℗ 1999 Chandos Records
| Released | October 1, 1999 |
| Duration | 1h 11m 43s |
| Record Label | Chandos |
| Catalogue No. | CHAN9780W |
| Genre | Classical |
Captain Corelli's Mandolin
Craig Ogden, Alison Stephens
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
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Concerto in C Major, RV 425
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1.1
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I. Allegro (Arr. for Guitar and Mandolin)
Antonio Vivaldi; Craig Ogden; Alison Stephens |
2:53 | |||
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1.2
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II. Largo (Arr. for Guitar and Mandolin)
Antonio Vivaldi; Craig Ogden; Alison Stephens |
3:02 | |||
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1.3
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III. Allegro (Arr. for Guitar and Mandolin)
Antonio Vivaldi; Craig Ogden; Alison Stephens |
2:09 | |||
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1.4
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Mandolin Concerto in G Major, S. 28 (Arr. for Guitar and Mandolin)
Johann Nepomuk Hummel; Craig Ogden; Alison Stephens |
5:21 | |||
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1.5
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Grand duo concertant, Op. 85
Mauro Giuliani; Craig Ogden; Alison Stephens |
6:14 | |||
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1.6
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Polcha variata
Benedetto Persichini; Alison Stephens |
3:21 | |||
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1.7
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Amor si culla, Op. 133
Raffaele Calace; Alison Stephens |
4:07 | |||
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1.8
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Petite Bolero
Angy Palumbo; Craig Ogden; Alison Stephens |
2:40 | |||
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1.9
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El Colibri
Julio Sagreras; Craig Ogden |
1:17 | |||
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1.10
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Choros No. 1
Heitor Villa-Lobos; Craig Ogden |
4:52 | |||
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Five Preludes for Guitar
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1.11
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Prelude No. 1
Heitor Villa-Lobos; Craig Ogden |
4:29 | |||
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Four Venezuelan Waltzes
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1.12
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I. Allegro
Antonio Lauro; Craig Ogden |
1:13 | |||
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1.13
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II. Allegro
Antonio Lauro; Craig Ogden |
1:05 | |||
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1.14
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III. Allegro ritmico
Antonio Lauro; Craig Ogden |
1:38 | |||
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1.15
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IV.
Antonio Lauro; Craig Ogden |
2:56 | |||
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1.16
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Cho da Saudade
Agustín Barrios Mangoré; Craig Ogden |
5:16 | |||
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1.17
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Las Abejas
Agustín Barrios Mangoré; Craig Ogden |
2:12 | |||
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Canciones populares catalanas
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1.18
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El Noi de la Mare
Miguel Llobet; Craig Ogden |
2:07 | |||
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1.19
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El Testament d'Amelia
Miguel Llobet; Craig Ogden |
2:09 | |||
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1.20
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El Mestre
Miguel Llobet; Craig Ogden |
3:38 | |||
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1.21
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Mis Dolencias
Anonymous; Craig Ogden; Alison Stephens |
3:07 | |||
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Suite Andaluza
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1.22
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I. Soleares
Celedonio Romero; Craig Ogden |
4:06 | |||
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Homenaje a Tárrega, Op. 69
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1.23
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II. Soleares
Joaquín Turina; Craig Ogden |
1:51 | |||
44.1 kHz / 24-bit PCM – Chandos Studio Masters
Tracks 1-23 – contains high-resolution digital transfers of material originating from an analogue master source Track 11 – 44.1 kHz / 20-bit PCM
Tracks 1-23 – contains high-resolution digital transfers of material originating from an analogue master source Track 11 – 44.1 kHz / 20-bit PCM
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -6.70 -11.95 to -0.84 | -28.99 -34.25 to -25.63 | -25.85 -30.90 to -22.60 | 15 12 to 18 | |
| 1 | I. Allegro (Arr. for Guitar and Mandolin) | -7.26 | -27.84 | -24.9 | 13 |
| 2 | II. Largo (Arr. for Guitar and Mandolin) | -11.60 | -34.25 | -30.9 | 16 |
| 3 | III. Allegro (Arr. for Guitar and Mandolin) | -8.64 | -28.31 | -25.2 | 14 |
| 4 | Mandolin Concerto in G Major, S. 28 (Arr. for Guitar and Mandolin) | -2.86 | -27.91 | -25.0 | 16 |
| 5 | Grand duo concertant, Op. 85 | -3.02 | -28.21 | -25.2 | 14 |
| 6 | Polcha variata | -7.48 | -29.89 | -25.7 | 14 |
| 7 | Amor si culla, Op. 133 | -3.61 | -29.11 | -24.0 | 17 |
| 8 | Petite Bolero | -3.50 | -25.63 | -22.6 | 14 |
| 9 | El Colibri | -11.95 | -30.81 | -27.7 | 12 |
| 10 | Choros No. 1 | -3.85 | -28.58 | -25.7 | 16 |
| 11 | Prelude No. 1 | -4.79 | -27.11 | -24.4 | 15 |
| 12 | I. Allegro | -7.37 | -28.41 | -25.5 | 15 |
| 13 | II. Allegro | -9.18 | -28.75 | -25.8 | 13 |
| 14 | III. Allegro ritmico | -9.05 | -27.74 | -24.9 | 13 |
| 15 | IV. | -1.98 | -28.23 | -25.5 | 16 |
| 16 | Cho da Saudade | -7.93 | -28.89 | -26.2 | 15 |
| 17 | Las Abejas | -10.74 | -29.57 | -26.7 | 12 |
| 18 | El Noi de la Mare | -11.02 | -33.99 | -30.7 | 15 |
| 19 | El Testament d'Amelia | -10.86 | -32.61 | -29.5 | 14 |
| 20 | El Mestre | -8.96 | -32.59 | -29.1 | 15 |
| 21 | Mis Dolencias | -0.84 | -25.74 | -23.0 | 15 |
| 22 | I. Soleares | 0.00 | -26.21 | -23.1 | 18 |
| 23 | II. Soleares | -1.03 | -26.32 | -23.2 | 16 |