℗ 2024 The LA LOM Holding Company, under exclusive license to Verve Label Group, a division of UMG Recordings
Released | August 9, 2024 |
Duration | 39m 46s |
Record Label | LA LOM |
Genre | Instrumental |
The Los Angeles League Of Musicians
LA LOM
Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
Angels Point
LA LOM |
3:13 | |||
1.2
|
Figueroa
LA LOM |
2:44 | |||
1.3
|
Maravilla
LA LOM |
2:18 | |||
1.4
|
'72 Monte Carlo
LA LOM |
2:58 | |||
1.5
|
El Sereno
LA LOM |
3:06 | |||
1.6
|
Lorena
LA LOM |
4:01 | |||
1.7
|
Lucia
LA LOM |
2:10 | |||
1.8
|
Danza de LA LOM
LA LOM |
3:03 | |||
1.9
|
Espejismo
LA LOM |
3:11 | |||
1.10
|
Ghosts of Gardena
LA LOM |
3:38 | |||
1.11
|
Moonlight Over Montebello
LA LOM |
2:37 | |||
1.12
|
Rebecca
LA LOM |
3:57 | |||
1.13
|
San Fernando Rose
LA LOM |
2:50 |
The Los Angeles League of Musicians, LA LOM, are an instrumental trio formed in Los Angeles in 2021. They blend the sounds of Cumbia Sonidera, 60’s soul ballads and classic romantic boleros that emanate from radios, backyard parties and dance clubs of Los Angeles, with the twang of Peruvian Chicha and Bakersfield Country.
LA LOM’s 13-song debut collection of all original music seamlessly weaves together the diverse genres and cultures of Los Angeles. The Los Angeles League of Musicians was produced by Elliot Bergman (Cage the Elephant, Major Lazer, Wild Belle) and recorded mostly at his studio Figueroa. Laid back and lo-fi, they bottle up the energy of a crowded dance floor, a hot, sweaty night - songs that were designed to make you want to sway your hips.
The roots of LA LOM run deep. Zac Sokolow’s musical lineage spans generations, starting his creative journey performing alongside his father, a respected figure in LA’s bluegrass community, whose family relocated from Buenos Aires to LA in the 1930s. Jake Faulkner comes from a family of Venice artists and met Zac at age 16. Zac and Jake honed their craft through years of collaboration in various bands within Southern California’s vibrant Rockabilly scene before eventually joining to form LA LOM. Nicholas Baker was steeped in Latin music from childhood by his grandmother, who hailed from a musical family in Durango, Mexico, and gained fame as a DJ on a Spanish-language radio station in Tucson, Arizona. He studied Latin percussion with renowned Nuyorican bassist and percussionist Roberto Miranda.
96 kHz / 24-bit PCM – LA LOM Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.50 -0.50 to -0.50 | -10.77 -12.54 to -10.16 | -7.97 -9.60 to -7.10 | 6 5 to 7 | |
1 | Angels Point | -0.50 | -10.92 | -8.3 | 6 |
2 | Figueroa | -0.50 | -10.87 | -7.5 | 6 |
3 | Maravilla | -0.50 | -10.41 | -7.8 | 6 |
4 | '72 Monte Carlo | -0.50 | -10.39 | -7.6 | 6 |
5 | El Sereno | -0.50 | -10.99 | -8.1 | 6 |
6 | Lorena | -0.50 | -10.49 | -7.9 | 5 |
7 | Lucia | -0.50 | -10.44 | -7.8 | 6 |
8 | Danza de LA LOM | -0.50 | -10.16 | -7.6 | 6 |
9 | Espejismo | -0.50 | -10.33 | -7.7 | 6 |
10 | Ghosts of Gardena | -0.50 | -10.43 | -7.6 | 6 |
11 | Moonlight Over Montebello | -0.50 | -11.70 | -9.0 | 6 |
12 | Rebecca | -0.50 | -12.54 | -9.6 | 7 |
13 | San Fernando Rose | -0.50 | -10.29 | -7.1 | 5 |