosso
Sergei Prokofiev; Martha Argerich; Susanne Barner
7:07
7.9
Concertino for two Pianos, Op. 94
Dmitri Schostakovich; Martha Argerich; Lilya Zilberstein
9:14
Twelve Miniatures for Flute and Piano, Op. 29  
7.10
I. Improvisation
Mieczysław Weinberg; Susanne Barner; Akane Sakai
1:16
7.11
II. Arietta
Mieczysław Weinberg; Susanne Barner; Akane Sakai
1:28
7.12
III. Burlesque
Mieczysław Weinberg; Susanne Barner; Akane Sakai
1:18
7.13
IV. Capriccio
Mieczysław Weinberg; Susanne Barner; Akane Sakai
0:45
7.14
V. Nocturne
Mieczysław Weinberg; Susanne Barner; Akane Sakai
1:37
7.15
VI. Waltz
Mieczysław Weinberg; Susanne Barner; Akane Sakai
1:32
7.16
VII. Ode
Mieczysław Weinberg; Susanne Barner; Akane Sakai
1:17
7.17
VIII. Duo
Mieczysław Weinberg; Mieczysław Weinbe; Susanne Barner; Akane Sakai
1:20
7.18
IX. Barcarole
Mieczysław Weinberg; Susanne Barner; Akane Sakai
1:37
7.19
X. Etude
Mieczysław Weinberg; Susanne Barner; Akane Sakai
0:45
7.20
XI Intermezzo
Mieczysław Weinberg; Susanne Barner; Akane Sakai
1:55
7.21
XII. Pastorale
Mieczysław Weinberg; Susanne Barner; Akane Sakai
2:18
The third installment of Rendez-vous with Martha Argerich brings together captivating recordings from the international Festival Martha Argerich in Hamburg, showcasing an extraordinary lineup of soloists. Among the highlights are several first collaborations on record, notably between Martha Argerich, Anne-Sophie Mutter and Mischa Maisky, but also between Martha Argerich and Maria-João Pires. Many other prestigious guests include Renaud Capucon, Nelson Goerner, Gidon Kremer, Tedi Papavrami, Akiko Suwanai and Michael Volle. Particularly note-worthy is the deeply emotional interpretation of Brahms' second viola sonata, marking the poignant final public performance by the dearly missed pianist Nicholas Angelich, with violist Gerard Causse. All in all, this boxset stands as a jubilant tribute to the unparalleled artistry of Martha Argerich and to the incredible array of musical friendships she has develo-ped through the years.
96 kHz / 24-bit PCM – 2024 Avanticlassic Studio Masters
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-3.56
-19.34 to -0.22
-26.01
-39.42 to -19.03
-22.21
-35.10 to -15.50
14
10 to 21
1.1
I. Thema. Andante
-6.58-28.37-25.312
1.2
II. Variation I
-4.06-26.14-23.510
1.3
III. Variation II
-4.33-25.63-22.311
1.4
IV. Variation III
-6.46-28.24-25.312
1.5
V. Variation IV
-11.47-31.51-28.510
1.6
VI. Variation V. Si prenda il tempo un poco più vivace
-5.45-24.97-22.010
1.7
VII. Variation VI. Adagio
-11.49-31.35-28.412
1.8
VIII. Variation VII. Allegro ma non troppo
-2.27-23.40-19.913
1.9
I. Allegro assai
-2.22-24.38-21.214
1.10
II. Tempo di Minuetto, ma molto moderato e grazioso
-4.96-28.88-25.515
1.11
III. Allegro vivace
-0.23-21.24-17.913
1.12
I. Allegro vivace e con brio
-0.22-22.07-19.114
1.13
II. Largo assai ed espressivo
-0.22-22.72-18.413
1.14
III. Presto
-0.22-20.62-17.214
2.1
I. Allegro con brio
-0.22-20.94-17.713
2.2
II. Adagio
-1.28-24.00-19.913
2.3
III. Rondo. Molto allegro
-0.22-20.45-17.113
2.4
I. Molto allegro agitato
-0.22-20.01-16.512
2.5
II. Andante con moto tranquillo
-1.85-25.48-21.715
2.6
III. Scherzo
-0.22-19.44-16.412
2.7
IV. Finale
-0.22-19.03-15.512
2.8
I. Allegro amabile
-2.76-25.83-22.414
2.9
II. Allegro appassionato
-0.52-23.37-20.014
2.10
III. Andante con moto – Allegro – Più tranquillo
-1.15-25.02-21.515
3.1
Impromptu in A-Flat Major No. 2, D. 935
-0.43-23.18-19.114
3.2
Impromptu in B-Flat Major No. 3, D. 935 - ‘Rosamunde’
-0.24-23.21-19.615
3.3
I. Allegro moderato
-0.96-23.31-19.714
3.4
II. Andante
-0.22-24.90-19.815
3.5
III. Allegro
-0.22-21.38-17.914
3.6
I. Allegro
-0.22-21.56-18.715
3.7
II. Andante
-0.24-23.20-19.614
3.8
III. Allegretto
-0.22-22.36-19.215
4.1
El Cant Dels Ocells
-6.81-29.54-25.613
4.2
I. El Paño Moruno
-4.48-24.78-21.313
4.3
II. Nana
-14.32-32.95-29.512
4.4
III. Canción
-4.22-24.32-21.212
4.5
IV: Polo
-1.73-21.28-18.313
4.6
V. Asturiana
-13.66-33.30-30.312
4.7
VI. Jota
-0.91-24.93-21.315
4.8
I. Molto moderato quasi lento – Allegro
-0.22-21.84-18.014
4.9
II. Lento, con molto sentimento
-0.30-26.08-22.316
4.10
III. Allegro non troppo ma con fuoco
-0.22-21.10-17.614
5.1
Le Grand Tango (Arranged for violin and piano by Sofia Gubaidulina)
-0.22-20.99-17.514
5.2
I. Prologue (version for two pianos)
-0.23-22.59-18.714
5.3
II. Somewhere (version for two pianos)
-6.70-32.59-28.116
5.4
III. Scherzo (version for two pianos)
-6.19-28.06-24.813
5.5
IV. Mambo (version for two pianos)
-0.22-19.99-17.014
5.6
V. Cha-cha (version for two pianos)
-10.56-33.82-30.513
5.7
VI. Meeting Scene (version for two pianos)
-10.23-36.63-31.513
5.8
VII. Cool Fugue (version for two pianos)
-0.23-22.36-18.414
5.9
VIII. Rumble (version for two pianos)
-0.31-22.75-18.113
5.10
IX. Finale (version for two pianos)
-7.31-36.32-30.217
5.11
I. Buenos Aires Winter (version for violin, cello and piano)
-1.71-23.02-19.713
5.12
II. Buenos Aires Summer (version for violin, cello and piano)
-1.28-21.92-18.513
5.13
III. Buenos Aires Autumn (version for violin, cello and piano)
-0.80-23.51-19.514
5.14
IV. Buenos Aires Spring (version for violin, cello and piano)
-0.22-21.15-18.014
6.1
I. Lullaby
-0.23-31.35-25.121
6.2
II. Serenade
-0.23-27.68-23.415
6.3
III. Trepak
-1.46-27.51-22.816
6.4
IV. The Field Marshal
-0.22-23.84-18.915
6.5
I. Assai lento
-0.22-22.74-18.014
6.6
II. Lento, ma non troppo
-3.12-31.10-25.118
6.7
III. Allegro non troppo
-0.22-23.33-19.815
6.8
I. Largo – Allegro espressivo – Maestoso
-0.52-23.49-19.614
6.9
II. Andante
-3.07-29.31-23.716
6.10
III. Allegro vivace
-1.13-23.19-19.615
7.1
I. Allegro non troppo
-2.09-26.49-22.115
7.2
II. Allegro
-1.70-23.25-19.814
7.3
III. Largo
-2.62-30.71-25.815
7.4
IV. Allegro
-2.64-24.83-20.914
7.5
I. Moderato
-3.33-26.90-23.415
7.6
II. Presto – poco meno mosso
-0.24-26.37-22.815
7.7
III. Andante
-9.94-31.70-28.413
7.8
IV. Allegro con brio – poco meno mosso
-0.53-24.78-20.915
7.9
Concertino for two Pianos, Op. 94
-0.73-22.56-17.813
7.10
I. Improvisation
-8.02-31.07-25.114
7.11
II. Arietta
-13.42-35.45-31.714
7.12
III. Burlesque
-9.64-27.83-23.711
7.13
IV. Capriccio
-0.22-24.44-20.616
7.14
V. Nocturne
-12.34-32.99-29.213
7.15
VI. Waltz
-7.98-31.25-26.613
7.16
VII. Ode
-6.59-26.79-23.812
7.17
VIII. Duo
-19.34-39.42-35.112
7.18
IX. Barcarole
-7.88-28.64-24.412
7.19
X. Etude
-4.01-23.73-20.212
7.20
XI Intermezzo
-12.73-36.67-33.113
7.21
XII. Pastorale
-8.39-31.42-27.813

Offers & New Releases

exclusive benefits for mailing list members

 Subscribe Now

What is High-Resolution Audio?

High-resolution audio offers the highest-fidelity available, far surpassing the sound quality of traditional CDs. When you listen to music on a CD or tracks purchased via consumer services such as iTunes, you are hearing a low-resolution version of what was actually recorded and mastered in the studio. ProStudioMasters offers the original studio masters — exactly as the artist, producers and sound engineers mastered them — for download, directly to you.

What do I need for playback?

You may need additional software / hardware to take full advantage of the higher 24-bit high-res audio formats, but any music lover that has heard 16-bit vs 24-bit will tell you it's worth it!

Software for Mac OS X

Software for Windows

Hardware Suggestions