℗ 2015 Opus Arte
| Released | January 27, 2015 |
| Duration | 1h 12m 04s |
| Record Label | Opus Arte |
| Catalogue No. | OACD9029D |
| Genre | Classical (Instrumental) |
Echoes from an Empire
Karim Said
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Piano Sonata, Op. 1
Alban Berg; Karim Said |
9:34 | |||
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3 Rondos on Slovak Folktunes, BB 92
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1.2
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No. 1. Andante
Béla Bartók; Karim Said |
2:58 | |||
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1.3
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No. 2. Vivacissimo
Béla Bartók; Karim Said |
2:46 | |||
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1.4
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No. 3. Allegro molto
Béla Bartók; Karim Said |
2:41 | |||
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1.X.1905 (Z ulice dne 1. rijna 1905) (From the Street, 1 October 1905), JW VIII/19, "Sonata"
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1.5
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I. Predtucha (Foreboding): Con moto
Leoš Janáček; Karim Said |
5:43 | |||
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1.6
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II. Smrt (Death): Adagio
Leoš Janáček; Karim Said |
7:07 | |||
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1.7
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Sonata Movement (Rondo)
Anton Webern; Karim Said |
4:39 | |||
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Suite No. 2 in D Major, Op. 10
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1.8
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I. Toccata: Majestueusement, mais pas trop lent
George Enescu; Karim Said |
4:03 | |||
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1.9
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II. Sarabande: Noblement
George Enescu; Karim Said |
7:49 | |||
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1.10
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III. Pavane: Lentement berce
George Enescu; Karim Said |
6:00 | |||
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1.11
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IV. Bouree: Vivement
George Enescu; Karim Said |
5:58 | |||
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3 Klavierstucke, Op. 11
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1.12
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No. 1. Massig
Arnold Schoenberg; Karim Said |
3:28 | |||
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1.13
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No. 2. Massig
Arnold Schoenberg; Karim Said |
6:47 | |||
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1.14
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No. 3. Bewegt
Arnold Schoenberg; Karim Said |
2:31 | |||
On this debut album from Karin Said, the young Jordanian-born pianist presents a compelling programme of early 20th century music selected to mark the First World War centenary. Works by Janáček, Bartók, Enescu, Schoenberg and other composers reveal his captivating style. Six unique personal languages are explored as Said recounts a period of dramatic social and artistic change that gave rise to an early modernist style imbued with fragments of the Romantic past.
96 kHz / 24-bit PCM – Opus Arte Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.97 -6.47 to -0.21 | -25.53 -31.23 to -20.83 | -21.48 -27.30 to -17.50 | 13 12 to 15 | |
| 1 | Piano Sonata, Op. 1 | -1.74 | -24.64 | -20.4 | 14 |
| 2 | No. 1. Andante | -4.72 | -26.18 | -21.8 | 13 |
| 3 | No. 2. Vivacissimo | -1.66 | -24.08 | -20.9 | 13 |
| 4 | No. 3. Allegro molto | -2.97 | -25.50 | -21.3 | 14 |
| 5 | I. Predtucha (Foreboding): Con moto | -2.46 | -23.11 | -19.4 | 13 |
| 6 | II. Smrt (Death): Adagio | -1.76 | -26.56 | -21.0 | 14 |
| 7 | Sonata Movement (Rondo) | -0.55 | -22.71 | -18.8 | 12 |
| 8 | I. Toccata: Majestueusement, mais pas trop lent | -2.29 | -22.39 | -19.5 | 13 |
| 9 | II. Sarabande: Noblement | -4.50 | -26.50 | -23.5 | 13 |
| 10 | III. Pavane: Lentement berce | -6.16 | -30.06 | -26.4 | 14 |
| 11 | IV. Bouree: Vivement | -1.51 | -20.83 | -17.5 | 12 |
| 12 | No. 1. Massig | -6.47 | -31.23 | -27.3 | 14 |
| 13 | No. 2. Massig | -4.55 | -30.12 | -24.9 | 15 |
| 14 | No. 3. Bewegt | -0.21 | -23.48 | -18.0 | 13 |