℗ 2019 Chandos Records
| Released | October 1, 2019 |
| Duration | 1h 22m 21s |
| Record Label | Chandos |
| Catalogue No. | CHAN20118W |
| Genre | Classical |
Haydn: Organ Concertos
Iain Quinn, Sophie Gent, Arcangelo
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Organ Concerto No. 1 in C Major, Hob. XV111:1
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1.1
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I. Moderato
Franz Joseph Haydn; Iain Quinn; Arcangelo; Jonathan Cohen |
8:05 | |||
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1.2
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II. Largo
Franz Joseph Haydn; Iain Quinn; Arcangelo; Jonathan Cohen |
7:46 | |||
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1.3
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III. Allegro molto
Franz Joseph Haydn; Iain Quinn; Arcangelo; Jonathan Cohen |
7:56 | |||
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Organ Concerto No. 6 in F Major, Hob. XVIII:6
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1.4
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I. Allegro moderato
Franz Joseph Haydn; Iain Quinn; Sophie Gent; Arcangelo; Jonathan Cohen |
7:24 | |||
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1.5
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II. Largo
Franz Joseph Haydn; Iain Quinn; Sophie Gent; Arcangelo; Jonathan Cohen |
8:48 | |||
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1.6
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III. Presto
Franz Joseph Haydn; Iain Quinn; Sophie Gent; Arcangelo; Jonathan Cohen |
3:57 | |||
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Organ Concerto No. 2 in D Major, Hob. XVIII:2
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1.7
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I. Allegro moderato
Franz Joseph Haydn; Iain Quinn; Arcangelo; Jonathan Cohen |
9:36 | |||
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1.8
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II. Adagio molto
Franz Joseph Haydn; Iain Quinn; Arcangelo; Jonathan Cohen |
9:30 | |||
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1.9
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III. Allegro
Franz Joseph Haydn; Iain Quinn; Arcangelo; Jonathan Cohen |
6:35 | |||
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Organ Concerto No. 10 in C Major, Hob. XVIII:10
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1.10
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I. Moderato
Franz Joseph Haydn; Iain Quinn; Arcangelo; Jonathan Cohen |
6:48 | |||
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1.11
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II. Adagio
Franz Joseph Haydn; Iain Quinn; Arcangelo; Jonathan Cohen |
2:54 | |||
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1.12
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III. Allegro
Franz Joseph Haydn; Iain Quinn; Arcangelo; Jonathan Cohen |
3:02 | |||
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Digital Booklet
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“… The recording finds a natural-sounding perspective for two very different kinds of sonority: the interaction of organ and strings works well, as they both do in relation to Sophie Gent’s violin-playing.”
- BBC Music Magazine
Iain Quinn is joined by Arcangelo and Jonathan Cohen in this recording of organ concertos by Haydn, recorded on the Grant, Degens, and Bradbeer organ of St Mary’s, Woodford. The violinist Sophie Gent joins the forces for the double concerto (No. 6). Concertos Nos 1 and 2 for organ are among the composer’s earliest works, and seem to have been written in the 1750s, before Haydn entered into the employ of the Esterházys, in 1761. It is possible that they could have been written for the organ in the Bohemian Chancellery chapel at the Judenplatz in Vienna, where Haydn was briefly employed. The double concerto dates from 1766, when Haydn was fully established as a composer and Kapellmeister.
Grant, Degens, and Bradbeer was an organ building firm ahead of its time in the sense that it was not following any English organ building trend at that period. The organ at St Mary’s is judged to be among the best instruments the company built, alongside the instruments in the Lyons Concert Hall, University of York, St Paul’s Girls’ School, Hammersmith, and New College, Oxford.
96 kHz / 24-bit PCM – Chandos Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.50 -11.07 to -0.84 | -25.00 -30.80 to -22.10 | -21.98 -28.20 to -18.90 | 14 13 to 16 | |
| 1 | I. Moderato | -2.01 | -22.52 | -19.2 | 13 |
| 2 | II. Largo | -4.62 | -27.39 | -24.4 | 14 |
| 3 | III. Allegro molto | -0.88 | -22.10 | -18.9 | 14 |
| 4 | I. Allegro moderato | -3.58 | -24.83 | -21.7 | 14 |
| 5 | II. Largo | -1.16 | -27.43 | -23.7 | 16 |
| 6 | III. Presto | -0.84 | -23.23 | -20.0 | 15 |
| 7 | I. Allegro moderato | -2.82 | -23.52 | -20.6 | 14 |
| 8 | II. Adagio molto | -6.05 | -27.87 | -25.3 | 15 |
| 9 | III. Allegro | -3.95 | -24.30 | -21.1 | 14 |
| 10 | I. Moderato | -2.70 | -23.60 | -21.0 | 15 |
| 11 | II. Adagio | -11.07 | -30.80 | -28.2 | 13 |
| 12 | III. Allegro | -2.36 | -22.45 | -19.7 | 13 |