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Craft Latino dives deep into the Fania Records archives to bring a long-lost rarity, Café, to the hands of Latin rock, funk and soul fans. The 1974 album—which marked the sole full-length from the New York septet of the same name—was produced by legendary bandleader and percussionist Ray Barretto and released on the influential Fania imprint, Vaya Records. Now, 50 years later, Café makes its debut on digital platforms. In 1970, Fania Records founders Jerry Masucci and Johnny Pacheco launched Vaya Records: an imprint that would serve as a home to some of their most popular and innovative artists, including Johnny Pacheco, Celia Cruz,Mongo Santamaría and Cheo Feliciano. In addition to releasing numerous salsa classics, however, Vaya also allowed Masucci and Pacheco to branch out into other genres, including jazz, soul and rock. Among those forays was Café: a New York City-based septet that offered an enticing blend of Latin rhythms with popular sounds of the era, including psych-rock, funk and soul. The group caught the ear of celebrated bandleader, percussionist and Fania All Stars musical director Ray Barretto, who—with eclectic hits like “El Watusi,” “Indestructible” and “A Deeper Shade of Soul”—was no stranger himself to musical exploration. It was a natural move, then, for Barretto to serve as producer for the band’s self-titled debut. Comprised of Jeff Chaumont (vocals, bass), Julio Gonzalez (vocals, guitar), Daniel Zaremba (piano), Oscar Salas(drums), Nelson “Flako” Padron (timbales, congas), Ian Hilton (saxophone, flute) and seasoned trumpeter Ronnie Tooley (whose credits include projects for John Lennon and Yoko Ono, James Brown and Jaco Pastorius), the band was also joined by several esteemed guests. Among them was the award-winning trumpeter Luis “Perico” Ortiz (Tito Puente, David Bowie, Fania All Stars), saxophonist/flutist Justo Almario (the Commodores, Freddie Hubbard, Chaka Kahn) and saxophonist Hector Veneros (Eddie Palmieri, Mongo Santamaría, Fran Ferrer). Together, they recorded 11 original songs in English and Spanish that channeled everyone from Blood, Sweat & Tears and the Doors to Santana and War. Among the Spanish-language highlights is the funky opener “Sí Dame Tu Amor” and the supremely groovy “Siempre Mas y Mas,” while the band delivers such English-language delicacies as the jaunty, piano-forward “My Chance Is Due” and the soulful, organ-based “Someday.” Another standout track is the six-and-a-half-minute instrumental “Search for Love/Identify Yourself,” in which the band segues from a dramatic piano and flute-based dirge into an explosive, high-energy jazz jam. Fifty years later, Café sounds as fresh as ever and, most certainly, will prove that it’s never too late to be rediscovered.