℗ 2024 Navona
Released | October 25, 2024 |
Duration | 54m 19s |
Record Label | Navona |
Catalogue No. | NV6666 |
Genre | Classical (Chamber) |
From the Sea to the Stars
Lindsay Flowers, Andrew Parker, Satoko Hayami
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Daughter of the Sea
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1.1
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Prologue
Andrea Clearfield; Pablo Neruda; Lindsay Flowers; Andrew Parker |
1:46 | |||
1.2
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I. I Do Not Love You
Andrea Clearfield; Lindsay Flowers; Andrew Parker |
4:00 | |||
1.3
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II. Your Hand Flew From My Eyes
Andrea Clearfield; Lindsay Flowers; Andrew Parker |
2:03 | |||
1.4
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III. My Ugly Love
Andrea Clearfield; Pablo Neruda; Lindsay Flowers; Andrew Parker |
2:51 | |||
1.5
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IV. You are the Daughter of the Sea
Andrea Clearfield; Lindsay Flowers; Andrew Parker |
1:42 | |||
1.6
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V. I Crave Your Mouth
Andrea Clearfield; Pablo Neruda; Lindsay Flowers; Andrew Parker |
2:37 | |||
1.7
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VI. Don’t Go Far Off
Andrea Clearfield; Lindsay Flowers; Andrew Parker |
5:36 | |||
1.8
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Brokenvention
Alyssa Morris; Lindsay Flowers; Andrew Parker; Satoko Hayami |
4:30 | |||
1.9
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Overheard on a Saltmarsh
Erin Goad; Lindsay Flowers; Andrew Parker; Satoko Hayami |
8:11 | |||
Sinfonia Concertante for Two Oboes in F Major
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1.10
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Allegro
Federigo Fiorillo; Lindsay Flowers; Andrew Parker; Satoko Hayami |
10:55 | |||
1.11
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Rondo (Allegretto-Allegro)
Federigo Fiorillo; Lindsay Flowers; Andrew Parker; Satoko Hayami |
7:47 | |||
Shepherds of Provence
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1.12
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Sous les Etoiles (Beneath the Stars), Op. 43
Eugène Bozza; Lindsay Flowers; Andrew Parker |
2:21 |
Outside of Russian ballets and Mozart symphonies, the oboe is an instrument that generally does not get a lot of credit. But on From the Sea to the Stars, the instrument is thrust into the spotlight it deserves. The driving force? Accomplished American oboist, music professor, and pedagogue Lindsay Flowers.
Center stage, it turns out, is a surprisingly merited place for the oboe and its bigger sister, the English horn — especially in contemporary composition. Flowers has curated a moody selection of beautiful, minimalist pieces that allow the respective instruments to shine on their own — accompanied only here and there by a pleasingly subtle piano. Delicate, lyrical, and utterly charming.
96 kHz / 24-bit PCM – Navona Studio Masters
Tracks 1-12 – contains material which utilizes a limited amount of the available bandwidth
Tracks 1-12 – contains material which utilizes a limited amount of the available bandwidth
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.86 -4.64 to -1.30 | -20.55 -25.80 to -18.94 | -16.88 -21.30 to -15.60 | 11 9 to 14 | |
1 | Prologue | -3.98 | -20.00 | -16.3 | 9 |
2 | I. I Do Not Love You | -2.62 | -20.24 | -16.3 | 11 |
3 | II. Your Hand Flew From My Eyes | -3.42 | -21.14 | -17.3 | 11 |
4 | III. My Ugly Love | -3.33 | -19.68 | -15.6 | 10 |
5 | IV. You are the Daughter of the Sea | -2.64 | -20.09 | -16.5 | 10 |
6 | V. I Crave Your Mouth | -4.64 | -25.80 | -21.3 | 14 |
7 | VI. Don’t Go Far Off | -3.62 | -20.98 | -17.0 | 10 |
8 | Brokenvention | -1.47 | -18.94 | -15.9 | 11 |
9 | Overheard on a Saltmarsh | -1.43 | -19.67 | -16.0 | 11 |
10 | Allegro | -1.30 | -19.19 | -16.2 | 12 |
11 | Rondo (Allegretto-Allegro) | -1.65 | -19.95 | -16.8 | 12 |
12 | Sous les Etoiles (Beneath the Stars), Op. 43 | -4.28 | -20.90 | -17.3 | 11 |