℗ 2023 Chandos Records Ltd
| Released | January 20, 2023 |
| Duration | 1h 06m 51s |
| Record Label | Chandos |
| Catalogue No. | CHAN0828W |
| Genre | Classical (Classical Period) |
Altissima: Works for High Baroque Trumpet
Josh Cohen, Ensemble Sprezzatura, Daniel Abraham
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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(Abblasen)
Gottfried Reiche; Josh Cohen; Ensemble Sprezzatura; Daniel Abraham |
0:34 | |||
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Concerto, GWV 308
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1.2
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I. Largo e giusto
Christoph Graupner; Josh Cohen; Ensemble Sprezzatura; Daniel Abraham |
1:33 | |||
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1.3
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II. Allegro
Christoph Graupner; Josh Cohen; Ensemble Sprezzatura; Daniel Abraham |
3:45 | |||
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1.4
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III. Largo
Christoph Graupner; Josh Cohen; Ensemble Sprezzatura; Daniel Abraham |
1:20 | |||
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1.5
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IV. Allegro
Christoph Graupner; Josh Cohen; Ensemble Sprezzatura; Daniel Abraham |
3:50 | |||
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Sonata à 8, Op. 1 No. 1
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1.6
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I. Allegro
Romanus Weichlein; Josh Cohen; Ensemble Sprezzatura; Daniel Abraham |
1:44 | |||
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1.7
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II. Con discretione
Romanus Weichlein; Josh Cohen; Ensemble Sprezzatura; Daniel Abraham |
4:49 | |||
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1.8
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III. Grave
Romanus Weichlein; Josh Cohen; Ensemble Sprezzatura; Daniel Abraham |
1:27 | |||
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Sonata
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1.9
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I. Moderato
Gottfried Finger; Josh Cohen; Ensemble Sprezzatura; Daniel Abraham |
1:30 | |||
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1.10
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II. Adagio
Gottfried Finger; Josh Cohen; Ensemble Sprezzatura; Daniel Abraham |
1:13 | |||
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1.11
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III. Allegro
Gottfried Finger; Josh Cohen; Ensemble Sprezzatura; Daniel Abraham |
1:00 | |||
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1.12
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IV. Grave
Gottfried Finger; Josh Cohen; Ensemble Sprezzatura; Daniel Abraham |
2:48 | |||
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Sinfonia à 7, CobE 13
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1.13
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I. Allegro
Johann Samuel Endler; Josh Cohen; Ensemble Sprezzatura; Daniel Abraham |
4:37 | |||
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1.14
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II. Andante
Johann Samuel Endler; Josh Cohen; Ensemble Sprezzatura; Daniel Abraham |
2:54 | |||
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1.15
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III. Menuet
Johann Samuel Endler; Josh Cohen; Ensemble Sprezzatura; Daniel Abraham |
3:32 | |||
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1.16
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IV. Vivace
Johann Samuel Endler; Josh Cohen; Ensemble Sprezzatura; Daniel Abraham |
3:55 | |||
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1.17
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V. Presto
Johann Samuel Endler; Josh Cohen; Ensemble Sprezzatura; Daniel Abraham |
1:48 | |||
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Concerto, TWV 43: D7
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1.18
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I. Largo
Georg Philipp Telemann; Josh Cohen; Ensemble Sprezzatura; Daniel Abraham |
3:05 | |||
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1.19
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II. Vivace
Georg Philipp Telemann; Josh Cohen; Ensemble Sprezzatura; Daniel Abraham |
2:24 | |||
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1.20
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III. Siciliano
Georg Philipp Telemann; Josh Cohen; Ensemble Sprezzatura; Daniel Abraham |
3:05 | |||
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1.21
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IV. Vivace
Georg Philipp Telemann; Josh Cohen; Ensemble Sprezzatura; Daniel Abraham |
5:10 | |||
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1.22
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Ciaccona à 7
Philipp Jakob Rittler; Josh Cohen; Ensemble Sprezzatura; Daniel Abraham |
4:19 | |||
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Concerto No. 1
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1.23
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I. Con spirito
Capel Bond; Josh Cohen; Ensemble Sprezzatura; Daniel Abraham |
1:12 | |||
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1.24
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II. Allegro
Capel Bond; Josh Cohen; Ensemble Sprezzatura; Daniel Abraham |
2:39 | |||
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1.25
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III. Larghetto
Capel Bond; Josh Cohen; Ensemble Sprezzatura; Daniel Abraham |
2:38 | |||
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Digital Booklet
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The baroque trumpeter Josh Cohen is among the most sought-after clarino specialists in North America. A native of the Washington, DC area, he performs regularly with most of the leading early music ensembles in North America and has appeared as principal or solo baroque trumpet with ensembles such as Tafelmusik (Toronto), Washington Bach Consort, Studio de musique ancienne de Montréal, Arion Orchestre Baroque (Montreal), The Bach Sinfonia (Washington, DC), Seraphic Fire (Miami), Apollo’s Fire (Cleveland), and the Sebastians (New York) to name but a few.
The development of historically informed trumpet playing has come a long way since the very early days of the movement, from coiled trumpets – first produced by Steinkopf-Finke, and played by Walter Holy in a 1962 recording of the Second Brandenburg Concerto under Harnoncourt – to the first modern baroque trumpets of Meinl & Lauber. Devoted to a broad cross-section of trumpet repertoire from the late seventeenth century through the mid-eighteenth, this recording shows how far the art of playing the baroque trumpet has advanced.
96 kHz / 24-bit PCM – Chandos Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.45 -8.07 to -2.53 | -21.76 -23.86 to -19.07 | -18.40 -20.60 to -16.00 | 10 9 to 11 | |
| 1 | (Abblasen) | -8.07 | -22.84 | -17.8 | 9 |
| 2 | I. Largo e giusto | -5.45 | -21.79 | -18.6 | 11 |
| 3 | II. Allegro | -4.40 | -21.30 | -18.1 | 11 |
| 4 | III. Largo | -6.79 | -22.51 | -19.3 | 10 |
| 5 | IV. Allegro | -4.10 | -21.15 | -17.9 | 11 |
| 6 | I. Allegro | -5.43 | -21.00 | -17.9 | 10 |
| 7 | II. Con discretione | -5.81 | -21.77 | -18.8 | 10 |
| 8 | III. Grave | -5.77 | -22.09 | -18.3 | 10 |
| 9 | I. Moderato | -6.56 | -21.95 | -18.6 | 10 |
| 10 | II. Adagio | -6.82 | -23.70 | -20.4 | 10 |
| 11 | III. Allegro | -5.36 | -21.02 | -17.7 | 10 |
| 12 | IV. Grave | -5.71 | -22.33 | -18.9 | 10 |
| 13 | I. Allegro | -2.53 | -19.07 | -16.0 | 11 |
| 14 | II. Andante | -7.27 | -23.81 | -20.6 | 11 |
| 15 | III. Menuet | -2.80 | -19.70 | -16.5 | 10 |
| 16 | IV. Vivace | -3.38 | -20.47 | -17.3 | 11 |
| 17 | V. Presto | -3.35 | -20.70 | -17.2 | 11 |
| 18 | I. Largo | -6.29 | -21.27 | -18.0 | 10 |
| 19 | II. Vivace | -6.17 | -22.58 | -19.3 | 11 |
| 20 | III. Siciliano | -6.63 | -23.58 | -20.6 | 10 |
| 21 | IV. Vivace | -4.82 | -21.54 | -18.2 | 11 |
| 22 | Ciaccona à 7 | -5.53 | -23.86 | -19.8 | 11 |
| 23 | I. Con spirito | -6.32 | -21.99 | -18.8 | 9 |
| 24 | II. Allegro | -5.70 | -21.40 | -18.2 | 10 |
| 25 | III. Larghetto | -5.18 | -20.60 | -17.3 | 9 |