℗ 2021 Chandos Records
| Released | July 30, 2021 |
| Duration | 1h 10m 51s |
| Record Label | Chandos |
| Catalogue No. | CHAN20237W |
| Genre | Classical |
Busoni: Elegien, Toccata, Sonatina "Carmen", Toccata, Adagio & Fugue
Ferruccio Busoni, Peter Donohoe
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Toccata in A-Flat Minor, BV 287
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1.1
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I. Preludio. Quasi Presto, arditamente
Ferruccio Busoni; Peter Donohoe |
1:16 | |||
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1.2
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II. Fantasia. Sostenuto, quasi Adagio
Ferruccio Busoni; Peter Donohoe |
5:47 | |||
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1.3
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III. Ciaccona. Allegro risoluto
Ferruccio Busoni; Peter Donohoe |
3:30 | |||
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Elegien, BV 249
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1.4
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I. Nach der Wendung
Ferruccio Busoni; Peter Donohoe |
4:28 | |||
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1.5
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II. All' Italia! in modo napolitano
Ferruccio Busoni; Peter Donohoe |
7:34 | |||
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1.6
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III. Meine Seele bangt und hofft zu Dir…
Ferruccio Busoni; Peter Donohoe |
7:37 | |||
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1.7
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IV. Turandots Frauengemach
Ferruccio Busoni; Peter Donohoe |
3:20 | |||
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1.8
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V. Die Nächtlichen
Ferruccio Busoni; Peter Donohoe |
3:01 | |||
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1.9
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VI. Erscheinung
Ferruccio Busoni; Peter Donohoe |
5:55 | |||
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Elegien, BV 252
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1.10
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VII. Berceuse
Ferruccio Busoni; Peter Donohoe |
3:49 | |||
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1.11
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Sonatina No. 6, BV 284 (Chamber Fantasy on Themes for Bizet's Carmen)
Ferruccio Busoni; Peter Donohoe |
7:49 | |||
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Toccata, Adagio and Fugue in C Major, BWV 564 (BV 29) (Arr. Busoni)
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1.12
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I Toccata. Preludio, quasi improvvisando
Ferruccio Busoni; Peter Donohoe |
7:02 | |||
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1.13
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II. Adagio
Johann Sebastian Bach; Peter Donohoe |
5:01 | |||
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1.14
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III. Fuga. Moderatamente scherzando
Ferruccio Busoni; Peter Donohoe |
4:42 | |||
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Digital Booklet
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96 kHz / 24-bit PCM – Chandos Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.69 -11.17 to -0.84 | -27.39 -34.85 to -22.57 | -24.23 -31.70 to -19.60 | 14 12 to 16 | |
| 1 | I. Preludio. Quasi Presto, arditamente | -4.49 | -23.87 | -20.9 | 13 |
| 2 | II. Fantasia. Sostenuto, quasi Adagio | -5.85 | -29.29 | -26.1 | 13 |
| 3 | III. Ciaccona. Allegro risoluto | -2.19 | -23.07 | -20.2 | 14 |
| 4 | I. Nach der Wendung | -7.26 | -30.94 | -27.9 | 14 |
| 5 | II. All' Italia! in modo napolitano | -2.14 | -25.96 | -22.7 | 15 |
| 6 | III. Meine Seele bangt und hofft zu Dir… | -0.84 | -26.42 | -22.7 | 15 |
| 7 | IV. Turandots Frauengemach | -5.55 | -27.85 | -24.8 | 13 |
| 8 | V. Die Nächtlichen | -10.01 | -29.28 | -26.6 | 12 |
| 9 | VI. Erscheinung | -8.65 | -32.84 | -29.8 | 15 |
| 10 | VII. Berceuse | -11.17 | -34.85 | -31.7 | 13 |
| 11 | Sonatina No. 6, BV 284 (Chamber Fantasy on Themes for Bizet's Carmen) | -2.60 | -26.00 | -22.8 | 14 |
| 12 | I Toccata. Preludio, quasi improvvisando | -1.72 | -22.82 | -19.9 | 13 |
| 13 | II. Adagio | -0.90 | -27.70 | -23.5 | 16 |
| 14 | III. Fuga. Moderatamente scherzando | -2.33 | -22.57 | -19.6 | 12 |