℗ 2024 Delphian Records
| Released | October 25, 2024 |
| Duration | 1h 16m 59s |
| Record Label | Delphian Records |
| Catalogue No. | DCD34326 |
| Genre | Classical (Keyboard) |
Voices for Solo Piano
Hanni Liang
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Sonata No. 2 in C-Sharp Minor
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1.1
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I. Lento assai – Allegro assai – Allegro moderato
Ethel Smyth; Hanni Liang |
7:05 | |||
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1.2
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II. Andante
Ethel Smyth; Hanni Liang |
5:41 | |||
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1.3
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III. Finale: Presto con brio
Ethel Smyth; Hanni Liang |
6:41 | |||
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1.4
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I Wouldn't Normally Say
Errollyn Wallen; Hanni Liang |
2:20 | |||
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Variations in D-Flat Major on an Original Theme (of an Exceeding Dismal Nature)
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1.5
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I. Thema (Rühig)
Ethel Smyth; Hanni Liang |
2:17 | |||
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1.6
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II. Variation I (Allegro)
Ethel Smyth; Hanni Liang |
2:01 | |||
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1.7
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III. Variation II (Quasi maestoso)
Ethel Smyth; Hanni Liang |
1:55 | |||
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1.8
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IV. Variation III (Lento)
Ethel Smyth; Hanni Liang |
2:04 | |||
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1.9
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V. Variation IV (Allegro à la Phyllis)
Ethel Smyth; Hanni Liang |
1:46 | |||
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1.10
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VI. Variation V (Andante con moto)
Ethel Smyth; Hanni Liang |
3:29 | |||
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1.11
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VII. Variation VI (Adagio)
Ethel Smyth; Hanni Liang |
2:39 | |||
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1.12
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VIII. Variation VII (Presto: wild und stürmisch
Ethel Smyth; Hanni Liang |
1:27 | |||
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1.13
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IX. Variation VIII & Finale (Allegro con brio)
Ethel Smyth; Hanni Liang |
3:19 | |||
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1.14
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Night Dances
Sally Beamish; Hanni Liang |
12:54 | |||
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Variations on ‘Awariguli’
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1.15
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I. Theme (Andante)
Chen Yi; Hanni Liang |
0:36 | |||
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1.16
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II. Variation I (Allegro)
Chen Yi; Hanni Liang |
0:23 | |||
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1.17
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III. Variation II (Allegro)
Chen Yi; Hanni Liang |
0:30 | |||
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1.18
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IV. Variation III (Con moto vivace)
Chen Yi; Hanni Liang |
0:32 | |||
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1.19
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V. Variation IV (Sostenuto)
Chen Yi; Hanni Liang |
1:19 | |||
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1.20
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VI. Variation V (Alla romance)
Chen Yi; Hanni Liang |
1:31 | |||
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1.21
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VII. Variation VI (Moderato)
Chen Yi; Hanni Liang |
0:51 | |||
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1.22
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VIII. Variation VII (Alla danza)
Chen Yi; Hanni Liang |
0:56 | |||
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1.23
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IX. Variation VIII (Allegro moderato)
Chen Yi; Hanni Liang |
1:02 | |||
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1.24
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X. Variation IX (Andante)
Chen Yi; Hanni Liang |
0:44 | |||
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1.25
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XI. Coda X (Vivace)
Chen Yi; Hanni Liang |
1:13 | |||
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1.26
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Cwicseolfor
Eleanor Alberga; Hanni Liang |
11:44 | |||
A pioneer of new concert formats, using music to communicate and bring people together, Hanni Liang was long sceptical about the traditional role of recording in progressing an artist’s career. It was her discovery of Ethel Smyth – both as a composer and as a person and a woman, fighting without compromise – that sparked the inspiration that led to Voices.
In this album she has created a programme that both champions women’s voices that, without the determination of Smyth and others like her, might otherwise have been silent, and allows her to raise her own voice, reflecting both her European birth and upbringing and her Chinese roots.
96 kHz / 24-bit PCM – Delphian Records Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.84 -14.10 to -0.40 | -23.99 -34.03 to -17.15 | -20.44 -30.70 to -12.90 | 12 9 to 14 | |
| 1 | I. Lento assai – Allegro assai – Allegro moderato | -0.40 | -20.79 | -17.2 | 12 |
| 2 | II. Andante | -1.81 | -26.30 | -23.1 | 14 |
| 3 | III. Finale: Presto con brio | -0.40 | -19.21 | -15.8 | 12 |
| 4 | I Wouldn't Normally Say | -1.24 | -20.42 | -16.9 | 11 |
| 5 | I. Thema (Rühig) | -4.12 | -26.99 | -24.0 | 13 |
| 6 | II. Variation I (Allegro) | -3.34 | -24.13 | -21.3 | 12 |
| 7 | III. Variation II (Quasi maestoso) | -0.50 | -19.99 | -17.4 | 11 |
| 8 | IV. Variation III (Lento) | -3.49 | -25.78 | -21.8 | 13 |
| 9 | V. Variation IV (Allegro à la Phyllis) | -1.52 | -19.57 | -16.4 | 10 |
| 10 | VI. Variation V (Andante con moto) | -1.82 | -22.61 | -19.5 | 12 |
| 11 | VII. Variation VI (Adagio) | -0.96 | -23.07 | -18.4 | 12 |
| 12 | VIII. Variation VII (Presto: wild und stürmisch | -0.41 | -18.11 | -15.6 | 11 |
| 13 | IX. Variation VIII & Finale (Allegro con brio) | -2.98 | -22.76 | -19.1 | 12 |
| 14 | Night Dances | -1.11 | -25.68 | -19.0 | 14 |
| 15 | I. Theme (Andante) | -13.15 | -34.03 | -30.0 | 11 |
| 16 | II. Variation I (Allegro) | -13.16 | -30.22 | -27.3 | 9 |
| 17 | III. Variation II (Allegro) | -13.70 | -28.79 | -26.0 | 9 |
| 18 | IV. Variation III (Con moto vivace) | -0.49 | -19.11 | -16.0 | 11 |
| 19 | V. Variation IV (Sostenuto) | -6.28 | -25.60 | -22.2 | 12 |
| 20 | VI. Variation V (Alla romance) | -3.13 | -28.00 | -23.8 | 13 |
| 21 | VII. Variation VI (Moderato) | -2.82 | -24.03 | -20.6 | 11 |
| 22 | VIII. Variation VII (Alla danza) | -2.33 | -20.46 | -17.1 | 11 |
| 23 | IX. Variation VIII (Allegro moderato) | -5.74 | -25.70 | -22.5 | 13 |
| 24 | X. Variation IX (Andante) | -14.10 | -33.56 | -30.7 | 11 |
| 25 | XI. Coda X (Vivace) | -0.40 | -17.15 | -12.9 | 11 |
| 26 | Cwicseolfor | -0.40 | -21.66 | -16.9 | 13 |