℗ 2019 Chandos Records
| Released | February 1, 2019 |
| Duration | 1h 14m 19s |
| Record Label | Chandos |
| Catalogue No. | CHAN20081W |
| Genre | Classical |
Jean-Efflam Bavouzet Plays Schumann
Jean-Efflam Bavouzet
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Sonata in F Minor, Op. 14
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1.1
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I. Allegro
Robert Schumann; Jean-Efflam Bavouzet |
7:58 | |||
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1.2
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II. Scherzo. Molto commodo
Robert Schumann; Jean-Efflam Bavouzet |
6:09 | |||
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1.3
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III. Quasi variazioni
Robert Schumann; Jean-Efflam Bavouzet |
7:39 | |||
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1.4
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IV. Prestissimo possibile
Robert Schumann; Jean-Efflam Bavouzet |
7:30 | |||
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Faschingsschwank Aus Wien, Op. 26
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1.5
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I. Allegro
Robert Schumann; Jean-Efflam Bavouzet |
9:16 | |||
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1.6
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II. Romanze
Robert Schumann; Jean-Efflam Bavouzet |
2:23 | |||
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1.7
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III. Scherzino
Robert Schumann; Jean-Efflam Bavouzet |
2:05 | |||
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1.8
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IV. Intermezzo
Robert Schumann; Jean-Efflam Bavouzet |
1:56 | |||
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1.9
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V. Finale
Robert Schumann; Jean-Efflam Bavouzet |
5:49 | |||
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Drei Fantasiestucke, Op. 111
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1.10
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I. Sehr rasch
Robert Schumann; Jean-Efflam Bavouzet |
2:16 | |||
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1.11
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II. Ziemlich langsam
Robert Schumann; Jean-Efflam Bavouzet |
5:22 | |||
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1.12
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III. Kräftig und sehr markiert
Robert Schumann; Jean-Efflam Bavouzet |
3:40 | |||
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Gesänge Der Frühe, Op. 133
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1.13
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I. Im ruhigen Tempo
Robert Schumann; Jean-Efflam Bavouzet |
2:46 | |||
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1.14
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II. Belebt, nicht zu rasch
Robert Schumann; Jean-Efflam Bavouzet |
1:49 | |||
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1.15
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III. Lebhaft
Robert Schumann; Jean-Efflam Bavouzet |
2:18 | |||
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1.16
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IV. Bewegt
Robert Schumann; Jean-Efflam Bavouzet |
2:07 | |||
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1.17
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V. Im Anfange ruhiges...
Robert Schumann; Jean-Efflam Bavouzet |
3:16 | |||
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Digital Booklet
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96 kHz / 24-bit PCM – Chandos Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.30 -12.89 to -0.84 | -28.26 -38.36 to -23.33 | -24.84 -35.00 to -20.40 | 14 11 to 16 | |
| 1 | I. Allegro | -3.94 | -27.24 | -23.8 | 14 |
| 2 | II. Scherzo. Molto commodo | -2.18 | -26.56 | -23.1 | 15 |
| 3 | III. Quasi variazioni | -5.19 | -28.82 | -24.9 | 14 |
| 4 | IV. Prestissimo possibile | -1.50 | -25.40 | -22.2 | 14 |
| 5 | I. Allegro | -0.84 | -25.72 | -22.2 | 15 |
| 6 | II. Romanze | -12.89 | -38.36 | -35.0 | 13 |
| 7 | III. Scherzino | -5.89 | -26.13 | -22.6 | 13 |
| 8 | IV. Intermezzo | -8.45 | -25.40 | -22.5 | 11 |
| 9 | V. Finale | -3.09 | -26.14 | -23.2 | 15 |
| 10 | I. Sehr rasch | -4.30 | -25.92 | -23.3 | 12 |
| 11 | II. Ziemlich langsam | -4.75 | -30.97 | -26.7 | 15 |
| 12 | III. Kräftig und sehr markiert | -5.11 | -28.35 | -24.7 | 14 |
| 13 | I. Im ruhigen Tempo | -4.89 | -33.03 | -28.8 | 16 |
| 14 | II. Belebt, nicht zu rasch | -5.03 | -27.64 | -24.4 | 13 |
| 15 | III. Lebhaft | -2.75 | -23.33 | -20.4 | 14 |
| 16 | IV. Bewegt | -9.71 | -29.85 | -26.8 | 12 |
| 17 | V. Im Anfange ruhiges... | -9.53 | -31.54 | -27.7 | 13 |