℗ 2024 betont
| Released | July 26, 2024 |
| Duration | 44m 39s |
| Record Label | betont - Label der Universität der Künste Berlin |
| Catalogue No. | 0060 |
| Genre | Classical (20th/21st Century) |
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1.1
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Komm, süßer Tod, komm selge Ruh, BWV 478
Johann Sebastian Bach; -; Markus Radke; Manuel Nickert; Projektchor |
0:38 | |||
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Coming Together
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1.2
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A-B
Frederic Rzewski; -; Markus Radke; Ruben Kamlah; Christoph Lindner; Hannah Schmeiser; Aaron Seitz; Vinh Tran; Malaika Maria Möller; Vito Sack; Johannes Hartmuth; Jona Schibilsky; Marc Doffey |
4:45 | |||
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Quatuor pour la fin du Temps
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1.3
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VIII. Louange à l´Immortalité de Jésus
Olivier Messiaen; -; Markus Radke; Thomas Menrath; Mark Gothoni |
7:03 | |||
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Coming Together
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1.4
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C-D-E
Frederic Rzewski; -; Markus Radke; Ruben Kamlah; Christoph Lindner; Sofia Iordanskaya; Johannes Hartmuth; Nina Stehlin; Wolfgang Loos; Jona Schibilsky; Marc Doffey; Aaron Seitz; Vinh Tran; Malaika Maria Möller |
6:59 | |||
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Three Shakespeare Songs
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1.5
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II. The Cloud-Capp'd Towers
Ralph Vaughn Williams; -; Markus Radke; Manuel Nickert; Projektchor |
2:00 | |||
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Vox Balaenae
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1.6
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VIII. Sea-Nocturne (..for the end of time)
George Crumb; -; Markus Radke; Stephanie Disser; Björn Lehmann; Susanne Knast |
6:28 | |||
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Coming Together
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1.7
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F-G-H
Frederic Rzewski; -; Markus Radke; Ruben Kamlah; Christoph Lindner; Vito Sack; Sofia Iordanskaya; Johannes Hartmuth; Nina Stehlin; Wolfgang Loos; Jona Schibilsky; Marc Doffey; Aaron Seitz; Vinh Tran; Hannah Schmeisser; Jonas Holupirek; Malaika Maria Möller |
7:06 | |||
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1.8
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Our revels now are ended
Markus Radke; William Shakespeare; Markus Radke; Sofia Iordanskaya; Nina Stehlin |
0:52 | |||
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1.9
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Immortal Bach, Op. 153
Knut Nystedt; -; Markus Radke; Manuel Nickert; Projektchor |
3:21 | |||
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1.10
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kill immortal bach
Markus Radke; -; Markus Radke |
5:27 | |||
Contemporary classical artist Markus Radke releases new album for the end of, featuring 10 powerful tracks!
48 kHz / 24-bit PCM – betont - Label der Universität der Künste Berlin Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.71 -18.31 to -1.01 | -25.32 -41.16 to -16.42 | -21.29 -38.10 to -12.10 | 12 7 to 15 | |
| 1 | Komm, süßer Tod, komm selge Ruh, BWV 478 | -4.75 | -25.48 | -21.0 | 11 |
| 2 | A-B | -2.02 | -19.42 | -17.7 | 10 |
| 3 | VIII. Louange à l´Immortalité de Jésus | -6.78 | -29.71 | -25.9 | 14 |
| 4 | C-D-E | -5.68 | -27.10 | -23.6 | 14 |
| 5 | II. The Cloud-Capp'd Towers | -1.01 | -20.75 | -17.3 | 11 |
| 6 | VIII. Sea-Nocturne (..for the end of time) | -4.14 | -31.58 | -22.4 | 15 |
| 7 | F-G-H | -2.00 | -16.42 | -12.1 | 7 |
| 8 | Our revels now are ended | -18.31 | -41.16 | -38.1 | 13 |
| 9 | Immortal Bach, Op. 153 | -1.39 | -19.74 | -16.3 | 9 |
| 10 | kill immortal bach | -1.02 | -21.85 | -18.5 | 13 |