℗ 2024 Signum Records
Released | October 18, 2024 |
Duration | 1h 54m 42s |
Record Label | Signum Records |
Catalogue No. | SIGCD912 |
Genre | Classical (Vocal) |
Close Harmony
The King's Singers
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
Crocodile Rock (Arr. for ensemble by Andrew Jackman)
Elton John; The King's Singers |
4:04 | |||
1.2
|
Father, Father (Arr. for ensemble by Eric Whitacre & Christopher Bruerton)
Laura Mvula; The King's Singers |
4:59 | |||
1.3
|
Fifty Ways to Leave Your Lover (Arr. for ensemble by Andrew Jackman)
Paul Simon; The King's Singers |
3:15 | |||
1.4
|
The Hills of Aberfeldy (Arr. for ensemble by Jim Clements)
Ed Sheeran; Foy Vance; The King's Singers |
4:08 | |||
1.5
|
Good Old-Fashioned Lover Boy (Arr. for ensemble by Nick Ashby)
Freddie Mercury; The King's Singers |
3:16 | |||
1.6
|
The Way You Look Tonight (Arr. for ensemble by John Rutter)
Jerome Kern; The King's Singers |
2:27 | |||
1.7
|
Oh! I Can't Sit Down (Arr. for ensemble by Bob Chilcott)
George Gershwin; Ira Gershwin; DuBose Heyward; The King's Singers |
2:46 | |||
1.8
|
How long Will I Love You (Arr. for ensemble by Christopher Bruerton)
Mike Scott; The King's Singers |
2:29 | |||
1.9
|
Ob-lad-di, Ob-la-da (Arr. for ensemble by Daryl Runswick)
John Lennon; Paul McCartney; The King's Singers |
4:31 | |||
1.10
|
She Moved Through the Fair (Arr. for ensemble by Daryl Runswick)
Traditional; The King's Singers |
3:30 | |||
1.11
|
I'm a Train (Arr. for ensemble by Peter Knight)
Albert Hammond; The King's Singers |
2:06 | |||
1.12
|
Meet You in the Maze
James Blake; The King's Singers |
5:53 | |||
1.13
|
Rainbow (Arr. for ensemble by Patrick Dunachie)
Kacey Musgraves; Natalie Hemby; Shane McAnally; The King's Singers |
2:33 | |||
1.14
|
The Flight of the Bumblebee (Arr. for ensemble by Daryl Runswick)
Nikolai Rimsky-Korsakov; The King's Singers |
1:21 | |||
1.15
|
Slow Train (Arr. for ensemble by Gordon Langford)
Donald Swann; The King's Singers |
3:32 | |||
1.16
|
Honey Pie (Arr. for ensemble by Paul Hart)
John Lennon; Paul McCartney; The King's Singers |
2:46 | |||
1.17
|
Rhythm of Life (Arr. for ensemble by Peter Knight)
Cy Coleman; Dorothy Fields; The King's Singers |
2:17 | |||
1.18
|
Creole Love Call (Arr. for ensemble by Paul Kuhn)
Duke Ellington; The King's Singers |
3:32 | |||
1.19
|
Sisotowbell Lane (Arr. for ensemble by Patrick Dunachie)
Joni Mitchell; The King's Singers |
4:46 | |||
1.20
|
Une Gente Bergere (Arr. for ensemble by Goff Richards)
Traditional French; The King's Singers |
2:55 | |||
1.21
|
When I'm Sixty Four (Arr. for ensemble by Paul Hart)
John Lennon; Paul McCartney; The King's Singers |
3:31 | |||
1.22
|
She's Like the Swallow (Arr. for ensemble by Bob Chilcott)
Traditional; The King's Singers |
4:35 | |||
1.23
|
Overture to the Barber of Seville (Arr. for ensemble by Daryl Runswick)
Gioachino Rossini; The King's Singers |
3:27 | |||
1.24
|
Takeda Lullaby (Arr. for ensemble by Grayston Ives)
Anonymous; The King's Singers |
3:18 | |||
1.25
|
Penny Lane (Arr. for ensemble by Bob Chilcott)
John Lennon; Paul McCartney; The King's Singers |
2:42 | |||
1.26
|
Songbird (Arr. for ensemble by Nick Ashby)
Christine McVie; The King's Singers |
3:21 | |||
1.27
|
Seaside Rendezvous (Arr. for ensemble by Paul Hart)
Freddie Mercury; The King's Singers |
2:39 | |||
1.28
|
The Rose (Arr. for ensemble by Nic Raine)
Amanda McBroom; The King's Singers |
3:38 | |||
1.29
|
Somewhere Over the Rainbow (Arr. for ensemble by Neil Richardson)
Harold Arlen; The King's Singers; Misha Mullov-Abbado; Liam Dunachie |
6:08 | |||
1.30
|
Master-piece (2024)
Paul Drayton; The King's Singers |
12:17 | |||
1.31
|
What Kind of Things do the Kings Singers's Sing (Arr. for ensemble by Jeremy Jackman)
Ron Goodwin; The King's Singers |
2:00 |
Close Harmony is the latest musical offering from Grammy Award winning and internationally acclaimed vocal group The King’s Singers. A combination of newly recorded works and tracks from their The Library EP series, the album takes a deep-dive into one of the most beloved and unique corners of their music library: the close-harmony arrangements. New arrangements feature from composers Daryl Runswick (such as an imaginative, exciting version of Rossini’s Barber of Seville Overture) and John Rutter (Jerome Kern’s The Way You Look Tonight) showcasing the diversity of both their talent and the repertoire they present.
96 kHz / 24-bit PCM – Signum Records Studio Masters
Tracks 27, 29 – 88.2 kHz / 24-bit PCM
Tracks 27, 29 – 88.2 kHz / 24-bit PCM
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.75 -3.80 to -0.31 | -21.23 -24.16 to -18.38 | -18.04 -21.50 to -15.10 | 12 10 to 15 | |
1 | Crocodile Rock (Arr. for ensemble by Andrew Jackman) | -1.23 | -23.17 | -20.1 | 14 |
2 | Father, Father (Arr. for ensemble by Eric Whitacre & Christopher Bruerton) | -3.38 | -22.06 | -18.9 | 11 |
3 | Fifty Ways to Leave Your Lover (Arr. for ensemble by Andrew Jackman) | -2.25 | -21.90 | -18.4 | 12 |
4 | The Hills of Aberfeldy (Arr. for ensemble by Jim Clements) | -0.98 | -21.13 | -17.6 | 12 |
5 | Good Old-Fashioned Lover Boy (Arr. for ensemble by Nick Ashby) | -0.71 | -19.20 | -16.1 | 11 |
6 | The Way You Look Tonight (Arr. for ensemble by John Rutter) | -2.19 | -22.38 | -19.0 | 13 |
7 | Oh! I Can't Sit Down (Arr. for ensemble by Bob Chilcott) | -0.40 | -18.38 | -15.1 | 12 |
8 | How long Will I Love You (Arr. for ensemble by Christopher Bruerton) | -0.54 | -18.46 | -15.7 | 11 |
9 | Ob-lad-di, Ob-la-da (Arr. for ensemble by Daryl Runswick) | -0.31 | -21.17 | -17.9 | 13 |
10 | She Moved Through the Fair (Arr. for ensemble by Daryl Runswick) | -2.66 | -24.02 | -21.2 | 11 |
11 | I'm a Train (Arr. for ensemble by Peter Knight) | -1.13 | -20.32 | -16.6 | 12 |
12 | Meet You in the Maze | -0.75 | -21.51 | -17.5 | 13 |
13 | Rainbow (Arr. for ensemble by Patrick Dunachie) | -1.65 | -20.72 | -17.7 | 12 |
14 | The Flight of the Bumblebee (Arr. for ensemble by Daryl Runswick) | -3.07 | -23.95 | -20.4 | 15 |
15 | Slow Train (Arr. for ensemble by Gordon Langford) | -0.33 | -19.94 | -17.0 | 11 |
16 | Honey Pie (Arr. for ensemble by Paul Hart) | -1.00 | -19.63 | -16.5 | 12 |
17 | Rhythm of Life (Arr. for ensemble by Peter Knight) | -1.17 | -20.41 | -17.4 | 12 |
18 | Creole Love Call (Arr. for ensemble by Paul Kuhn) | -3.80 | -19.84 | -17.1 | 10 |
19 | Sisotowbell Lane (Arr. for ensemble by Patrick Dunachie) | -2.29 | -24.16 | -21.5 | 13 |
20 | Une Gente Bergere (Arr. for ensemble by Goff Richards) | -2.04 | -22.12 | -19.1 | 12 |
21 | When I'm Sixty Four (Arr. for ensemble by Paul Hart) | -2.76 | -20.28 | -17.2 | 11 |
22 | She's Like the Swallow (Arr. for ensemble by Bob Chilcott) | -2.54 | -23.11 | -19.8 | 13 |
23 | Overture to the Barber of Seville (Arr. for ensemble by Daryl Runswick) | -2.18 | -22.47 | -19.3 | 13 |
24 | Takeda Lullaby (Arr. for ensemble by Grayston Ives) | -3.66 | -20.89 | -17.9 | 10 |
25 | Penny Lane (Arr. for ensemble by Bob Chilcott) | -2.13 | -19.03 | -15.9 | 10 |
26 | Songbird (Arr. for ensemble by Nick Ashby) | -1.99 | -21.58 | -18.9 | 12 |
27 | Seaside Rendezvous (Arr. for ensemble by Paul Hart) | -1.28 | -21.70 | -18.0 | 14 |
28 | The Rose (Arr. for ensemble by Nic Raine) | -2.12 | -21.14 | -17.5 | 11 |
29 | Somewhere Over the Rainbow (Arr. for ensemble by Neil Richardson) | -1.30 | -21.51 | -19.1 | 13 |
30 | Master-piece (2024) | -0.86 | -20.91 | -17.0 | 12 |
31 | What Kind of Things do the Kings Singers's Sing (Arr. for ensemble by Jeremy Jackman) | -1.62 | -21.12 | -17.9 | 13 |