℗ 2024 GENUIN classics
Released | August 30, 2024 |
Duration | 1h 11m 05s |
Record Label | Genuin |
Catalogue No. | GEN24912d |
Genre | Classical (Piano Solo) |
Piano - 20th Century - Works by Berg, Schönberg, Zimmermann and Liszt
Cathy Krier
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
Piano Sonata in B minor, Op.1
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1.1
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Mässig bewegt
Alban Berg; Cathy Krier |
10:45 | |||
Three Piano Pieces, Op.11
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1.2
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I. Mässige Viertel
Arnold Schoenberg; Cathy Krier |
4:19 | |||
1.3
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II. Mässige Achtel
Arnold Schoenberg; Cathy Krier |
8:49 | |||
1.4
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III. Bewegte Achtel
Arnold Schoenberg; Cathy Krier |
3:23 | |||
Enchiridion. Small Pieces for Piano, Part I
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1.5
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Introduktion. Andante rappresentativo
Bernd Alois Zimmermann; Cathy Krier |
2:02 | |||
1.6
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Ekloge. Larghetto, con espressione
Bernd Alois Zimmermann; Cathy Krier |
3:11 | |||
1.7
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Rondino. Allegro giocoso
Bernd Alois Zimmermann; Cathy Krier |
0:52 | |||
1.8
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Bourée. Allegro moderato
Bernd Alois Zimmermann; Cathy Krier |
0:50 | |||
1.9
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Meditation. Adagio molto
Bernd Alois Zimmermann; Cathy Krier |
3:38 | |||
1.10
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Aria. Andante molto cantabile
Bernd Alois Zimmermann; Cathy Krier |
1:27 | |||
1.11
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Estampida. Allegro
Bernd Alois Zimmermann; Cathy Krier |
1:11 | |||
1.12
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Toccata. Allegro feroce
Bernd Alois Zimmermann; Cathy Krier |
1:24 | |||
Retreat – Small Pieces for Piano (Echiridion Part II)
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1.13
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Vigil. Larghetto molto
Bernd Alois Zimmermann; Cathy Krier |
2:24 | |||
1.14
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Hora. Moderato
Bernd Alois Zimmermann; Cathy Krier |
1:34 | |||
1.15
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Ostinato. Presto
Bernd Alois Zimmermann; Cathy Krier |
1:10 | |||
1.16
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Matutin. Cantabile molto
Bernd Alois Zimmermann; Cathy Krier |
2:22 | |||
1.17
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Imagination. Sostenuto
Bernd Alois Zimmermann; Cathy Krier |
1:54 | |||
1.18
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Intermezzo. Andante con moto
Bernd Alois Zimmermann; Cathy Krier |
1:27 | |||
1.19
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L’après-midi d’un Puck. Allegro giocoso
Bernd Alois Zimmermann; Cathy Krier |
0:50 | |||
1.20
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Hommage à Johann Strauss. Tempo di Valse
Bernd Alois Zimmermann; Cathy Krier |
0:41 | |||
Klavierstück Op. 33a
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1.21
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Mäßig
Arnold Schoenberg; Cathy Krier |
2:43 | |||
Klavierstück Op. 33b
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1.22
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Mäßig langsam
Arnold Schoenberg; Cathy Krier |
3:30 | |||
1.23
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Nuages gris, S. 199
Franz Liszt; Cathy Krier |
3:56 | |||
1.24
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Unstern! – Sinistre, disastro
Franz Liszt; Cathy Krier |
6:43 |
"The early 20th century is a period that fascinates me. The prevalent musical aesthetic was disrupted by a new generation of composers who maintained their roots in tradition, but felt a great desire to expand music's horizions: they formed a multitude of currents and embarked on a number of different paths, all driven by the idea of transfiguring everything they had previously known. For this album I have chosen to retrace the path originally taken by Arnold Schoenberg. Born in Vienna in 1874, Schoenberg had an atypical career. Upon his father's death, he had to leave school as the eldest sibling at the age of sixteen to take up a profession. As an autodidact he learned the essentials of composition by sight-reading great repertoire and by playing chamber music on the cello and the violin. Married to the sister of Alexander Zemlinsky, Schoenberg took some counterpoint lessons from that composer and soon started teaching harmony and counterpoint himself, from 1903 on. His teaching activity remained central throughout his life, both in Europe and after having immigrated to the US. Profoundly aware of the continual evolution of Art as a historical necessity, Schoenberg introduced an important change into composiiton at hte beginning of the 20th century. He took it over the brink into the unknown by dissolving the classical functions of harmony, then by eliminating all familiar points of melodic and thematic reference. Schoenberg's Op. 11 is the first truly atonal work for piano ever written ..."
- Cathy Krier (From the Liner Notes)
48 kHz / 24-bit PCM – Genuin Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.30 -18.25 to -1.00 | -26.86 -41.70 to -19.80 | -22.21 -37.70 to -15.30 | 13 10 to 18 | |
1 | Mässig bewegt | -1.00 | -22.95 | -18.5 | 14 |
2 | I. Mässige Viertel | -1.32 | -28.11 | -22.8 | 16 |
3 | II. Mässige Achtel | -2.71 | -29.89 | -23.8 | 16 |
4 | III. Bewegte Achtel | -1.00 | -22.99 | -16.8 | 14 |
5 | Introduktion. Andante rappresentativo | -5.50 | -28.85 | -24.2 | 13 |
6 | Ekloge. Larghetto, con espressione | -4.51 | -30.33 | -25.9 | 15 |
7 | Rondino. Allegro giocoso | -2.07 | -22.21 | -18.5 | 12 |
8 | Bourée. Allegro moderato | -2.45 | -22.31 | -18.1 | 11 |
9 | Meditation. Adagio molto | -1.00 | -29.20 | -22.7 | 18 |
10 | Aria. Andante molto cantabile | -10.93 | -31.93 | -28.8 | 11 |
11 | Estampida. Allegro | -1.00 | -21.12 | -18.0 | 11 |
12 | Toccata. Allegro feroce | -1.00 | -20.93 | -17.8 | 12 |
13 | Vigil. Larghetto molto | -2.29 | -29.78 | -21.6 | 16 |
14 | Hora. Moderato | -1.00 | -19.80 | -16.4 | 13 |
15 | Ostinato. Presto | -1.00 | -22.92 | -19.5 | 13 |
16 | Matutin. Cantabile molto | -18.25 | -41.70 | -37.7 | 15 |
17 | Imagination. Sostenuto | -5.60 | -32.88 | -24.9 | 17 |
18 | Intermezzo. Andante con moto | -11.13 | -29.88 | -26.4 | 12 |
19 | L’après-midi d’un Puck. Allegro giocoso | -1.00 | -20.01 | -15.3 | 10 |
20 | Hommage à Johann Strauss. Tempo di Valse | -6.39 | -25.89 | -22.0 | 12 |
21 | Mäßig | -2.00 | -25.12 | -20.4 | 13 |
22 | Mäßig langsam | -4.20 | -26.14 | -22.9 | 13 |
23 | Nuages gris, S. 199 | -14.92 | -36.34 | -32.4 | 12 |
24 | Unstern! – Sinistre, disastro | -1.00 | -23.45 | -17.6 | 14 |