℗ 2024 Solo Musica
Released | September 20, 2024 |
Duration | 1h 16m 59s |
Record Label | Solo Musica |
Catalogue No. | SM460 |
Genre | Classical (Chamber) |
Platti: Violoncello & Harpsichord Sonatas Vol. 1
Alex Jellici, Matías Lanz
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Sonata No. 7 in D Major for Violoncello and Basso Continuo
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1.1
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I. Adagio
Giovanni Benedetto Platti; Alex Jellici; Matías Lanz |
2:26 | |||
1.2
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II. Allegro
Giovanni Benedetto Platti; Alex Jellici; Matías Lanz |
3:33 | |||
1.3
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III. Largo
Giovanni Benedetto Platti; Alex Jellici; Matías Lanz |
1:35 | |||
1.4
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IV. Presto
Giovanni Benedetto Platti; Alex Jellici; Matías Lanz |
1:26 | |||
Sonata in D Major, Op. I, No. 1 for Harpsichord
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1.5
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I. Adagio
Giovanni Benedetto Platti; Alex Jellici; Matías Lanz |
3:13 | |||
1.6
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II. Allegro
Giovanni Benedetto Platti; Alex Jellici; Matías Lanz |
3:08 | |||
1.7
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III. Largo
Giovanni Benedetto Platti; Alex Jellici; Matías Lanz |
3:49 | |||
1.8
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IV. Presto
Giovanni Benedetto Platti; Alex Jellici; Matías Lanz |
2:50 | |||
Sonata No. 8 in G Major for Violoncello and Basso Continuo
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1.9
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I. Adagio
Giovanni Benedetto Platti; Alex Jellici; Matías Lanz |
3:34 | |||
1.10
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II. Allegro
Giovanni Benedetto Platti; Alex Jellici; Matías Lanz |
2:31 | |||
1.11
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III. Adagio
Giovanni Benedetto Platti; Alex Jellici; Matías Lanz |
2:12 | |||
1.12
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IV. Allegro
Giovanni Benedetto Platti; Alex Jellici; Matías Lanz |
1:58 | |||
Sonata in G Minor, Op. I, No. 4 for Harpsichord
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1.13
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I. Largo
Giovanni Benedetto Platti; Alex Jellici; Matías Lanz |
3:38 | |||
1.14
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II. Presto e alla breve
Giovanni Benedetto Platti; Alex Jellici; Matías Lanz |
2:01 | |||
1.15
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III. Adagio
Giovanni Benedetto Platti; Alex Jellici; Matías Lanz |
4:20 | |||
1.16
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IV. Non Tanto Allegro
Giovanni Benedetto Platti; Alex Jellici; Matías Lanz |
3:14 | |||
Sonata No. 11 in B-Flat Major for Violoncello and Basso Continuo
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1.17
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I. Andante
Giovanni Benedetto Platti; Alex Jellici; Matías Lanz |
3:12 | |||
1.18
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II. Allegro
Giovanni Benedetto Platti; Alex Jellici; Matías Lanz |
2:15 | |||
1.19
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III. Largo
Giovanni Benedetto Platti; Alex Jellici; Matías Lanz |
2:08 | |||
1.20
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IV. Presto
Giovanni Benedetto Platti; Alex Jellici; Matías Lanz |
2:16 | |||
Sonata in C Major, Op. I, No. 2 for Harpsichord
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1.21
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I. Adagio
Giovanni Benedetto Platti; Alex Jellici; Matías Lanz |
3:54 | |||
1.22
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II. Allegro
Giovanni Benedetto Platti; Alex Jellici; Matías Lanz |
2:07 | |||
1.23
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III. Aria
Giovanni Benedetto Platti; Alex Jellici; Matías Lanz |
4:06 | |||
1.24
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IV. Allegro
Giovanni Benedetto Platti; Alex Jellici; Matías Lanz |
2:37 | |||
Sonata No. 10 in C Minor for Violoncello and Basso Continuo
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1.25
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I. Largo
Giovanni Benedetto Platti; Alex Jellici; Matías Lanz |
2:37 | |||
1.26
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II. Allegro
Giovanni Benedetto Platti; Alex Jellici; Matías Lanz |
1:39 | |||
1.27
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III. Adagio
Giovanni Benedetto Platti; Alex Jellici; Matías Lanz |
2:30 | |||
1.28
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IV. Presto
Giovanni Benedetto Platti; Alex Jellici; Matías Lanz |
2:10 | |||
Digital Booklet
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This album is the first of three albums of music by Giovanni Benedetto Platti, on which we plan to record all twelve cello sonatas and the harpsichord sonatas Op. 1. We are delighted to have found in Platti an interesting and little-known composer whose music is fascinating to explore. Giovanni Benedetto Platti is a classic example of one of the many underestimated composers of the 18th century. Today, his name is familiar only to specialists and his music known to but a very few, yet his work is well worth discovering. A factotum at the Würzburg court, he wrote eminently attractive sonatas and concertos for oboe, cello, harpsichord and flute, as well as larger scale works including an interesting Requiem.
The twelve cello sonatas have survived in a manuscript dated 1725 from the collection of Count von Schönborn in Wiesentheid. They all have four movements and are characterised, as so often in Platti, by a compact and stringent compositional style. Hardly any single movement takes up more than a transverse page of the score, and many of the slow movements only half a page. Born in South Tyrol, Alex Jellici studied the cello in his home town of Bolzano, then in Florence, Vienna and Zurich under Luca Fiorentini, Giovanni Gnocchi and Orfeo Mandozzi. Further studies in baroque cello and viola da gamba followed under Martin Zeller at the Zurich University of the Arts. Matías Lanz has been organist at the Winterthur Veltheim Reformed Church since 2013. He has also been active as a tango pianist for several years. In 2022, together with bandoneonist Jens Biedermann, he founded Tango Bodegón, a cuarteto típico dedicated to the performance of traditional Argentinian tango. He has attended tango masterclasses with Roger Hélou, Pablo Estigarribia, Leonardo Ferreyra and Rodolfo Mederos.
96 kHz / 24-bit PCM – Solo Musica Studio Masters
Tracks 1-28 – contains material which utilizes a limited amount of the available bandwidth
Tracks 1-28 – contains material which utilizes a limited amount of the available bandwidth
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -6.96 -16.81 to -1.04 | -26.07 -34.45 to -21.06 | -23.28 -31.60 to -18.20 | 12 11 to 14 | |
1 | I. Adagio | -1.86 | -22.77 | -20.1 | 12 |
2 | II. Allegro | -1.04 | -22.62 | -20.0 | 14 |
3 | III. Largo | -3.33 | -23.13 | -20.2 | 11 |
4 | IV. Presto | -2.01 | -21.06 | -18.2 | 12 |
5 | I. Adagio | -15.14 | -32.79 | -29.9 | 12 |
6 | II. Allegro | -9.73 | -28.68 | -25.8 | 12 |
7 | III. Largo | -14.16 | -32.07 | -29.3 | 12 |
8 | IV. Presto | -11.72 | -29.34 | -26.3 | 12 |
9 | I. Adagio | -1.04 | -22.32 | -19.5 | 13 |
10 | II. Allegro | -1.04 | -21.64 | -19.0 | 13 |
11 | III. Adagio | -1.37 | -22.57 | -19.7 | 12 |
12 | IV. Allegro | -1.25 | -21.75 | -18.8 | 13 |
13 | I. Largo | -14.55 | -32.29 | -29.6 | 12 |
14 | II. Presto e alla breve | -12.64 | -28.72 | -25.8 | 11 |
15 | III. Adagio | -15.17 | -33.14 | -30.1 | 12 |
16 | IV. Non Tanto Allegro | -13.17 | -29.97 | -27.0 | 11 |
17 | I. Andante | -4.20 | -24.03 | -21.5 | 12 |
18 | II. Allegro | -2.14 | -21.55 | -18.8 | 12 |
19 | III. Largo | -4.83 | -25.94 | -23.1 | 14 |
20 | IV. Presto | -2.79 | -21.45 | -18.8 | 12 |
21 | I. Adagio | -13.37 | -32.15 | -29.3 | 13 |
22 | II. Allegro | -12.30 | -28.88 | -26.0 | 11 |
23 | III. Aria | -16.81 | -34.45 | -31.6 | 13 |
24 | IV. Allegro | -10.88 | -27.74 | -24.7 | 11 |
25 | I. Largo | -2.06 | -22.46 | -20.0 | 11 |
26 | II. Allegro | -1.04 | -21.10 | -18.5 | 13 |
27 | III. Adagio | -4.29 | -23.53 | -20.9 | 12 |
28 | IV. Presto | -1.04 | -21.84 | -19.2 | 12 |